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Between 1970 and 1980, the Detroit Printing Co-op, spearheaded by Fredy and Lorraine Perlman, was responsible for the first English translation of Guy Debord's Society of the Spectacle, printed journals like SDS' Radical America, ultra-left books by their in-house press, Black & Red, and countless posters, pamphlets, and books printed by high school students, black radicals, labor organizers, and anarchists who made use of the freely available facilities at the Co-op. Fredy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes, and materiality of printing. While at the Detroit Printing Co-op, he rethought the possibilities of prit by experimenting with overprinting, collage techniques, and different kinds of papers. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation, and pride of craft. "The Detroit Printing Co-op" is a timely exploration of the history, output, and legacy of this unique enterprise, and serves as a testament to the power of printing, publishing, design, and distribution.

Publishers and publishing, Cooperative --- Small presses --- Publishers and publishing, Cooperative --- Publishers and publishing, Cooperative --- Politics in art --- Social problems in art --- History --- History --- Influence --- Political aspects

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Lafayette Park, an affordable middle-class residential area in downtown Detroit, is home to the largest collection of buildings designed by Ludwig Mies van der Rohe in the world. Today, it is one of Detroit's most racially integrated and economically stable neighborhoods, although it is surrounded by evidence of a city in financial distress. Through interviews with and essays by residents; reproductions of archival material; and new photographs by Karin Jobst, Vasco Roma, and Corine Vermeulen, and previously unpublished photographs by documentary filmmaker Janine Debanné, Thanks for the View, Mr. Mies examines the way that Lafayette Park residents confront and interact with this unique modernist environment. Lafayette Park has not received the level of international attention that other similar projects by Mies have. This may be due in part to its location in Detroit, a city whose most positive qualities are often overlooked in the media. This book is a reaction against the way that iconic modernist architecture is often represented. Whereas other writers may focus on the design intentions of the architect, authors Aubert, Cavar and Chandani seek to show the organic and idiosyncratic ways that the people who live in Lafayette Park actually use the architecture and how this experience, in turn, affects their everyday lives. While there are many publications about abandoned buildings in Detroit and about the city's prosperous past, this book is about a remarkable part of the city as it exists today, in the twenty-first century.

Architecture --- Parks --- Planned communities --- Urban landscape architecture --- History --- Mies van der Rohe, Ludwig, --- Lafayette Park (Detroit, Mich.) --- Buildings, structures, etc.