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"Dance is a marginalized art form which has frequently been ignored in the various debates about cultural practices. This book redresses the balance and opens up some important areas for discussion. Christy Adair argues that dance is an arena for feminist practice, particularly as feminism has recognized the centrality of the arts in shaping our ideas about ourselves and our society." "Women's high profile in dance leads to the popular opinion that it is a female art form. But women tend to interpret rather than create dance images. This book highlights the consequences for female dancers of the development of Western dance technique in a patriarchal society. The constraints placed upon them are revealed in the texture of the dances discussed. Christy Adair shows how women's work which challenges traditional images of women in dance offers us visions for the future. But, she argues, in order for women's perspectives to be clearly established and influential, women need to have access to positions of power as choreographers and directors."--Jacket.
Recreation. Games. Sports. Corp. expression --- Women dancers --- Dance --- Sex in dance --- #SBIB:316.7C211 --- Sensuality in dance --- Sexuality in dance --- Dance and society --- Dancing and society --- Society and dance --- Dancers --- Social aspects --- Cultuursociologie: dans
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Dit boek biedt een, ook voor niet-dansers goed leesbaar, historisch overzicht van de dans vanuit gender-perspectief. Het boek bestaat uit twee delen. In het eerste deel wordt ingegaan op de verschillende facetten van de produktie en erkenning van de westerse theaterdans. In het tweede deel wordt de rol besproken die vrouwen hierin hebben gespeeld.
Sociology of the family. Sociology of sexuality --- Human physiology --- Theatrical science --- Sociolinguistics --- History --- Body language --- Images of women --- Female body --- Book --- Dancing
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Dance --- Dance, Black --- Dance, Black. --- Dance. --- GAMES --- History --- Reference. --- Travel Games. --- 1900-1999. --- Great Britain.
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British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain's colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars.
Dancers --- african --- ballets --- caribbean --- company --- contemporary --- dancer --- les --- london --- phoenix --- theatre --- History. --- Great Britain --- Great Britain. --- Race relations.
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