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In Myths, Legends, and Heroes, editor Daniel Anzelark has brought together scholars of Old Norse-Icelandic and Old English literature to explore the translation and transmission of Norse myth, the use of literature in society and authorial self-reflection, the place of myth in the expression of family relationships, and recurrent motifs in Northern literature.The essays in Myths, Legends, and Heroes include an examination of the theme of sibling rivalry, an analysis of Christ's unusual ride into hell as found in both Old Norse and Old English, a discussion of Beowulf's swimming prowess and an analysis of the poetry in Snorri Sturluson's Edda. A tribute to Durham University professor John McKinnell's distinguished contributions to the field, this volume offers new insights in light of linguistic and archaeological evidence and a broad range of study with regard to both chronology and methodology.
Old Norse literature --- English literature --- Mythology, Norse, in literature. --- History and criticism.
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Noah's Flood is one of the Bible's most popular stories, and flood myths survive in many cultures today. This book presents the first comprehensive examination of the incorporation of the Flood myth into the Anglo-Saxon imagination. Focusing on literary representations, it contributes to our understanding of how Christian Anglo-Saxons perceived their place in the cosmos. For them, history unfolded between the primeval Deluge and a future - perhaps imminent - flood of fire, which would destroy the world. This study reveals both an imaginative diversity and shared interpretations of the Flood myth. Anglo-Saxons saw the Flood as a climactic event in God's ongoing war with his more rebellious creatures, but they also perceived the mystery of redemption through baptism. Anlezark studies a range of texts against their historical background, and discusses shifting emphases in the way the Flood was interpreted for diverse audiences. The book concludes with a discussion of Beowulf, relating the epic poem's presentation of the Flood myth to that of other Anglo-Saxon texts.
Floods in literature. --- Floods --- Mythology, Anglo-Saxon. --- Christianity and literature --- Deluge in literature. --- Christian literature, English (Old) --- Anglo-Saxon mythology --- Flooding --- Inundations --- Natural disasters --- Water --- Mythology --- History --- History and criticism. --- English literature --- Literature --- Literary Studies: Classical, Early & Medieval --- HISTORY / Europe / Great Britain / General --- European history --- Andreas. --- Anglo-Saxons. --- Bede. --- Beowulf. --- Christianity. --- Exodus. --- Flood myth. --- Noah. --- apocalypse. --- biblical story. --- covenant. --- cultural self-definition. --- historical metaphor. --- inheritance. --- mysticism. --- sin and punishment. --- vital myth.
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Alfred the Great is a rare historical figure from the early Middle Ages, in that he retains a popular image. This image increasingly suffers from the dead white male syndrome, exacerbated by Alfred's association with British imperialism and colonialism, so this book provides an accessible reassessment of the famous ruler of Wessex, informed by current scholarship, both on the king as a man in history, and the king as a subsequent legendary construct. Daniel Anlezark presents Alfred in his historical context, seen through Asser's Life, the Anglo Saxon Chronicle, and other texts associated with the king. The book engages with current discussions about the authenticity of attributions to Alfred of works such as the Old English Boethius and Soliloquies, and explores how this ninth-century king of Wessex came to be considered the Great king of legend.
Alfred, --- Great Britain --- Kings and rulers --- History --- Aelfred, --- Alfred the Great, --- HISTORY / Europe / Great Britain / Middle Ages (449-1066). --- Alfred the Great. --- Anglo-Saxons. --- Old English. --- Vikings.
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First modern edition, with facing translation, of two of the most mysterious Old English texts extant. The dialogues of Solomon and Saturn, found in MSS Corpus Christi College Cambridge 422 and 41, are some of the most complex Old English texts to survive. The first two dialogues, in verse and prose, present the pagan god Saturn inhuman form interrogating King Solomon about the mysterious powers of the Pater Noster, while in a second poem the two discuss in enigmatic terms a range of topics, from the power of books to the limits of free will. This newedition - the first to appear for some 150 years - presents a parallel text and translation, accompanied by notes and commentary. The volume also includes a full introduction, examining the evidence pointing to the influence of Irish continental learning on the dialogues' style and content; arguing that the circle which produced the dialogues was located at Glastonbury in the early tenth century, and included the young Dunstan, future archbishop of Canterbury; and locating the texts in the context of the learned riddling tradition, and philosophical debates current in the ninth and tenth centuries. Dr DANIEL ANLEZARK teaches in the Department of English at the Universityof Sydney.
