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With his residential buildings, office blocks, schools and factories, Boris Velikovsky (1878-1937) made a definitive contribution to Russian avant-garde architecture. His early constructions, such as Gribov House in Moscow, are still very much bound to Russian Neoclassism, yet since the Revolution of 1917, he increasingly designed Constructivist architecture. One example is his Gostorg Management Building, distinguished by glass facades, the functional division of space and use of state-of-the-art materials. Furthermore in the garden city of Druzhba for instance, Velikovsky intensively engaged with new ideas in town planning. With mostly hitherto unpublished technical plans as well as numerous historical and new colour photographs of his most famous projects, Boris Velikowsky's contribution to Russian avant-garde architecture is appreciated for the first time in book form.
72.07 --- 72.037(470) --- 72.037(47) --- Architectuur ; Rusland ; 1ste helft 20ste eeuw ; B. Velikovsky --- Architectuur ; Russische avant-garde --- Architectuur ; Russisch Constructivisme --- Neoclassicisme --- OSA Groep (Organization of Contemporary Architects) --- Velikovsky, Boris Mikhailovich 1878-1937 (°Propoisk/Slavgorod, Belarus, Rusland) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1900 - 1950 ; Rusland --- Architectuurgeschiedenis ; 1900 - 1950 ; voormalige Europese USSR --- Architektur --- Avantgarde --- Boris Velikovsky --- Bribov --- Druzhba --- Gartenstadt --- Gostorg --- Konstruktivismus --- Moskau --- Neoklassizismus --- Stadtplanung --- Projet d'architecture --- Avant-garde --- Vitrage --- Urbanisme --- Russie --- Moscou
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Art collectors and collections make up an important part of the contemporary arts and crafts infrastructure. Not only do museums and art collectors improve an artist's financial situation by buying their work; just as important is the symbolic meaning of the collection. To be included in the 'right' collection or museum can give the artist a high level of recognition; at the same time the purchase secures the work a place in a system whose aim is to preserve the work for the future. Collecting is a selection process which has economic, social, political and art historical implications and consequences for the artist, the art scene and the public. In 'On Collecting' the authors look at collecting from public, private and personal perspectives to shed light on some of the structures that are responsible for how artworks become 'collectable' and thus available to the public in museums and public spaces.
7.01 --- Kunst ; theorie, filosofie, esthetica --- Applied arts. Arts and crafts --- crafts [art genres] --- materialen (kunst) --- exhibitions [events] --- collecting --- verzamelen --- MAD-faculty 18 --- kunstnijverheid --- kunstkritiek --- materialen --- hedendaagse kunst --- Art --- Art museums. --- Musées d'art --- Collectors and collecting. --- Collectionneurs et collections --- Museology --- museums [buildings] --- exhibiting --- tentoonstellingen --- musea
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