Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Im Mittelpunkt der Studie stehen Entwicklung, Gestaltung und Funktion von Altargemälden mit eingebettetem Gnadenbild im Italien des 15. bis 17. Jahrhunderts. Vor allem für ältere Marienbilder schufen Künstler eigens Altarwerke als Rahmung, um die Wahrnehmung des Betrachters visuell und emotional zu lenken. Dieser Gattung des 'Rahmenbildes' widmet sich die Autorin erstmalig systematisch. Ein Katalogteil zeigt nicht nur die weite Verbreitung der Werke in Ober- und Mittelitalien, sondern auch die ikonographische und stilistische Kontinuität. 0Anhand ausgewählter Arbeiten von Künstlern wie Empoli, Santi di Tito oder Francesco Vanni erläutert der Band die Bildthemen, die Materialität und Medialität der mehrteiligen Gemälde und verankert das Rahmenbild innerhalb der Frömmigkeitspraktiken zur Zeit der Katholischen Reform. Unter Berücksichtigung zahlreicher Inventarbücher, Berichte von Kirchenbesuchen, historischer Abhandlungen und lokaler Guidenliteratur wird die Bedeutung der Rahmenbilder bei der Verehrung von Gnadenbildern anschaulich.

Christian special devotions --- Painting --- worship --- altarpieces --- frames [protective furnishings] --- Mariale devoties --- Mariaverering --- Mary [s.] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Italy --- Altarpieces, Renaissance --- Altarpieces, Baroque --- Picture frames and framing. --- Art and religion. --- Art, Italian --- Art, Italian. --- Design. --- Mary, --- Art. --- 1400-1699 --- Italy. --- Art, Renaissance --- Christelijke kunst --- heiligenverering

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Located at the link between man and the nature that surrounds him, food overlaps in the cycle of production, preparation, consumption and excretion of biological necessity, cultural technique and cultural transformation. Against the background of cultural-scientific contexts, food is examined as an "art material", as a material and motif of art, and the material "metabolism" that can be grasped in it between cultural valuations and processes of decay. The anthology brings together questions, discussions and perspectives from the two-day conference "Metabolisms. Food in Art" at the Warburg House and the Dieter Roth Museum Hamburg in November 2017.

Decay --- Transience --- Food --- Eat art --- Object art --- Intermediality --- Cultural technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Located at the link between man and the nature that surrounds him, food overlaps in the cycle of production, preparation, consumption and excretion of biological necessity, cultural technique and cultural transformation. Against the background of cultural-scientific contexts, food is examined as an "art material", as a material and motif of art, and the material "metabolism" that can be grasped in it between cultural valuations and processes of decay. The anthology brings together questions, discussions and perspectives from the two-day conference "Metabolisms. Food in Art" at the Warburg House and the Dieter Roth Museum Hamburg in November 2017.

Decay --- Transience --- Food --- Eat art --- Object art --- Intermediality --- Cultural technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- emotion --- visual perception --- anno 1500-1599 --- anno 1600-1699