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This book foregrounds realism as the salient feature in Neronian depictions of witchcraft. It argues that such unprecedented detail and accuracy in the magic scenes of Seneca's Medea, Lucan's book 6, and Petronius' Satyrica is part of the literary apparatus that substantiates the criticism of magic by inviting the reader to draw parallels with contemporary experience, guiding their response through images of the horrific and the ridiculous

Magie --- Dans la littérature

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