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Showcasing works from all of his major series, the book surveys the full sweep of Stella's career, from his artistic beginnings in high school and college to today. The plates section comprises more than 100 works, including paintings, sculptures, reliefs, and works on paper. Notable inclusions are his seminal Black Paintings, recent high-relief aluminum works, and a selection of drawings, maquettes, and digital renderings--many of which are reproduced here for the first time--that offer fresh insight into Stella's thinking and process. Essays discuss topics such as the artist's early years at Phillips Academy in Andover and Princeton University, and his late-career architectural pieces created with the aid of computer software. An interview with Stella conducted by American painter Laura Owens allows Stella to illuminate his artistic practice in his own words. Additional resources include a chronology with extensive bibliographic and exhibition references.

preparatory studies --- Sculpture --- Painting --- mixed media --- sculpture [visual work] --- painting [image-making] --- Minimal --- Stella, Frank --- Art, American --- 7.07 --- 7.038 --- 75.07 --- 76.07 --- Beeldende kunst ; 20ste eeuw ; Frank Stella --- Hard Edge Painting --- Post-painterly abstraction --- Abstract Expressionisme ; Color Field Painting --- Stella, Frank °1936 (°(Malden (Massachusetts, Verenigde Staten) --- Tentoonstellingscatalogi ; New York ; Whitney Mus. of American Art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Schilderkunst ; schilders --- Grafische kunst ; grafische kunstenaars A-Z --- Exhibitions --- sculpture [visual works] --- Monographie

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Schilderkunst Abstract Expressionisme --- Schilderkunst 20ste eeuw --- 75.037 --- (069) --- Schilderkunst 1900 - 1950 --- (Musea. Collecties) --- Expressionnisme abstrait --- Peinture américaine --- Organized by Michael Auping ; with essays by Michael Auping, Ann Gibson, Donald Kuspit [et al.] --- abstract expressionisme --- Gorky Arshile --- Gottlieb Adolph --- Guston Philip --- Hoffman Hans --- Kline Franz --- De Kooning Willem --- Krasner Lee --- Motherwell Robert --- Pollock Jackson --- Reinhardt Ad --- Still Clyfford --- Tobey Mark --- Tomlin Bradley Walker --- Abstract Expressionist --- Tobey, Mark --- Motherwell, Robert --- Baziotes, William --- Tomlin, Bradley Walker --- Reinhardt, Ad --- Hofmann, Hans --- Gorky, Arshile --- Gottlieb, Adolph --- Kline, Franz --- Peinture américaine --- History --- Art --- art history --- Art styles --- Kooning, de, Willem --- Still, Clyfford --- Rothko, Mark --- Newman, Barnett --- Guston, Philippe --- Krasner, Lee --- Pollock, Jackson --- anno 1930-1939 --- anno 1900-1999 --- anno 1940-1949 --- anno 1950-1959 --- United States --- Painting --- Abstract expressionism --- Painting, American --- 75.036 --- Baziotes William --- kunst --- Newman Barnett --- Rothko Mark --- schilderkunst --- twintigste eeuw --- Verenigde Staten --- Schilderkunst ; 20ste eeuw --- Schilderkunst ; Abstract Expressionisme --- Schilderkunst ; 1900 - 1950 --- Exhibitions --- Exhibitions. --- Expositions --- United States of America

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At the Modern Art Museum of Fort Worth, Michael Auping helped transform the museum into an internationally acclaimed institution. This book collects nearly eighty conversations with more than forty of the artists he worked with, including Georg Baselitz, Louise Bourgeois, Ellsworth Kelly, Anselm Kiefer, Bruce Nauman, Ed Ruscha, Richard Serra, Frank Stella, Kara Walker, and Lawrence Weiner. In his interviews--divided into thematic chapters such as "Dimensions of Drawing," "The Studio," "Figures of Speech," and "Light and Space," Auping's probing and eloquent curiosity elicits illuminating and fascinating insights from his subjects and touches on every aspect of the artistic process, allowing many of the artists to reveal interests and influences not exposed in other contexts.

Art contemporain --- Artists --- Bates, David --- Ando, Tadao, 1941 --- -Baselitz, Georg --- Bechtle, Robert --- Borofsky, Jonathan --- Bradford, Mark --- Bourgeois, Louise --- Brown, Joan --- Burn, Ian --- Creeley, Robert --- Byars, James Lee --- Chamberlain, John --- Clemente, Francesco --- Duncan, Robert --- Feldman, Morton --- Fisher, Vernon --- Guo-Qiang, Cai --- Freud, Lucian --- Holzer, Jenny --- Irwin, Robert --- Huebler, Douglas --- Jess --- Kentridge, William --- Kelly, Ellsworth --- Kiefer, Anselm --- Lewitt, Sol --- Long, Richard --- Martin, Agnes --- Nauman, Bruce --- Nixon, Nicholas --- Pearlstein, Philip --- Rothenberg, Susan --- Pistoletto, Michelangelo --- Ruscha, Edward --- Schnabel, Julian --- Scully, Sean --- Serra, Richard --- Shore, Stephen --- Simmons, Laurie --- Stella, Frank --- Walker, Kara --- Weiner, Lawrence --- Wilmarth, Christopher

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From the Publisher: A retrospective volume of Susan Rothenberg's work, this book addresses the artist's entire career to date, focusing on her unique methods and themes. Full-color illustrations and foldouts of Rothenberg's best- known early works as well as exciting new paintings afford readers the chance to observe the evolution of Rothenberg's themes. From her earliest horse paintings through her spinning figures of the 1980s and early 1990s to her most recent series of paintings of dismembered puppets, this book highlights key compositional strategies in Rothenberg's work. Michael Auping contributes an essay addressing Rothenberg's painting process and the eclectic influences that have helped shape her figurative and spatial distortions. Barbara Buhler Lynes addresses Rothenberg's work in the context of Santa Fe and the tradition of twentieth-century women artists it has inspired, from Mable Dodge Luhan to Georgia O'Keeffe to Agnes Martin.

Rothenberg, Susan,

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