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Painting --- Peinture --- Catalogues
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Landscape painting, Dutch --- Genre painting, Dutch --- Italians in art --- Painting --- Peinture de paysages hollandaise --- Peinture de genre hollandaise --- Italiens dans l'art --- Peinture --- Catalogs. --- Catalog --- Exhibitions. --- Catalogues --- Catalogues --- Expositions --- Catalogues --- Akademie der Bildenden Künste in Wien. --- Catalogs. --- Italy --- Italie dans l'art --- In art --- Exhibitions. --- Expositions
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"Pink labor on golden streets: queer art practices is particularly concerned with combining, juxtaposing, or playing off various artistic strategies where form and politics intervene. Two artistic attitudes, often perceived as divergent, are described here: the choice of form attributed to political issues versus political stances dictating the question of form. This book sheds light on contradictory standpoints of queer art practices, conceptions of the body, and ideas of 'queer abstraction, ' a term coined by Jack Judith Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire"--Page 4 of cover.
Queer theory --- Gender identity in art --- Homosexuality and art --- Gay artists --- Lesbian artists --- Transgender artists --- 7.039 --- 7.01 --- film --- kunst en politiek --- gender studies --- homoseksualiteit --- kunsttheorie --- kunst --- Artists --- Art and homosexuality --- Art --- Gender identity
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The Last Judgment Triptych by Hieronymus Bosch (c. 1450/55?1516) is an art historical masterpiece of Dutch painting from around 1500. This altarpiece, with its central panel and two wings, is the second-largest work by Bosch and is the heart of the Paintings Gallery of the Academy of Fine Arts Vienna. It was bequeathed to the academy by Count Lamberg-Sprinzenstein in 1822 and, like the entire collection of the Paintings Gallery, is the property of the Republic of Austria.In the summer of 2017, five colleagues from the Bosch Research and Conservation Project, Luuk Hoogstede, Matthijs Ilsink, Rik Klein Gotink, Jos Koldeweij, and Ron Spronk, were invited to examine the altarpiece. During the eleven days they spent inspecting the work, which was financed by Het Noordbrabants Museum in ?s-Hertogenbosch, they carried out extensive photographic documentation in visible light and infrared, and infrared reflectography. The altarpiece was subjected to an exhaustive technical analysis.During a second technical examination, supported by the Jheronimus Bosch Art Centre ?s-Hertogenbosch, colleagues from the University of Antwerp led by Geert Van der Snickt carried out Macro-XRF scans of the entire altarpiece. The initial results were published in February 2018 in Burlington Magazine. All the images will soon be available online to researchers and the interested public. They form the basis of the presentations and discussions at the first international, interdisciplinary conference centred around Bosch?s Last Judgment Triptych.
altarpieces --- Laatste Oordeel --- Bosch, Jeroen --- Triptychs --- Judgment Day in art --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Judgment Day --- Bosch, Hieronymus, --- van Aken, Jheronimus --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Hieronymus van Aken, --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco --- Triptichs --- Art --- Bosch, Hiëronymus
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Art --- Art --- Art --- Art --- Reproduction --- Exhibitions. --- Adaptations --- Exhibitions. --- Forgeries --- Exhibitions. --- Themes, motives --- Influence --- Exhibitions.
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Painting, Dutch --- Italians in art --- Painting, Dutch --- Painting --- Peinture hollandaise --- Italiens dans l'art --- Peinture hollandaise --- Peinture --- Exhibitions. --- Exhibitions. --- Italian influences. --- Collectors and collecting --- Exhibitions. --- Expositions --- Expositions --- Influence italienne --- Collectionneurs et collections --- Expositions --- Italy --- Italie dans l'art --- In art --- Exhibitions --- Expositions
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Graphic arts --- prints [visual works] --- Rembrandt --- Academy of Fine Arts --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand
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Art restorers --- Training of --- Akademie der Bildenden Künste in Wien --- Curricula.
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