Listing 1 - 4 of 4 |
Sort by
|
Choose an application
This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of extraordinary collections and facilities growth coupled with the repeated setbacks of government funding cuts during economic downturns. Detroit's 2013 bankruptcy underscored nearly 130 years of fiscal missteps and false assumptions that rendered the museum particularly vulnerable to the monetary power of a global art investment community eager to capitalize on the city's failures and its creditors' demands.
Public administration. --- Economic history. --- Urban economics. --- Culture - Economic aspects. --- Economics. --- Cultural Economics. --- Urban Economics. --- Non-Profit Organizations and Public Enterprises. --- Public Administration. --- Economic History. --- Art museums --- Economic aspects --- Detroit Institute of Arts --- Economic aspects. --- Detroit (Mich.) --- Economic conditions --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Galleries and museums --- Museums --- Detroit Arts Commission. --- Detroit Institute of Arts of the City of Detroit --- Detroit. --- Detroit (Mich.). --- Detroit Institute of Art --- Instituto de Artes de Detroit --- DIA --- Detroit --- Diṭroiṭ (Mich.) --- Deṭroyṭ (Mich.) --- Town of Detroit (Mich.) --- Arts facilities --- Detroit Museum of Art --- Nonprofit organizations. --- History, Economic --- Economics --- Administration, Public --- Delivery of government services --- Government services, Delivery of --- Public management --- Public sector management --- Political science --- Administrative law --- Decentralization in government --- Local government --- Public officers --- Corporations, Nonprofit --- Non-profit organizations --- Non-profit sector --- Non-profits --- Nonprofit sector --- Nonprofits --- Not-for-profit organizations --- NPOs --- Organizations, Nonprofit --- Tax-exempt organizations --- Associations, institutions, etc. --- Cities and towns --- City economics --- Economics of cities --- Culture—Economic aspects. --- Detroit Institute of Arts. --- 2000-2099 --- Michigan --- Detroit Arts Commission. Detroit Institute of Arts --- Detroit. Institute of Arts --- Detroit (Mich.). Institute of Arts --- City of Detroit (Mich.) --- Culture
Choose an application
James Henry Breasted (1865-1935) had a career that epitomizes our popular image of the archaeologist. Daring, handsome, and charismatic, he traveled on expeditions to remote and politically unstable corners of the Middle East, helped identify the tomb of King Tut, and was on the cover of Time magazine. But Breasted was more than an Indiana Jones-he was an accomplished scholar, academic entrepreneur, and talented author who brought ancient history to life not just for students but for such notables as Teddy Roosevelt and Sigmund Freud. In American Egyptologist, Jeffrey Abt weaves together the disparate strands of Breasted's life, from his small-town origins following the Civil War to his evolution into the father of American Egyptology and the founder of the Oriental Institute in the early years of the University of Chicago. Abt explores the scholarly, philanthropic, diplomatic, and religious contexts of his ideas and projects, providing insight into the origins of America's most prominent center for Near Eastern archaeology. An illuminating portrait of the nearly forgotten man who demystified ancient Egypt for the general public, American Egyptologist restores James Henry Breasted to the world and puts forward a brilliant case for his place as one of the most important scholars of modern times.
Archaeology --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- History. --- Breasted, James Henry, --- Bristid, Zhīms Hinrī --- Bristid, Hinrī Zhayms --- Bristid, Zhayms Hinrī --- Brētsatēt, --- Brētsatēt, Hēnrī Chēm --- Breasted, H. J. --- University of Chicago. --- Oriental Institute (University of Chicago) --- Oriental Institute of the University of Chicago --- Breasted, James Henry --- james henry breasted, american, united states of america, archaeologist, archaeology, egypt, egyptologist, historian, history, haskell oriental museum, ancient civilizations, field research, middle east, king tut, nubia, expeditions, chicago, university, lexicography, fertile crescent, translation, survey, expedition, archaeologies. --- OI (Oriental Institute, University of Chicago)
Choose an application
This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of extraordinary collections and facilities growth coupled with the repeated setbacks of government funding cuts during economic downturns. Detroit's 2013 bankruptcy underscored nearly 130 years of fiscal missteps and false assumptions that rendered the museum particularly vulnerable to the monetary power of a global art investment community eager to capitalize on the city's failures and its creditors' demands.
Sociology of culture --- Economics --- Public administration --- Firms and enterprises --- Economic geography --- World history --- cultuur --- economie --- non-profitsector --- economische geschiedenis --- kapitalisme --- administratie
Choose an application
Listing 1 - 4 of 4 |
Sort by
|