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Fiction --- American literature --- African American women in literature --- Afro-Amerikaanse vrouwen in de literatuur --- Femmes afro-américaines dans la littérature --- Influence (Literary, artistic, etc.) --- Influence littéraire, artistique, etc. --- Intertextualiteit --- Intertextuality --- Intertextualité --- Invloed (Literaire, artistieke, enz.) --- 820 <73> --- American fiction --- -American fiction --- -Influence (Literary, artistic, etc.) --- Women and literature --- -African American women --- -African American women in literature --- -American literature --- Afro-American women in literature --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Literature --- Criticism --- Semiotics --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Intermediality --- Originality in literature --- Amerikaanse literatuur --- Women authors --- -History and criticism --- History and criticism --- History --- -Intellectual life --- African American authors --- 820 <73> Amerikaanse literatuur --- -Amerikaanse literatuur --- -Afro-American women in literature --- African American women --- Intellectual life --- African American authors&delete& --- Women authors&delete& --- 20th century --- United States --- Hurston, Zora Neale --- Morrison, Toni --- Naylor, Gloria --- Walker, Alice --- Baldwin, James --- Criticism and interpretation --- Ellison, Ralph Waldo --- Reed, Ishmael --- Toomer, Jean --- Femmes et littérature --- Roman américain --- États-Unis --- 20e siècle --- Histoire et critique
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After decades of relegation to the margins of American literary history, Zora Neale Hurston's Their Eyes Were Watching God has recently been rediscovered by American literary and cultural scholars who have begun to explore the novel's thematic, ideological, and aesthetic complexity. In the introduction to this volume Michael Awkward provides an overview of the critical reception of Hurston's novel, from the largely dismissive reviews accompanying the novel's publication in 1937, to factors which helped revive interest in Hurston in the 1960s, to its recent establishment as a central American novel. The other essays in the volume discuss Hurston's sophisticated use of black folklore, the autobiographical resonances in the novel, Hurston's definition of the relationship between black artists and the Afro-American masses, and the usefulness of feminist modes of inquiry. This collection offers fresh insight for approaching Hurston's compelling exploration of a black woman's extended search for self and community.
American literature --- Thematology --- Psychological study of literature --- Hurston, Zora Neale --- African American women in literature --- Afro-Amerikaanse vrouwen in de literatuur --- Femmes afro-américaines dans la littérature --- Noires américaines dans la littérature --- Hurston, Zora Neale. --- Afro-American women in literature --- African American women in literature. --- Noires américaines dans la littérature --- Arts and Humanities --- Literature
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African American men --- African American women in literature. --- African American women --- African Americans in literature. --- American literature --- American literature --- Criticism --- Feminism and literature --- Feminist literary criticism --- Race in literature. --- Sex role in literature. --- Women and literature --- Attitudes. --- Intellectual life. --- African American authors --- History and criticism --- Theory, etc. --- Women authors --- History and criticism --- Theory, etc. --- Political aspects --- Male authors.
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