Saturn (Roman deity) --- Dialogues, English (Old) --- Solomon, --- Anglo-Saxon dialogues --- Dialogues, Anglo-Saxon --- English dialogues, Old --- Old English dialogues --- English literature --- Sulaymān, --- Salomon, --- Sulaiman, --- Nabi Sulaiman --- Shelomoh, --- Salomone, --- Salomo, --- Ḳohelet, --- Suleiman bi Daudi, --- Suleiman, --- Соломон, --- Nabī Sulaymān --- שלמה --- שלמה המלך --- שלמה, --- سليمان --- سليمان, --- Soleiman, --- Sulaymaan, --- Dialogues. --- Manuscripts. --- Ninth Century. --- Old English Texts. --- Saturn. --- Solomon. --- Tenth Century. --- Theological Debates. --- Saturn
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"This book presents Alfred in his historical context, seen through Asser's Life, the Anglo Saxon Chronicle, and other texts. It engages with current discussions about the authenticity of attributions to Alfred of works such as the Old English Boethius and Soliloquies, and explores how Alfred came to be considered the ''Great'' king of legend."--Provided by publisher.
History --- Alfred, --- Great Britain --- Kings and rulers
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"The Old English poems in this volume are among the first retellings of scriptural texts in a European vernacular. More than simple translations, they recast the familiar plots in daringly imaginative ways, from Satan's seductive pride (anticipating Milton), to a sympathetic yet tragic Eve, to Moses as a headstrong Germanic warrior-king, to the lyrical nature poetry in Azarias. Whether or not the legendary Caedmon authored any of the poems in this volume, they represent traditional verse in all its vigor. Three of them survive as sequential verse in all its vigor. Three of them survive as sequential epics in a manuscript in the Bodleian Library at Oxford. The first, the Old English Genesis, recounts biblical history from creation and the apocryphal fall of the angels to the sacrifice of Isaac; Abraham emerges as the central figure struggling through exile toward a lasting covenant with God. The second, Exodus, follows Moses as he leads the Hebrew people out of Egyptian slavery and across the Red Sea. Both Abraham and Moses are transformed into martial heroes in the Anglo-Saxon mold. The last in the triad, Daniel, tells of the trials of the Jewish people in Babylonian exile up through Belshazzar's feast. Azarias, the final poem in this volume (found in an Exeter Cathedral manuscript), relates the apocryphal episode of the three youths in Nebuchadnezzar's furnace."--Book Jacket.
Altenglisch. --- Christian poetry, English (Old). --- Christliche Literatur. --- Christliche Lyrik. --- English poetry --- English poetry. --- History of Biblical events. --- Übersetzung. --- Old English. --- Asarja, --- Altes Testament. --- Bibel. --- Bible. --- Daniel --- Exodus --- Genesis --- History of Biblical events --- 450 - 1100. --- Englisch.
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An interdisciplinary approach to the complex meanings of water in the early medieval cultural landscape of England. Water is both a practical and symbolic element. Whether a drop blessed by saintly relics or a river flowing to the sea, water formed part of the natural landscapes, religious lives, cultural expressions, and physical needs of medieval women and men. This volume adopts an interdisciplinary perspective to enlarge our understanding of the overlapping qualities of water in early England (c. 400 – c. 1100). Scholars from the fields of archaeology, history, literature, religion, and art history come together to approach water and its diverse cultural manifestations in the early Middle Ages. Individual essays include investigations of the agency of water and its inhabitants in Old English and Latin literature, divine and demonic waters, littoral landscapes of church archaeology and ritual, visual and aural properties of water, and human passage through water. As a whole, the volume addresses how water in the environment functioned on multiple levels, allowing us to examine the early medieval intersections between the earthly and heavenly, the physical and conceptual, and the material and textual within a single element.
Water --- Water in literature. --- Water in art. --- History. --- Religious aspects. --- Great Britain --- Civilization
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