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A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Photography, Artistic --- Documentary photography --- fotografie --- Verenigde Staten --- documentaire fotografie --- twintigste eeuw --- Evans Walker --- landschapsfotografie --- portretfotografie --- 77.071 EVANS --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Evans, Walker, --- Evans, Walker --- Criticism and interpretation. --- Photography, Artistic. --- Photography / Individual Photographers / Artists' Books. --- African 1935 sculpture exhibition. --- Alabama tenant farmers. --- American photographs. --- Belinda Rathbone. --- Berenice Abbott. --- Bob Dylan. --- Century Association. --- Charles Baudelaire. --- Civil War. --- Clement Cheroux. --- Clement Greenberg. --- Cuba. --- David Campany. --- Edmund Wilson. --- Elizabeth Bishop. --- Eugene Atget. --- Fortune. --- France. --- Fred Astaire. --- Gustave Flaubert. --- Henri Cartier-Bresson. --- James Agee. --- James Mellow. --- John Szarkowski. --- John T. Hill. --- Lawrence Gowing. --- Let Us Now Praise Famous Men. --- Lincoln Kirstein. --- Luc Sante. --- Lyric Documentary. --- MOMA. --- Man Ray. --- Museum of Modern Art. --- Nicéphore Niépce. --- Paul Cezanne. --- Swing Time. --- Time Inc. --- Vicksburg National Military Park. --- W. S. Hartshorn. --- William Carlos Williams. --- William Faulkner. --- Yale. --- abstraction. --- daguerreotype. --- documentary photography. --- minstrelsy. --- passenger portraits. --- polaroid SX 70. --- subway portraits. --- surrealism. --- transcendence. --- white tenant farmers.
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Painting --- anno 1600-1699 --- Netherlands --- Painting, Dutch. --- Painting, Dutch --- Visual perception. --- Peinture hollandaise --- Perception visuelle --- 7 <492> "16" --- 75 <492> "16" --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699 --- Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- 75 <492> "16" Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- 7 <492> "16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699 --- Hollandse school
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gouden eeuw (Holland) --- painting [image-making] --- art market --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- kunsthandel --- Rembrandt van Rijn --- studios [work spaces] --- 75.071 REMBRANDT --- CDL --- Rembrandt Harmenszoon van Rijn, --- Rembrandt.
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Painting --- Iconography --- Europe --- Art studios --- Artistes--Ateliers --- Artists' studios --- Ateliers --- Ateliers d'artistes --- Kunstenaars--Ateliers --- Kunstenaarsateliers --- Kunstenaarsstudio's --- Studios --- Studios [Artists' ] --- Studios d'art --- Workshops [Artists' ] --- Artists --- Painting, European --- Psychology --- Themes, motives --- Artists' studios. --- Psychology. --- Themes, motives. --- Painting [European ] --- CDL --- 75.034 --- Artists' workshops --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Art --- Artists - Psychology --- Painting, European - Themes, motives
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Mansfield, Katherine --- Authors, New Zealand --- Biography --- -New Zealand authors --- -Biography --- Mansfield, Katherine, --- Beauchamp, Kathleen M. --- Murry, Kathleen Beauchamp, --- Murry, John Middleton, --- Berry, Matilda, --- Mansfield Beauchamp, Kathleen, --- Man-ssu-fei-erh-te, Kʻai-se-lin, --- Mensfilld, Ketrin, --- Bowden, Kathleen, --- מאנספילד, קאתרין, --- מנספילד, קתרין, --- 曼斯菲尔德凯瑟琳, --- Authors, New Zealand - 20th century - Biography --- Mansfield, Katherine, - 1888-1923
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Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.
Rembrandt [Ecole de ] --- Rembrandt [School van ] (Schilderkunst) --- Rembrandt school --- Art, Dutch --- School of Rembrandt --- Artists' studios --- Dutch art --- Ploeg (Group of artists) --- Marketing. --- Rembrandt Harmenszoon van Rijn --- -Criticism and interpretation --- Rembrandt school. --- Marketing --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Criticism and interpretation. --- 75.07 --- Kunst en economie ; kunst en commercie --- Rembrandt van Rijn 1606-1669 (° Leiden, Nederland) --- Schilderkunst ; 17de eeuw ; Rembrandt van Rijn --- Schilderkunst ; schilders --- Criticism and interpretation --- Art [Dutch ] --- Rembrandt Harmenszoon van Rijn, 1606-1669 - Criticism and interpretation. --- Art, Dutch - Marketing. --- Nieuwe Ploeg (Group of artists) --- Rembrandt van Rijn --- Rembrandt --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand
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Finance --- Fiscus (Roman law) --- Rome --- Economic conditions. --- Roman law --- Funding --- Funds --- Economics --- Currency question
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