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Copley, William N.

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Samba, Chéri ; Ora Sherk, Bonnie ; Hohn, Ull ; Richier, Germaine ; Büttner, Werner ; Absalon, Hilde ; Eins, Stefan ; Bilda, Linda ; Rutherford, Erica ; Fahlström, Oyvind ; Christanell, Linda ; Haworth, Jann ; Niebuhr, Elly ; Moscouw, Michaela ; Karamustafa, Gülsün ; Joham, Isolde Maria ; Lam, Wifredo ; Graf, Franz ; Kowanz, Brigitte ; Knowles, Dominique ; Wenger, Susanne ; Talos, Kurt ; Friedmann, Gloria ; Kudo, Tetsumi ; de Saint Phalle, Niki ; Dicker, Friedl ; Orupabo, Frida ; Graves, Nancy ; Havliček, Karel ; Lassnig, Maria ; Weiler, Max ; Makavejev, Dušan ; Kelley, Mike

Art --- sexuality --- colonization --- freedom --- animal art --- hunger --- bodies [animal components] --- Museum Moderner Kunst Stiftung Ludwig [Vienna]

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Sillman's works can be categorized as abstract painting, although her abstractions repeatedly allow forms and figures to be recognized. The title of the exhibition 'the ALL-OVER' refers to a concept often used to describe abstract painting. At its most literal, it refers to the practice of completely covering the canvas, a format that resists a traditional figure/ground hierarchy. The classic example of the style is embodied by the work of the American artist Jackson Pollock, though as the influential critic Clement Greenberg pointed out, the style in fact originated with the Ukrainian-American artist Janet Sobel. Sillman adapts this all-over idea, using it as the title for her exhibition, which does not feature drip paintings as such, but which updates the idea of total coverage of the canvas through mechanical means (via inkjet printing) used in combination with the gestural. Panorama, consisting of twenty-four canvases, was developed for Portikus and is here seen in its entirety for the first time. Exhibition: Portikus, Frankfurt am Main, Germany (02.07. - 11.09.2016).

Painting, American --- Sillman, Amy --- kunst --- 75.071 SILLMAN --- Sillman Amy --- Verenigde Staten --- abstracte schilderkunst --- abstractie --- schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions

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Oberlin Drawings’ reproduces for the first time Eva Hesse’s drawings held in the home of her archive at the Allen Memorial Art Museum, Oberlin College, Ohio. Edited by Barry Rosen and designed by An Art Service, the book accompanies a 2019 – 2020 exhibition that travels to Museum Wiesbaden, mumok, Vienna, Hauser & Wirth New York, and the Allen Memorial Art Museum. Extensively illustrated, the publication features essays by Briony Fer, Gioia Timpanelli, Manuela Ammer (mumok), Jörg Daur (Museum Wiesbaden), and Andrea Gyorody (Allen Memorial Art Museum).

Drawing --- Hesse, Eva --- Tekenkunst ; 2de h. 20ste eeuw --- Kunstonderwijs ; Verenigde Staten --- Kunst; Duitsland; Eva Hesse (1936-1970) --- Hesse, Eva 1936-1970 (°Hamburg, Duitsland) --- 741.07 --- Grafiek ; lithografie --- inkttekeningen --- gouache --- schetsen --- collage --- Tekenkunst ; tekenkunstenaars A - Z

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Mäkipaa, Tea