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Theatrical science --- Antiquity --- Greece --- Greek drama --- -Theater --- -Theater audiences --- -Audiences, Theater --- Theater --- Theatergoers --- Performing arts --- Theater attendance --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- Greek literature --- History and criticism --- History --- -History --- -Audiences --- Audiences --- Theater audiences --- History and criticism. --- -History and criticism --- -Greek drama --- Audiences, Theater --- theatergeschiedenis
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Theater --- -792 --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- -Theater. Theaterwetenschap. Toneel --- 792 Theater. Theaterwetenschap. Toneel --- Theater. Theaterwetenschap. Toneel --- 792 --- 792 Theatre. Stagecraft. Dramatic performances --- Theatre. Stagecraft. Dramatic performances
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French drama --- Theater --- History and criticism. --- History. --- History and criticism --- History
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Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practice
Theater --- Theater audiences --- Greek drama --- Audiences, Theater --- Theatergoers --- Performing arts --- Theater attendance --- History. --- History and criticism. --- Audiences --- Greek drama - History and criticism --- Theater audiences - Greece - History --- Theater - Greece - History --- Greece. --- Theatre.
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