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This book aims at addressing the question of how do Muslims view the way they are being viewed, not viewed, or incorrectly viewed by the West? The book inquires about a possible "will-to-visibility" that drives and divides the representation of Muslims in Western media from the desire of the Muslim/Arab to be "seen" and to register as a human life. Hatem N. Akil attributes this failure to a "delirious crisis of the Real" resulting in a state of desperation that inextricably and symmetrically ties visibility to violence. [This book] critically engages with questions about "ways of seeing" within cross-cultural contexts: why and how is an image seen in two opposing ways by people from different cultural backgrounds; and why and how do certain cartoons, photographs, and videos become both the cause and target of bloody political violence -- as witnessed by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US and Jordan to videotaped violence by ISIS. -- Back cover.
Image (Philosophy) --- Philosophy --- Communication. --- Ethnology-Middle East . --- United States-Study and teaching. --- Cultural heritage. --- Media and Communication. --- Middle Eastern Culture. --- American Culture. --- Communication Studies. --- Cultural Heritage. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Communication, Primitive --- Mass communication --- Sociology --- Muslims --- Muslims in popular culture. --- Visual communication. --- 297*35 --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Popular culture --- Mohammedans --- Moors (People) --- Moslems --- Muhammadans --- Musalmans --- Mussalmans --- Mussulmans --- Mussulmen --- Religious adherents --- Islam --- 297*35 Islam en het Westen --- Islam en het Westen --- Attitudes. --- Press coverage. --- Ethnology—Middle East . --- United States—Study and teaching. --- Muslims in popular culture --- Visual communication --- Attitudes --- Press coverage --- Western countries. --- Westliche Welt --- Westliche Staaten --- Westen --- Der Westen --- Kapitalistische Staaten --- Industriestaaten --- Westmächte --- Nichtwestliche Welt --- Occident --- Western countries --- Western nations --- Western world --- Developed countries
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This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.
Sociology of culture --- Sociology of cultural policy --- Didactics of the arts --- Ethnology. Cultural anthropology --- Mass communications --- History of civilization --- cultureel erfgoed --- etnologie --- communicatie --- cultuur --- communicatiewetenschappen --- Islam --- leren --- Amerikaanse cultuur --- beeldverhalen --- lesgeven --- Middle East --- Intercontinental regions --- United States of America
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This book poses questions about viewing modernity today from the vantage point of traditionally disparate disciplines engaging scholars from sociology to science, philosophy to robotics, medicine to visual culture, mathematics to cultural theory, etc., including a contribution by Alain Touraine. From coloniality to pandemic, modernity can now represent a global necessity in which awareness of human and environmental crises, injustices, and inequality would create the possibility of a modernity-to-come.
PHILOSOPHY / General. --- Sociology and Social History. --- Society and culture: general. --- Social and political philosophy. --- Social and Political Sciences. --- Political science and theory. --- Interdisciplinary Studies. --- Contemporary Society. --- Integrated curriculum --- Interdisciplinarity in education --- Interdisciplinary studies --- Curriculum planning --- Holistic education --- Global Modernity, Modernisation, Pandemic, Direct Democracy, Ecology and Science. --- Civilization, Modern. --- PhilosophyxGeneral. --- Civilization --- Renaissance --- Modern civilization --- Modernity --- History --- Philosophy. --- Mental philosophy --- Humanities
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