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Pensé comme une arme de combat, le livre Prostitution coloniale et postcoloniale – premier opus d'une collection lancée par La Colonie Éditions à l'automne 2019 – a pour objectif d'éclairer les liens systémiques entre colonisation et prostitution au travers d'une relecture de ce que fut le réglementarisme colonial. Centré sur le travail de l'historienne Christelle Taraud, spécialiste de la prostitution coloniale au Maghreb, l'ouvrage souhaite cependant, aux travers des contributions de la politologue Françoise Vergès et de l'écrivain Arno Bertina, discuter des nombreux héritages de cette histoire dans notre contemporanéité, ici et là-bas. De même, parce qu'il repose sur la symétrie des expertises, le livre fait une large place, dans une conversation nourrie et fructueuse, aux liens qui peuvent se nouer entre chercheur-e-s, activistes et/ou artistes. Ce que traduisent bien les propositions des artistes Kader Attia, Pascale Obolo, Souad El Maysour et de l'écrivaine Hélène Azera qui font écho, dans le passé comme dans le présent, aux témoignages, aux récits et aux œuvres des travailleuses du sexe elles-mêmes telles Germaine Aziz, Grisélédis Réal, Myln Juste ou bien Aying. En mettant l'accent sur la polyphonie des voix, la diversité des discours et la pluralité des actions, ce livre singulier a donc pour objectif de donner la parole – en la prenant au sérieux au-delà des discours fantasmatiques et/ou victimaires et misérabilistes – aux individus prostitués dans un dialogue permanent et fécond avec les artistes et les chercheur-e-s : une démarche qui en fait un objet, pédagogique et politique, autant vital qu'atypique.

Prostitution --- Prostitution

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sculpting --- installations [visual works] --- faces [animal components] --- photography [process] --- surgery --- Art --- Attia, Kader --- Art, African --- Found objects (Art) --- Civilization, Western --- Art africain --- Objets trouvés (Art) --- Civilisation occidentale --- Catalogs --- Catalogues --- Attia, Kader, --- Catalogs. --- Objets trouvés (Art) --- surgery [health care function] --- faces [human components]

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"Navigating the Planetary": the title of this book points to an interconnected art world that transcends not only art's old Eurocentric models, but also the "global," with a more holistic approach. The "planetary" has become a buzzword, yet navigating it remains a major challenge for many artists, curators, critics, and other art practitioners. This volume is a guidebook for readers looking for entry points into planetary approaches to contemporary art. It is for researchers already in the field, but also for those who don't know where to begin. Through essays, case studies, and interviews situated in the past, present, and looking to the future, this book explores people, institutions, and thoughts that are shifting or dissolving East/West and Global North/South binaries. This book also asks: why navigate the planetary at all--and is the desire to do so part of a political agenda? Do global or planetary networks offer solutions to cultural problems, and how are these networks best established and maintained? And how can or should education support a planetary or global consciousness or approach to art? "Navigating the Planetary" attempts to answer these questions, as well as offer a sense of possibility

Art and globalization. --- Art, Modern --- Art, Modern. --- Art et mondialisation. --- Art

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Art --- installations [visual works] --- sculpting --- Attia, Kader

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This monograph gives a comprehensive overview of the variety and scope of the research carried out by Kader Attia (*1970 in Dugny, Seine-Saint-Denis, lives and works in Berlin and Algiers) over the past 15 years, using media as varied as installation, video, photography, and collage. It highlights the unique and powerful ways in which Attia addresses the global entanglement of culture, politics, and identity. Attia's artistic research is informed by his own experience of moving back and forth as a child between France and Algeria, between the Christian Occident and the Islamic Maghreb, and later by his years spent in Venezuela and the Congo. His work tackles, in a very explicit yet poetic way, the entangled relationship between Western thought and non-Western cultures, particularly through architecture, the human body, history, culture, and religion.

kunst --- Attia Kader --- migratie --- postkolonialisme --- kunst en politiek --- kunst en stedelijkheid --- 7.071 ATTIA --- Frankrijk --- Zwitserland --- eenentwintigste eeuw --- Exhibitions --- Art --- documents [object genre] --- installations [visual works] --- repairing --- psychology --- video art --- surgery [health care function] --- projections [visual works] --- heads [representations] --- postcolonialism --- sculpting --- Attia, Kader --- Catalogues d'exposition --- trauma (kunst)