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Projection art --- 7.038 --- Barry Robert --- Baumgarten Lothar --- Broodthaers Marcel --- Coleman James --- diaprojectie --- Dibbets Jan --- Doherty Willie --- eenentwintigste eeuw --- Fischli Peter --- Fischli & Weiss --- Floyer Ceal --- fotografie --- Goldin Nan --- Graham Dan --- kunst --- Lawler Louise --- Levitt Helen --- Melchert James --- Mendieta Ana --- Monk Jonathan --- Oppenheim Dennis --- projectie --- Smith Jack --- Smithson Robert --- twintigste eeuw --- Weiss David --- Wodiczko Krzysztof --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Exhibitions --- Art --- Photography --- photography [process] --- slides [photographs] --- art theory --- projections [visual works] --- Baumgarten, Lothar --- Broodthaers, Marcel --- Dibbets, Jan --- Oppenheim, Dennis --- Coleman, James --- Smithson, Robert --- Melchert, James --- Graham, Dan --- Fischli, Peter --- Goldin, Nan --- Lawler, Louise --- Weiss, David --- Monk, Jonathan --- Barry, Robert --- Doherty, Willie --- Floyer, Ceal --- Mendieta, Ana --- Smith, Jack --- Wodiczko, Krysztof --- Levitt, Helen --- video-stills
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West, Franz, --- kunst --- beeldhouwkunst --- grafiek --- twintigste eeuw --- eenentwintigste eeuw --- West Franz --- schilderkunst --- installaties --- 7.071 WEST --- Exhibitions --- departement Beeldende Kunst 10 --- beeldhouwkunst 20e eeuw-21e eeuw --- West, Franz --- Oostenrijk --- assemblagekunst
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By the end of World War II an estimated one million artworks and three million books were seized from their owners by Nazi forces; many were destroyed. The artworks and cultural artifacts that survived have traumatic, layered histories. This book traces the biographies of these objects-including paintings, sculpture, and Judaica-their rescue in the aftermath of the war, and their afterlives in museums and private collections and in our cultural understanding. In examining how this history affects the way we view these works, scholars discuss the moral and aesthetic implications of maintaining the association between the works and their place within the brutality of the Holocaust-or, conversely, the implications of ignoring this history. Afterlives offers a thought-provoking investigation of the unique ability of art and artifacts to bear witness to historical events. With rarely seen archival photographs and with contributions by the contemporary artists Maria Eichhorn, Hadar Gad, Dor Guez, and Lisa Oppenheim, this catalogue illuminates the study of a difficult and still-urgent subject, with many parallels to today's crises of art in war. Exhibition: Jewish Museum, New York, USA (opens August 2021).
Criminology. Victimology --- Polemology --- Art --- world wars --- restitution --- anno 1900-1999 --- Germany --- kunstroof --- repatriëring van kunst --- Art appreciation. --- World War, 1939-1945 --- Art thefts --- Art thefts. --- Confiscations. --- Confiscations and contributions. --- History --- 1900-1999
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The work of Martha Rosler is perennially incisive, provocative, political, and timely, exploring a range of issues from everyday life and the media to architecture and the built environment, especially as they affect women. Over her prolific career, Rosler has returned to themes of social justice, popular culture, food, gardens and the natural world, and the intersection of aesthetics and ethics. Martha Rosler: Irrespective is the only survey of the artist's vital and enduring work, examining it across media including photocollage, video and film, installation, actions, and books. In addition to a rich array of artworks, this book presents texts by distinguished critics and art historians, and a candid and insightful conversation with the artist. Through her interrogations of the Vietnam War, the War on Terror, feminism, gentrification, and other timely issues, Rosler has persistently bridged art and activism. This important catalogue comes at a moment when work like Rosler's has the power to inspire change.
Feminism in art --- Art --- Performance art --- Photocollage --- Jewish women artists --- 7.07 --- Rosler, Martha °1943 (°Brooklyn, Verenigde Staten) --- Vrouwelijke kunstenaars --- Kunst en feminisme --- Kunst en politiek --- Collages ; fotocollages --- Performances --- Photo collage --- Collage --- Jewish artists --- Women artists --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Rosler, Martha --- Criticism and interpretation. --- Themes, motives. --- Exhibitions --- sculpture [visual works] --- installations [visual works] --- art [fine art] --- photography [process] --- sex role --- social issues --- social conflict --- wars --- gentrification --- feminism --- popular culture --- social ethics --- video art --- performance art --- photomontages --- gender issues --- gardens [open spaces] --- food --- political art --- labor --- texts [documents] --- installation artists --- media [information storage] --- mixed media works --- sculptors --- multimediakunst --- sociale ongelijkheid --- Jewish Museum [New York, N.Y.] --- Art, Primitive --- art [discipline] --- photomontages [visual works]
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Acconci, Vito ; Alys, Francis ; Anastasi, William ; Antin, Eleanor ; Baldessari, John ; Barry, Robert ; Bochner, Mel ; Brecht, George ; Burden, Chris ; Cage, John ; Export, Valie ; Fischli & Weiss ; Friedman, Tom ; Gilbert & George ; Ginsburg, Hope ; Gonzalez-Torres, Felix ; Hammons, David ; Hi Red Center ; Hsieh, Tehching ; Judd, Donald ; Kaprow, Allan ; Kienholz, Edward ; Knowles, Alison ; Koepcke, Arthur ; LeWitt, Sol ; Lozano, Lee ; Maciunas, George ; Manzoni, Piero ; Marioni, Tom ; Morris, Robert ; Nauman, Bruce ; Ono, Yoko ; Orozco, Gabriel ; Paine, Roxy ; Pocock, Hugh ; Rauschenberg, Robert ; Riddle, James ; Rosler, Martha ; Schmit, Tomas ; Serra, Richard ; Shiomi, Mieko (Chieko) ; Sisco, Elizabeth ; Hock, Louis ; Avalos, David ; Stella, Frank ; Tinguely, Jean ; Laderman Ukeles, Mierle ; Warhol, Andy ; Wurm, Erwin
Fluxus --- Zen [Japanese Buddhism] --- photography [process] --- Photography --- Museology --- Art --- museum administration --- Iconography --- feminism --- artists [visual artists] --- museology --- community art --- Nauman, Bruce --- Maciunas, Georg --- Burden, Chris --- Gonzalez-Torres, Felix --- Stella, Frank --- Orozco, Gabriel --- Serra, Richard --- Warhol, Andy --- Rauschenberg, Robert --- Ginsburg, Hope --- Barry, Robert --- Wurm, Erwin --- Tinguely, Jean --- Anastasi, William --- Hock, Louis --- Ukeles, Mierle Laderman --- Brecht, George --- Judd, Donald --- Hsieh, Tehching --- Marioni, Tom --- Avalos, David --- Lozano, Lee --- Baldessari, John --- Shiomo, Mieko --- Pocock, Hugh --- Gilbert and George --- Alÿs, Francis --- Kienholz, Edward --- Morris, Robert --- Manzoni, Piero --- Friedman, Tom --- Hammons, David --- Ono, Yoko --- Fischli, Peter --- Acconci, Vito --- Export, Valie --- Cage, John --- Antin, Eleanor --- Bochner, Mel --- Rosler, Martha --- Weiss, David --- LeWitt, Sol --- Sisco, Elizabeth --- Paine, Roxy --- Kaprow, Allan --- Knowles, Alison --- Hi Red Center --- anno 1900-1999 --- Art, American --- Avant-garde (Aesthetics) --- History --- Hi Red Center [Tokyo] --- Gonzales-Torres, Felix --- kunstsociologie
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