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English literature --- Wills in literature --- Bibliography --- History and criticism --- 091:82 --- 820 <01> --- -Wills in literature --- -English literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Handschriftenkunde. Handschriftencatalogi-:-Literatuur. Algemene literatuurwetenschap --- Engelse literatuur--Bibliografieën. Catalogi --- 820 <01> Engelse literatuur--Bibliografieën. Catalogi --- 091:82 Handschriftenkunde. Handschriftencatalogi-:-Literatuur. Algemene literatuurwetenschap --- Authors, English --- English literature - Bibliography --- Wills in literature - Bibliography --- English literature - History and criticism
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English literature --- Wills in literature --- Wills --- Literary form --- History and criticism --- Literary form. --- Wills in literature. --- History and criticism. --- English literature - History and criticism --- Wills - Great Britain
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Psycholinguistics --- Bibliography --- -Language, Psychology of --- Language and languages --- Psychology of language --- Speech --- Linguistics --- Psychology --- Thought and thinking --- Psychological aspects --- -Bibliography --- Language, Psychology of --- Psycholinguistics - Bibliography
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The Austrian Empire was not a colonial power in the sense that fellow actors like 19th-century England and France were. It nevertheless oversaw a multinational federation where the capital of Vienna was unmistakably linked with its eastern periphery in a quasi-colonial arrangement that inevitably shaped the cultural and intellectual life of the Habsburg Empire. This was particularly evident in the era’s colonial utopian writing, and Tropics of Vienna blends literary criticism, cultural theory, and historical analysis to illuminate this curious genre. By analyzing the works of Leopold von Sacher-Masoch, Theodor Herzl, Joseph Roth, and other representative Austrian writers, it reveals a shared longing for alternative social and spatial configurations beyond the concept of the “nation-state” prevalent at the time.
Austrian literature --- Utopias in literature. --- Colonies in literature. --- History and criticism. --- Utopian literature --- German literature --- Austrian authors --- Vienna (Austria) --- Intellectual life --- Wien (Austria) --- Vi︠e︡denʹ (Austria) --- Vedenʹ (Austria) --- Vena (Austria) --- Wiedëń (Austria) --- Bécs (Austria) --- Vindobona (Austria) --- Videnʹ (Austria) --- Vienne (Austria) --- Viena (Austria) --- Wienn (Austria) --- Dunaj (Austria) --- Wean (Austria) --- Wenen (Austria) --- Wina (Austria) --- Wene (Austria) --- Uigenna (Austria) --- فيينا (Austria) --- Fīyinnā (Austria) --- Vyana (Austria) --- Вена (Austria) --- Горад Вена (Austria) --- Виена (Austria) --- Beč (Austria) --- Fienna (Austria) --- Viin (Austria) --- Βιέννη (Austria) --- Вена ош (Austria) --- Vena osh (Austria) --- Vieno (Austria) --- Viene (Austria) --- Vín (Austria) --- Veen (Austria) --- 빈 (Austria) --- Венæ (Austria) --- Venæ (Austria) --- וינה (Austria) --- Ṿinah (Austria) --- Vienna (Reichsgau)
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The Austrian Empire was not a colonial power in the sense that fellow actors like 19th-century England and France were. It nevertheless oversaw a multinational federation where the capital of Vienna was unmistakably linked with its eastern periphery in a quasi-colonial arrangement that inevitably shaped the cultural and intellectual life of the Habsburg Empire. This was particularly evident in the era’s colonial utopian writing, and Tropics of Vienna blends literary criticism, cultural theory, and historical analysis to illuminate this curious genre. By analyzing the works of Leopold von Sacher-Masoch, Theodor Herzl, Joseph Roth, and other representative Austrian writers, it reveals a shared longing for alternative social and spatial configurations beyond the concept of the “nation-state” prevalent at the time.
Literature --- Austrian literature --- Utopias in literature. --- Colonies in literature. --- History and criticism. --- Vienna (Austria) --- Intellectual life
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