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830 "18" GOETHE, JOHANN WOLFGANG --- Duitse literatuur--19e eeuw. Periode 1800-1899--GOETHE, JOHANN WOLFGANG --- 830 "18" GOETHE, JOHANN WOLFGANG Duitse literatuur--19e eeuw. Periode 1800-1899--GOETHE, JOHANN WOLFGANG --- Newton (Isaac) / en kleur. --- Kleur / in de letterkunde. 17e-19e eeuw. --- Kleur. Waarneming. 17e-19e eeuw. --- Kleur. Fysica. 17e-19e eeuw. --- Visuele waarneming. 17e-19e eeuw. --- Goethe (Johann Wolfgang von) / et couleurs. --- Newton (Isaac) / et couleur. --- Couleur / dans la littérature. 17e-19e s. --- Couleur. Perception. 17e-19e s. --- Couleur. Physique. 17e-19e s. --- Perception visuelle. 17e-19e s. --- Goethe (Johann Wolfgang von) / en kleuren. --- Color. --- Visual perception. --- German literature --- Romanticism --- English literature --- Comparative literature --- History and criticism. --- German and English. --- English and German. --- Goethe, Johann Wolfgang von, --- Knowledge --- Science. --- Aesthetics. --- Young Germany --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Psychological aspects --- Goethe, Johann Wolfgang --- Goethe --- Goethe, Johann Wolfgang von --- Von Goethe, Johann Wolfgang --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- ゲエテ
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Aesthetics --- Organism (Philosophy) --- Philosophy --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Aesthetics. --- Organism (Philosophy). --- Esthétique. (Mélanges) --- Esthetica. (Versch. onderwerpen) --- Radio broadcasting Aesthetics
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Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.
Drama --- Theatrical science --- English literature --- anno 1700-1799 --- anno 1800-1899 --- Great Britain --- Théâtre et société --- Theater --- English drama --- Acting --- Theater audiences --- Theaters --- Theater and society --- Théâtre --- Théâtre anglais --- Art dramatique --- Théâtre et société --- History --- History and criticism. --- History. --- Stage-setting and scenery --- Political aspects --- Histoire --- Histoire et critique --- Publics --- Décors et mise en scène --- Aspect politique --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Actors --- Society and theater --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Audiences, Theater --- Theatergoers --- Theater attendance --- Elocution --- Social status --- Social aspects --- Audiences
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Mimesis in literature. --- Romanticism. --- Mimésis dans la littérature --- Romantisme --- Representation (Literature) --- Literature --- anno 1800-1899 --- Mimesis in literature --- Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Imitation in literature --- Realism in literature
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Between the advent of the French Revolution and the short-lived success of the Chartist Movement, overworked and underpaid labourers struggled to achieve solidarity and collective bargaining. That history has been told in numerous accounts of the age, but never before has it been told in terms of the theatre of the period. To understand the play lists of a theatre, it is crucial to examine the community which that theatre serves. In the labouring-class communities of London and the provinces, the performances were adapted to suit the local audiences, whether weavers, or miners, or field workers. Examining the conditions and characteristics of representative provincial theatres from the 1790s to 1830s, Frederick Burwick argues that the meaning of a play changes with every change in the performance location. As contributing factors in that change, Burwick attends to local political and cultural circumstances as well as to theatrical activities and developments elsewhere.
Theater --- English drama --- Working class --- Théâtre --- Théâtre (genre littéraire) anglais --- Classe ouvrière --- History --- History and criticism. --- Histoire et critique.
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A comprehensive survey of Samuel Taylor Coleridge's writings as a poet and literary critic, as a philosopher and lecturer, as a commentator on religion and politics. Provides 37 specially written contributions by an international team of experts providing the most advanced scholarship in each area.
Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation -- Handbooks, manuals, etc. --- English --- Languages & Literatures --- English Literature --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- 820.015.55 --- 820-1 "18" --- 820.015.55 Engelse literatuur: literaire stromingen: romantiek --- Engelse literatuur: literaire stromingen: romantiek --- 820-1 "18" Engelse literatuur: poëzie--19e eeuw. Periode 1800-1899 --- Engelse literatuur: poëzie--19e eeuw. Periode 1800-1899 --- Criticism and interpretation
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Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- History
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