Listing 1 - 10 of 17 | << page >> |
Sort by
|
Choose an application
After covering the genre's early history and theorizing its general characteristics, this volume then focuses on specific instances of sports films, such as the biopic, the sports history film, the documentary, the fan film, the boxing film, and explores issues such as gender, race, spectacle and silent comedy. Four major films are then closely analysed - Chariots of Fire, Field of Dreams, the Indian cricket epic Lagaan, and Oliver Stone's Any Given Sunday. While recording American film's importance to the genre, the book resists the conventional over-concentration on American cinema and sports by its attention to other cinemas, for example the British, Indian, Australian, South Korean, Thai, German, New Zealand, Spanish, and so on, with the many different sports they depict.
Sports films --- Sports videos --- Motion pictures --- History and criticism.
Choose an application
Choose an application
Film --- United Kingdom
Choose an application
Choose an application
The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886-1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.
Choose an application
Film --- United States --- 791.43 <09> --- 791.43.04-055.2 --- Comedy films --- Love in motion pictures --- Sex in motion pictures --- Sex role in motion pictures --- Women in motion pictures --- Man-woman relationships in motion pictures --- #SBIB:309H1326 --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films --- Filmgeschiedenis. Filmhistorie --- De vrouw in de film --- History and criticism. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43.04-055.2 De vrouw in de film --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- History and criticism --- United States of America
Choose an application
Choose an application
Choose an application
Music --- Film --- film [discipline] --- musical performances --- United States of America
Choose an application
Cinema --- Films (Motion pictures) --- Special subjects --- Sexual relationships --- Cinema films
Listing 1 - 10 of 17 | << page >> |
Sort by
|