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At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of “artist.” This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality.Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Art [Renaissance ] --- Art de la Renaissance --- Kunst [Renaissance] --- Renaissance art --- Renaissancekunst --- Art, Renaissance. --- Artists --- Intellectual life --- Europe --- 15th century --- 16th century
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Drawing, Renaissance --- -Drawings, Renaissance --- Renaissance drawing --- Drawing --- Raphael --- -Picaud, Raphael --- Criticism and interpretation --- -Raphael --- -Criticism and interpretation --- Rafaël --- Raffaello Sanzio --- Sanzio, Raffaello --- Santi, Raffaello --- Drawings, Renaissance --- Raphael, --- Sanzio, Raffaele, --- Raffaello Sanzio, --- Santi, Raffaello, --- Sanzio, Raffaello, --- Raffael, --- Raffaello, --- Urbino, Raffaello da, --- Sanctius, Raphael, --- Urbinas, Raphael Sanctius, --- Rafaėlʹ, --- Raffaele Sanzio, --- Sanzi, Raffaello, --- Criticism and interpretation. --- Raphaël. Dessins. --- Raphaël. Tekeningen. --- Sanzio, Raffaele --- Raffael --- Raffaello --- Urbino, Raffaello da --- Sanctius, Raphae, --- Urbinas, Raphael Sanctius --- Rafaėlʹ --- Raffaele Sanzio --- Sanzi, Raffaello
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091 <45 FIRENZE> --- 091 <017.2 DE' MEDICI, PIERO DI COSIMO> --- Book collecting --- -Illumination of books and manuscripts, Renaissance --- Manuscripts --- -Private libraries --- -Home libraries --- Libraries, Private --- Libraries --- Book collectors --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Renaissance illumination of books and manuscripts --- Bibliophily --- Book selection --- Collectors and collecting --- Antiquarian booksellers --- Bibliomania --- Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--DE' MEDICI, PIERO DI COSIMO --- History --- Catalogs --- -Collectors and collecting --- Medici, Piero de' --- -Library --- Florence (Italy) --- -Intellectual life --- Illumination of books and manuscripts, Renaissance --- Private libraries --- History. --- Catalogs. --- Medici, Piero de', --- Library. --- Intellectual life. --- -Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- -Medici, Piero de' --- 091 <017.2 DE' MEDICI, PIERO DI COSIMO> Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--DE' MEDICI, PIERO DI COSIMO --- 091 <45 FIRENZE> Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- -Renaissance illumination of books and manuscripts --- Home libraries --- Medici, Pietro de', --- De' Medici, Piero, --- Medici, Piero di Cosimo de', --- Piero de' Medici,
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Drawing, Italian. --- Drawing, Renaissance --- Drawing --- anno 1400-1499 --- Italy --- Drawing, Renaissance - Italy.
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invloed van de noordelijke scholen --- Italiaanse school --- Padua, school van --- anno 1400-1499 --- Padua
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Drawing --- History --- drawing [image-making] --- Italiaanse school --- Renaissance --- anno 1400-1499 --- anno 1500-1599
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Isabella d'Este, the marchioness of Mantua, was a collector of antiquities, a patron of art, and one of the most vivid personalities of the Italian Renaissance. Her artistic relationship with Leonardo da Vinci (1452-1519) is charted through the letters that they exchanged over the course of about six years. Beginning in late 1499, Leonardo spent several months in Mantua, where he met Isabella and produced a finished portrait drawing of her. In the years that followed, the marchioness wrote to the artist to ask him to undertake other paintings and projects. Though little came of these requests, da Vinci did produce a drawing of some classical hard-stone vases to assist her search for collectible antiques and also started work on a painting of Christ as a twelve-year-old boy at her request
artistic relations --- Leonardo da Vinci --- Este, d', Isabella
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