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In a time of war, what is the shape of love? Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from her school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile community, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos each sibling resisting the roles gender and society assign. Through a cast of complex, beautifully drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a future. Addonia has written an insiders view of the textures of life in a refugee camp. Both intimate and epic, this subversive tale of transgression dissects society s ability to wage war on its own women and explores the stories we must tell to survive in a broken, inhospitable environment.
Refugee camps --- Women refugees --- Refugee camps. --- Women refugees. --- Fiction. --- Vrouwen --- Vluchtelingen --- Vluchtelingenkampen --- Afrika --- Oorlog --- Romans --- Verhalen --- Vrouw --- Vluchteling --- Vluchtelingenkamp --- Verhaal --- Propaganda --- Recht --- Scheepvaart --- Kunst --- Ondernemerschap --- Poëzie
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Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile community, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos – each sibling resisting the roles gender and society assign.Through a cast of complex, beautifully-drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a future.
Immigrés --- Érythrée --- Afrika. --- Novelle. --- Oorlog en vrouwen. --- Vluchtelingenkampen.
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La nuit est tombée quand Hagos et Saba, frère et sœur, arrivent dans un camp de réfugiés au Soudan avec leur mère. Ils n’ont plus rien et ont fui leur pays en guerre, mais leur cœur bat toujours : Hagos, muet et fragile, et Saba, au caractère farouche, vont trouver l’amour au milieu des ruines. C’est dans ce monde à part, lieu condensé d’humanité, que frère et sœur vont briser les tabous, renverser les genres et illustrer un conte d’amour sensuel au milieu du chaos. Par ce roman élégiaque à contre-courant des préjugés, Sulaiman Addonia redéfinit la littérature de l’exil et célèbre avec modernité l’amour sous toutes ses formes. Dans la lignée de Floraison sauvage d’Aharon Appelfeld, Le silence est ma langue natale bouscule nos repères et nos codes, et par le pouvoir de sa langue, illumine l’insupportable réalité.
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It is summer in Jeddah but Naser's life seems bleak. An immigrant in an unfriendly land, his friends have fled town for cooler climes and left him to his dead-end job and the scrutiny of the religious police, who keep watch through the shaded windows of their government jeeps. He spends his time writing to his mother in Africa and yearning to meet a woman - but in a country that separates men and women with walls and veils he feels increasingly trapped. Then, one of the black-clad women drops a piece of paper at his feet, instructing him to follow her pink shoes and suddenly his black-and-white life blooms into colour.But relationships between unmarried men and women are illegal under the strict Wahhibism of Saudi state rule - and it's not long before their forbidden love must face the hardest test of all...
Africans --- Paramours --- Wahhābīyah --- Saudi Arabia --- Social life and customs --- Islam en sexualiteit. --- Onmogelijke liefde. --- Roman.
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Art styles --- Dutch literature --- Surrealist --- Belgium
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