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Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organizations. In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art's sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.
Museums --- Museums --- Museums --- Funding --- Public relations --- Social aspects
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"The work of Metahaven consists of filmmaking, writing, graphic design, and installations, and is united by interests in poetry, storytelling, digital superstructures, and propaganda. Central to their practice is the narration of technological and political conditions through aesthetically immersive plots. Told through a multitude of languages and genres, their work imagines alternate realities and potential futures, and builds on a lineage of filmmakers and artists who use investigative and speculative methods to pinpoint the urgencies of their time"--Page 4 of cover.
Metahaven --- kunst --- activisme --- 7.071 METAHVEN --- 766.071 METAHVEN --- politiek --- information design --- informatiedesign --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- videokunst --- video --- muziek --- video-installaties --- installaties --- film --- Van der Velden Daniel --- Kruk Vinca --- design --- Nederland --- eenentwintigste eeuw --- twintigste eeuw --- Metahaven (Design studio) --- Exhibitions --- Art --- installations [visual works] --- multimedia works --- graphic design --- video art --- information technology --- virtual reality --- political art --- Metahaven [Amsterdam] --- 7.07 --- 766.07 --- Beeldende kunst ; 21ste eeuw ; Metahaven --- Kunst en activisme --- Metahaven ; opgericht door Vinca Kruk en Daniël van der Velden --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z
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"Over the past half century, Marina Abramović has earned worldwide acclaim as a pioneer of performance art. This new book records the first UK exhibition to include works from her entire career. Some of her best-known and most radical works appear alongside new works created especially for the exhibition. An augmented reality app for iOS and Android enables readers to watch films of Abramović's original performances while reading the book. An essential purchase for all followers of Abramović's extraordinary 50-year career, this important new publication brings expert voices into the debate that her ground-breaking work engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?"--Publisher's description.
Performance art --- Installations (Art) --- Abramović, Marina --- 2000-2099
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Over the past decade, artist Lisa Oppenheim has steadily developed a unique body of work exploring the usage of (historical) imagery. Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today. One could define her work as an archaeology of time and visual culture. By exposing, or even reexposing, archival material, Oppenheim bridges the past and the present by introducing new meaning to these historical images, often resulting in film and photographic projects.
kunst --- eenentwintigste eeuw --- Verenigde Statan --- 77.071 OPPENHEIM --- archivering --- archieven --- Oppenheim Lisa --- fotografie --- film --- Photographie --- Art vidéo --- Oppenheim, Lisa, --- Oppenheim, Lisa, 1975 --- -kunst --- -Photographie --- Oppenheim, Lisa, 1975-
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This is the second in the Summit publication series, disseminating key insights of the 2018 Summit and extending a global dialogue on an important social issue: art in the digital age. The multidisciplinary perspectives come together through the inspirational book design by Irma Boom.0Acting as a cultural incubator for innovative ideas and change, the Verbier Art Summit is an international platform erected to optimise the role of art in a global society. Their mission is to connect thought leaders to key figures in the art world and thus position the Summit as a catalyst for innovation and change. Their vision is to create an influential platform in a non-transactional context for artists, curators, museum directors, private and corporate collectors, art historians/critics, gallerists and art consultants to generate new insights and ideas. 00Exhibition: Verbier Art Summit, Switzerland (18.01. - 20.01.2018).
globalization --- augmented reality --- art [fine art] --- technology --- virtual reality --- Art --- computer art [visual works] --- Computer art --- Virtual reality in art --- technology [general associated concept] --- art [discipline]
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Deploying science fiction, material feminism, ecoanarchism, queer theory, and technoscience, artist A.K. Burns critically explores the fraught relationships between humanity and nature in an epic multimedia work Negative Space (2015–23). This four-part nonlinear allegory provokes questions about marginalized bodies, resources, environmental fragility, and technology. First developed as a series of video installations, the four nonlinear episodes of Negative Space are united in this publication, which - through imagery, research, commissioned critical and creative writings - probe preconceptions of space and to imagine new relationships to the spaces we occupy and the meaning of our bodies in these spaces. Set in a speculative present, the premise of the Negative Space tetralogy is to envision a new materialist cosmology wherein hierarchical relations permute. Within Negative Space, there is a conceptual proposal, to perceive and act from an inverted position: As a formal term in art, negative space denotes the matter between and around the subject, a definable or known entity that is the focus of attention. Open to shifting possibilities, negative space is instead a compositional gap, emerging from a "subordinate" position, that holds potential for alternative forms of agency. (Verlagsangaben)
Photography, Artistic --- Video installations (Art) --- Burns, A. K., - 1975 --- -
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