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Mural painting and decoration, Chinese --- Buddhist art --- Buddhist cave temples --- Conservation and restoration --- Dunhuang Caves (China) --- Antiquities --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Caityagṛha --- Cave temples, Buddhist --- Cetiyaghara --- Buddhist temples --- Cave temples --- Chinese mural painting and decoration --- Caves of the Thousand Buddhas (China) --- Chʻien-fu Caves (China) --- Dunhuang Mogao Grottoes (China) --- Dunhuang Mogao Ku (China) --- Mo-kao Caves (China) --- Mo-kao kʻu (China) --- Mogao Caves (China) --- Mogao Grottoes (China) --- Qianfu Caves (China) --- Thousand Buddhas Caves (China) --- Tun-huang Caves (China) --- Tun-huang Mo-kao kʻu (China)
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Mural painting and decoration, Chinese --- Buddhist art --- Buddhist cave temples --- Cave paintings --- Cultural property --- Conservation and restoration --- Protection --- Dunhuang Caves (China) --- Antiquities --- Caityagṛha --- Cave temples, Buddhist --- Cetiyaghara --- Buddhist temples --- Cave temples --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Chinese mural painting and decoration --- Cave-drawings --- Mural painting and decoration --- Rock paintings --- Caves of the Thousand Buddhas (China) --- Chʻien-fu Caves (China) --- Dunhuang Mogao Grottoes (China) --- Dunhuang Mogao Ku (China) --- Mo-kao Caves (China) --- Mo-kao kʻu (China) --- Mogao Caves (China) --- Mogao Grottoes (China) --- Qianfu Caves (China) --- Thousand Buddhas Caves (China) --- Tun-huang Caves (China) --- Tun-huang Mo-kao kʻu (China)
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S17/0550 --- China: Art and archaeology--Silk route --- Conferences - Meetings --- Buddhist art --- Buddhist cave temples --- Cave paintings --- Cultural property --- Mural painting and decoration, Chinese --- Cave-drawings --- Mural painting and decoration --- Rock paintings --- Caityagṛha --- Cave temples, Buddhist --- Cetiyaghara --- Cave temples --- Art, Buddhist --- Art, Lamaist --- Art --- Buddhism and art --- Chinese mural painting and decoration --- Conservation and restoration --- Protection --- Dunhuang Caves (China) --- Caves of the Thousand Buddhas (China) --- Chʻien-fu Caves (China) --- Dunhuang Mogao Grottoes (China) --- Dunhuang Mogao Ku (China) --- Mo-kao Caves (China) --- Mo-kao kʻu (China) --- Mogao Caves (China) --- Mogao Grottoes (China) --- Qianfu Caves (China) --- Thousand Buddhas Caves (China) --- Tun-huang Caves (China) --- Tun-huang Mo-kao kʻu (China) --- Antiquities --- Buddhist temples
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At the Mogao Grottoes, a World Heritage site near Dunhuang city in Gansu Province, visitor numbers have increased inexorably since 1979 when the site opened. A national policy that identifies tourism as a pillar industry, along with pressure from local authorities and businesses to encourage more tourism, threatens to lead to an unsustainable situation for management, an unsafe and uncomfortable experience for visitors and irreparable damage to the fragile art of the cave temples for which the site is famous. In the context of the comprehensive visitor management plan developed for the Mogao Grottoes, a multi-year study began in 2001 as a joint undertaking of the Dunhuang Academy and the Getty Conservation Institute to determine the impact of visitation on the painted caves and develop strategies for sustainable visitation such that, once implemented, these threats would be resolved. The methodological framework featured a major research and assessment component that integrates visitor studies; laboratory investigations; environmental monitoring; field testing and condition assessment to address the issues affecting the grottoes and visitors. Results from this component led to defining limiting conditions, which were the basis for establishing a visitor capacity policy for the grottoes and developing long-term monitoring and management tools.
Social Sciences. --- Cultural Management. --- Archaeology. --- Social sciences. --- Sciences sociales --- Archéologie --- Sociology & Social History --- Social Sciences --- Social Change --- Sustainable tourism --- Dunhuang Caves (China) --- Green tourism --- Caves of the Thousand Buddhas (China) --- Chʻien-fu Caves (China) --- Dunhuang Mogao Grottoes (China) --- Dunhuang Mogao Ku (China) --- Mo-kao Caves (China) --- Mo-kao kʻu (China) --- Mogao Caves (China) --- Mogao Grottoes (China) --- Qianfu Caves (China) --- Thousand Buddhas Caves (China) --- Tun-huang Caves (China) --- Tun-huang Mo-kao kʻu (China) --- Management. --- Tourism --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Administration --- Industrial relations --- Organization
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At the Mogao Grottoes, a World Heritage site near Dunhuang city in Gansu Province, visitor numbers have increased inexorably since 1979 when the site opened. A national policy that identifies tourism as a pillar industry, along with pressure from local authorities and businesses to encourage more tourism, threatens to lead to an unsustainable situation for management, an unsafe and uncomfortable experience for visitors and irreparable damage to the fragile art of the cave temples for which the site is famous. In the context of the comprehensive visitor management plan developed for the Mogao Grottoes, a multi-year study began in 2001 as a joint undertaking of the Dunhuang Academy and the Getty Conservation Institute to determine the impact of visitation on the painted caves and develop strategies for sustainable visitation such that, once implemented, these threats would be resolved. The methodological framework featured a major research and assessment component that integrates visitor studies; laboratory investigations; environmental monitoring; field testing and condition assessment to address the issues affecting the grottoes and visitors. Results from this component led to defining limiting conditions, which were the basis for establishing a visitor capacity policy for the grottoes and developing long-term monitoring and management tools.
