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At 18, Corita Kent (1918-86) entered the Roman Catholic order of Sisters of the Immaculate Heart of Mary in Los Angeles, where she taught art and eventually ran the art department. After more than 30 years, at the end of the 1960s, she left the order to devote herself to making her own work. Over a 35-year career she made watercolors, posters, books and banners--and most of all, serigraphs--in an accessible and dynamic style that appropriated techniques from advertising, consumerism and graffiti. The earliest, which she began showing in 1951, borrowed phrases and depicted images from the Bible; by the 1960s, she was using song lyrics and publicity slogans as raw material. Eschewing convention, she produced cheap, readily available multiples, including a postage stamp. Her work was popular but largely neglected by the art establishment--though it was always embraced by such design luminaries as Charles and Ray Eames, Buckminster Fuller and Saul Bass. More recently, she has been increasingly recognized as one of the most innovative and unusual Pop artists of the 1960s, battling the political and religious establishments, revolutionizing graphic design and making some of the most striking--and joyful--American art of her era, all while living and practicing as a Catholic nun. This first study of her work, organized by Julie Ault on the 20th anniversary of Kent's death, with essays by Ault and Daniel Berrigan, is the first to examine this important American outsider artist's life and career, and contains more than 90 illustrations, many of which are reproduced for the first time, in vibrant, and occasionally Day-Glo, color.Bron : https://www.amazon.com/Come-Alive-Spirited-Sister-Corita/dp/0954502523

Corita, --- 766.07 --- 76.07 --- Grafische vormgevers ; 20ste eeuw ; Sister Corita --- Sister Corita (Frances Elizabeth Kent) 1918-1986 (° Fort Dodge, Iowa, Verenigde Staten) --- Kent, Frances Elizabeth --- Grafiek ; zeefdrukken --- Grafische vormgeving ; reclame ; affiches ; 1960-1970 --- Posters ; billboards ; kleur ; tekst ; beeld --- Pop-Art --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Grafische kunst ; grafische kunstenaars A-Z --- kunst --- 75.071 CORITA --- 76.071 CORITA --- 766.071 CORITA --- 7.071 CORITA --- Sister Corita --- Kent Corita --- activisme --- affiches --- posters --- zeefdruk --- reclamevormgeving --- reclame --- katholicisme --- kunst en religie --- pop art --- sixties --- kunst en politiek --- grafische vormgeving --- grafisch ontwerp --- grafisch design --- grafiek --- schilderkunst --- tekenkunst --- twintigste eeuw --- Verenigde Staten --- poetry --- street cries --- Pop [fine arts styles] --- Kent, Corita --- anno 1900-1999 --- Rooms-Katholieke Kerk --- Non --- Religieuze kunst --- Vormgeving --- Vrouw --- Vormgever --- Typografie --- Graffiti --- Zeefdruk

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"on distance" is a volume of photographs by Heinz Peter Knes representing a small selection from his extensive archive of travel photography dating back to 2010. Unlike a conventional approach to a personal travel log, indexing places and situations, ordered according to chronologies or geographies, the photos and their ordering reflect upon broader cultural themes driven by personal interests, desires, and chance. The book is published on the occasion of Danh Vo's exhibition "mothertongue" at the Danish Pavilion, Venice 2015.

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Art --- Sculpture --- Photography --- art [discipline] --- photography [process] --- sculpting --- Horn, Roni --- United States of America

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Photography --- Kent, Corita

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Gillick, Liam ; Rehberger, Tobias ; Sadek, Walid ; Vidokle, Anton ; Dexter Sinister ; Pellapaisiostis, Haris

Abu ElDahab, Mai ; Waldfogel, Florian ; Vidokle, Anton