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Edited and published by Rasheed Araeen and Mahmood Jamal between 1978 and 1979 in the UK, Black Phoenix remains a key and radical document of transnational solidarity and cultural production in the fields of visual art, literature, activism, and beyond. This publication compiles all three issues of the journal into a single volume. More than a decade after the liberation movements of the 1960s and the historic Bandung and Tricontinental Conferences, which called for social and political alignment and solidarity among the nations of Africa, Asia, and Latin America in order to dismantle Western imperialism and (neo)colonialism, Black Phoenix issued a rallying cry for the formation of a liberatory arts and culture movement throughout the Third World. International in scope, Black Phoenix positioned diasporic and colonial histories at the center of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain and beyond - one that would yield complex and nuanced discourses of race, class, and postcolonial theory in the decade that followed. Black Phoenix proposed a horizon for Blackness that transcended racial binaries, across the Third World and the West. Contributors include art critics, scholars, artists, poets, and writers, including Rasheed Araaen (Pakistan) and Mahmood Jamal (Pakistan), Guy Brett (UK), Kenneth Coutts-Smith (UK), Ariel Dorfman (Chile), Eduardo Galeano (Uruguay), N. Kilele (Tanzania), Babatunde Lawal (Nigeria), David Medalla (Philippines), Ayyub Malik (Pakistan), Susil Siriwardena (Sri Lanka), and Chris Wanjala (Kenya).

Art --- art [fine art] --- racial discrimination --- colonization --- social stratification --- social classes --- anno 1960-1969 --- anno 1970-1979 --- Developing countries --- Art, Developing country --- kunst --- twintigste eeuw --- kunstkritiek --- tijdschriften --- Groot-Brittannië --- kunst en literatuur --- postkolonialisme --- kolonialisme --- politiek --- activisme --- racisme --- zwarte cultuur --- zwarte identiteit --- kunsttheorie --- 7.01 --- 7.038 --- Developing countries art --- Developing country art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Emerging nations --- Fourth World --- Global South --- LDC's --- Least developed countries --- Less developed countries --- Newly industrialized countries --- Newly industrializing countries --- NICs (Newly industrialized countries) --- Third World --- Underdeveloped areas --- Underdeveloped countries --- Intellectual life --- art [discipline] --- dekolonisatie --- diaspora --- niet-westerse cultuur

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The institutionalization of contemporary art, seen on a global scale, has only just begun. Despite an increase in global art production, and in the number of biennials, contemporary art has yet to find its footing in the museums outside the West- a phenomenon likely to affect the future of the museum. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. The reciprocal impact of contemporary non-Western art and local museums all over the world is the main focal point of this book. It assembles a group of art critics, anthropologists, and museum curators who address the identity of the museum and its change from a variety of viewpoints that reflect their different backgrounds. The critical essays were written for two international conferences, while other texts were chosen for their significance as exemplary analyses for the present situation.

Art and globalization --- Art, Modern --- Art museums --- #SBIB:39A5 --- #SBIB:316.7C311 --- #SBIB:316.7C324 --- Globalization and art --- Globalization --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Contemporary art --- Modernism (Art) --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuurbeleid: internationaal --- Culturele infrastructuur: musea --- Galleries and museums --- Art and globalization - Congresses --- Art, Modern - 21st century - Congresses --- Art museums - Congresses

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Phuong, Vinh ; Grundentahler, Elektron ; Feyzdjou, Chohreh ; Momdjian, Krikor ; Kisman, Edu ; van Rest, Charly ; Saaid, Monkith ; Bien, Waldo ; Dunker, Marlyn ; Hermens, Bert ; Mensink, Jack ; van den Dobbelsteen, Jan ; Marmaras, Elias ; Boone, André ; Douglas, La Verne ; de Elzen, Anet van ; Esparbé Gasca, Manel ; Alewijns, Pieter ; Lemaire, Danielle ; Maturana, Mariano ; Papadimitriou, Maria