Sociology of culture --- Business management --- Archeology --- cultuurmanagement --- management --- archeologie
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"The Mogao cave temples on China's fabled Silk Road constitute one of the world's most significant sites of Buddhist art. Founded by monks as an isolated monastery in the late fourth century, Mogao evolved into a spiritual and artistic mecca renowned throughout China and central Asia. Here, in some five hundred caves carved into rock cliffs at the edge of the Gobi Desert, was preserved the pageantry of one thousand years - miles of wall paintings, more than two thousand statues, magnificent works on silk and paper, and tens of thousands of ancient manuscripts." "Cave Temples of Mogao tells the fascinating story of this remarkable site and of nearby Dunhuang, desert gateway to China. It also describes the long-term collaboration between the Getty Conservation Institute and Chinese authorities to preserve the Mogao shrines."--Jacket.
temples [buildings] --- zijderoute --- Archeology --- Dunhuang --- Mural painting and decoration, Buddhist --- Mural painting and decoration, Chinese --- Art, Buddhist --- Art, Chinese --- Dunhuang Caves (China) --- S17/0510 --- S17/0210 --- S17/0230 --- S17/0550 --- China: Art and archaeology--Buddhist art: paintings --- China: Art and archaeology--Archaeology: general --- China: Art and archaeology--Dunhuang: general --- China: Art and archaeology--Silk route --- Buddhist art --- Buddhist mural painting and decoration --- Chinese mural painting and decoration --- Mural painting and decoration --- Art, Lamaist --- Art --- Buddhism and art --- Caves of the Thousand Buddhas (China) --- Chʻien-fu Caves (China) --- Dunhuang Mogao Grottoes (China) --- Dunhuang Mogao Ku (China) --- Mo-kao Caves (China) --- Mo-kao kʻu (China) --- Mogao Caves (China) --- Mogao Grottoes (China) --- Qianfu Caves (China) --- Thousand Buddhas Caves (China) --- Tun-huang Caves (China) --- Tun-huang Mo-kao kʻu (China) --- Mural painting and decoration, Buddhist - China - Dunhuang Caves --- Mural painting and decoration, Chinese - China - Dunhuang Caves --- Art, Buddhist - China - Dunhuang Caves --- Art, Chinese - Tang-Five dynasties, 618-960 --- 20.51 Buddhist art. --- Art bouddhique --- Art chinois --- Boeddhistische kunst. --- Buddhist art. --- Buddhist mural painting and decoration. --- Mural painting and decoration, Chinese. --- Muurschilderingen. --- Tempels. --- Zijderoute. --- Tang-Five dynasties. --- 618-960. --- China --- Dunhuang Caves (China). --- Dunhuang, Grottes de (Chine). --- Mogaogrotten --- Mogaogrotten.
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The Mogao grottoes in northwestern China, located near the town of Dunhuang on the fabled Silk Road, constitute one of the world?s most significant sites of Buddhist art. Preserved in some five hundred caves carved into rock cliffs at the edge of the Gobi Desert are one thousand years of exquisite wall paintings and sculpture. Founded by Buddhist monks in the late fourth century, Mogao grew into an artistic and spiritual center whose renown extended from the Chinese capital to the far western kingdoms of the Silk Road. Among its treasures are 45,000 square meters of murals, more than 2,000 statues, and over 40,000 medieval silk paintings and illustrated manuscripts. This sumptuous catalogue accompanies an exhibition of the same name, which will run from May 7 through September 4, 2016, at the Getty Center. Organized by the Getty Conservation Institute, Getty Research Institute, Dunhuang Academy, and Dunhuang Foundation, the exhibition celebrates a decades-long collaboration between the GCI and the Dunhuang Academy to conserve this UNESCO World Heritage Site. It presents, for the first time in North America, a collection of objects from the so-called Library Cave, including illustrated sutras, prayer books, and other exquisite treasures, as well as three full-scale, handpainted replica caves. This volume includes essays by leading scholars, an illustrated portfolio on the replica caves, and comprehensive entries on all objects in the exhibition
Buddhist art --- Buddhist mural painting and decoration --- Mural painting and decoration, Chinese --- Dunhuang Caves (China) --- Dunhuang, Grottes de (Chine) --- Art bouddhique --- Peinture et décoration murales bouddhiques --- Peinture et décoration murales chinoises --- Exhibitions. --- Exhibitions --- Expositions --- Peinture et décoration murales bouddhiques --- Peinture et décoration murales chinoises
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On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
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