Listing 1 - 6 of 6 |
Sort by
|
Choose an application
Choose an application
Series of postcards depicting 100 black, rubber boots in various situations. Photographs taken from Feb. 9, 1971 until May 16, 1973, and mailed between March 15, 1971 and July 9, 1973; not always mailed in the order the photographs were taken. 100 Boots, triumphant, marched into New York's Museum of Modern Art in May 1973, the culmination of a remarkable work that embodied the spirit of generation and changed the meaning of art. Celebrating this extraordinary and innovative postcard series, here is a collection of all 51 installments of artist Eleanor Antin's epic visual narrative. Full of discerning social commentary, 100 Boots powerfully evokes the America of the Vietnam era. The boots begin innocently enough, engaging in everyday suburban activities - going to the market, church, and drive-in movies. Later, disillusioned, they trespass on private property, symbolically announcing their solidarity with the thousands of Americans participating in the antiwar movement. Unable to avoid the draft, 100 Boots too go to war. By the time these legendary heroes arrive in New York, they have become cultural icons, representatives of the new American experience. Like all good art, Antin's ongoing letter to America - whether spilling out of mailboxes or collected in book form - continues to provoke a response.
Choose an application
kunst --- Sammlung Verbund --- eenentwintigste eeuw --- ruimtelijkheid --- ruimte --- 77.039 --- 7.039 --- 77.038/039 --- 7.038/039 --- Yalter Nil --- Wojnarowicz David --- Welling James --- Wall Jeff --- Sandback Fred --- Özgen Erkan --- Özmen Sener --- Neto Ernesto --- Monzavi Tahmineh --- McCall Anthony --- Mayer Ursula --- twintigste eeuw --- Matta-Clark Gordon --- Lawler Louise --- Koester Joachim --- Birchler Alexander --- Hubbard Teresa --- Gill Simryn --- Floyer Ceal --- Bures Miller George --- Cardiff Janet --- Burr Tom --- Bloom Barbara --- Becher Hilla --- architectuurfotografie --- Becher Bernd --- Antin Eleanor --- Alÿs Francis --- Acconci Vito --- fotografie --- stedenbouw --- stedelijkheid --- kunst en architectuur --- architectuur --- Exhibitions --- Art [Modern ] --- 20th century --- 21st century
Choose an application
From 1972 to 1991, Eleanor Antin (born 1935) created multiple personae of different genders, races, professions, historical contexts and geographic locations. The artist called this motley group - which includes a deposed king, an exiled film director, ambitious ballerinas and hard-working nurses - her "selves". As the selves' manifestations were as diverse as their stories: some were embodied by Antin and captured in photographs and on video; others had paper doll surrogates; at times their existence was known only trough the drawings, texts and films they had ostensibly left behind. As she explored the fleeting nature of the self, Antin used fiction, fantasy and theatricality to examine the ways that history takes shape, scrutinizing the role that visual representation plays in that process. Multiple Occupancy: Eleanor Antin's "Selves" is the first project to focus exclusively on this critical body of work. Publishers' note.
Eleanor Antin --- Video art --- Photography, Artistic --- Conceptual art --- Women artists --- Antin, Eleanor --- Arts, Modern --- Performance art --- Feminism in art --- Exhibitions --- Exhibitions. --- Attitudes --- Interviews --- Video art - United States - 21st century - Exhibitions --- Photography, Artistic - 21st century - Exhibitions --- Conceptual art - United States - 21st century - Exhibitions --- Women artists - New York (State) - New York - 21st century - Exhibitions --- Antin, Eleanor - Exhibitions
Choose an application
7.038 --- Beeldende kunst ; 20ste eeuw ; 1969-1974 --- Curatoren --- Tentoonstellingsmakers ; 20ste eeuw ; Lucy Lippard --- Tentoonstellingen ; organisators ; "Numbers Shows 1969-74" --- Lippard, Lucy --- Kunst en feminisme --- Gender Studies --- Conceptuele kunst --- Concept Art --- Exhibition histories --- Kunst en maatschappij --- Sociaal geëngageerde kunst --- Kunst en politiek ; kunst in Argentinië ; Buenos Aires --- tentoonstellingen --- Verenigde Staten --- Canada --- twintigste eeuw --- Lippard Lucy R. --- concept art --- conceptuele kunst --- feminisme --- gender studies --- kunst en politiek --- Argentinië --- 069 --- Kunstgeschiedenis ; 1950 - 2000 --- Feminism and art. --- Conceptual art. --- Lippard, Lucy R. --- art criticism --- exhibiting --- feminism --- art [fine art] --- Conceptual --- Museology --- Art --- anno 1960-1969 --- anno 1970-1979 --- exhibition curators --- Lippard Lucy R --- art [discipline] --- Feminism --- Feminist art --- Exhibitions --- Tentoonstellingscatalogus --- Visual arts --- Book
Choose an application
Art --- art [discipline] --- space [composition concept] --- place [distinct area] --- Neto, Ernesto --- Prieto, Wilfredo --- Antin, Eleanor --- Cardiff, Janet --- Miller, George Bures --- Burr, Tom --- McCall, Anthony --- Brandenburg, von, Ulla --- Hubbard, Teresa Lynn --- Birchler, Alexander --- Lawler, Louise --- Alÿs, Francis --- Becher, Bernd und Hilla --- Floyer, Ceal --- Sandback, Frederick Laue --- Wojnarowicz, David --- Matta-Clark, Gordon
Listing 1 - 6 of 6 |
Sort by
|