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This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased

Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Gardzienice. --- Theatrical science --- Poland

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This volume provides a fresh assessment of the pioneering practices of theatre directors Jerzy Grotowski, Peter Brook and Eugenio Barba, whose work has challenged and extended ideas about what theatre is and does. Contributors demonstrate how each was instrumental in rethinking and reinventing theatre's possibilities: where it takes place - whether in theatres or beyond - and who the audience might then be, as well as how actors train and perform, highlighting the importance of the group and collaboration. The volume examines their role in establishing intercultural dialogues and practices, and the wider influence of this work on theatre. Consideration is also given to each director's documentation of their practice in print and film and the influence this has had on 21st-century performance.

Producteurs et metteurs en scène de théâtre --- Theater --- Theater. --- Theatrical producers and directors --- Theatrical producers and directors. --- Théâtre --- History --- Production and direction --- Production and direction. --- Histoire --- Production et mise en scène --- Barba, Eugenio --- Brook, Peter, --- Grotowski, Jerzy, --- Criticism and interpretation. --- 1900-1999.

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Theatrical science --- Performing arts. --- Arts du spectacle --- Performing arts --- Performing arts - Biography - Dictionaries.

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Theatrical science --- Grotowski, Jerzy

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"What is theatre? What is performance? What connects them and how are they different? How have they been shaped by events, people, companies, practices and ideas in the twentieth century and after? And where are they heading next? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an accessible, informative and engaging intro- duction to important people and companies, events, concepts and practices that have def ined the complementary fields of theatre and performance studies. Three easy-to-use alphabetized sections include more than 140 entries on topics and people ranging from performance artist Marina Abramovito directors Vsevolod Meyerhold and Robert Wilson, the Living Theatre's Paradise Now, the haka, multimedia performance, political protest and visual theatre. Each entry includes important historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student and the passionate theatre-goer alike. Paul Allain, Professor of Theatre and Performance at the University of Kent, has published extensively on Jerzy Grotowski, Polish and Russian theatre and intercultural performer training processes. Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary, University of London, has published widely on relationships between contemporary performance and cultural identities, including in Theatre & the City (2009) and Fair Play - Art, Performance and Neoliberalism (2013)"--

762 --- Theorie van het theater - Geschiedenis --- Performing arts --- Show business --- Arts --- Performance art --- Performing arts. --- Theorie van het theater en de film - Geschiedenis --- 761.10 --- Theorie van het theater en de film - Dramaturgie