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The "home" is a quintessentially "idian topic, yet one at the center of global concerns: Consumption habits, aesthetic preferences, international trade, and state authority all influence the domestic sphere. For middle-class residents of late-nineteenth- and early-twentieth-century Beirut, these debates took on critical importance. As Beirut was reshaped into a modern city, legal codes and urban projects pressed at the home from without, and imported commodities and new consumption habits transformed it from within. Drawing from rich archives in Arabic, Ottoman, French, and English—from advertisements and catalogues to previously unstudied government documents—A Taste for Home places the middle-class home at the intersection of local and global transformations. Middle-class domesticity took form between changing urbanity, politicization of domesticity, and changing consumption patterns. Transcending class-based aesthetic theories and static notions of "Westernization" alike, this book illuminates the self-representations and the material realities of an emerging middle class. Toufoul Abou-Hodeib offers a cultural history of late Ottoman Beirut that is at once global in the widest sense of the term and local enough to enter the most private of spaces.
Home --- Middle class --- Home economics --- Domestic economy --- Domestic science --- Family and consumer sciences --- Household management --- Household science --- Family life education --- Consumer education --- Formulas, recipes, etc. --- Households --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Social classes --- Families --- Marriage --- History. --- Social conditions --- Beirut (Lebanon) --- Lebanon --- Social life and customs. --- Civilization --- European influences. --- Europe --- Beirut --- Beyrout (Lebanon) --- Beyrouth (Lebanon) --- Bejrut (Lebanon) --- Bayrūt (Lebanon) --- Vērytos (Lebanon) --- Baladīyat Bayrūt (Lebanon) --- بيروت (Lebanon) --- Βηρυττός (Lebanon) --- Vēryttos (Lebanon) --- Berytus (Lebanon) --- ביירות (Lebanon) --- Bairut (Lebanon) --- Beyrut (Lebanon) --- Berut (Lebanon) --- Beiroet (Lebanon) --- Beirots (Lebanon) --- Горад Бейрут (Lebanon) --- Horad Beĭrut (Lebanon) --- Бейрут (Lebanon) --- Beirout (Lebanon) --- Βηρυτός (Lebanon) --- Bejruto (Lebanon) --- Béiriút (Lebanon) --- 베이루트 (Lebanon) --- Beirutʻŭ (Lebanon) --- Bewout (Lebanon) --- Beirūta (Lebanon) --- Beirutas (Lebanon) --- Бејрут (Lebanon) --- Бейрут ошсь (Lebanon) --- Beĭrut oshsʹ (Lebanon) --- ベイルート (Lebanon) --- Beirūto (Lebanon) --- Beirot (Lebanon) --- Beirute (Lebanon) --- 贝鲁特 (Lebanon) --- Beilute (Lebanon)
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History of Asia --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- Beirut
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Solidarity has re-entered the global zeitgeist with resounding force in the last decade, driving new thinking to counter the systemic failures and abuses of our society. The Art and Solidarity Reader considers the agency artists, collectives, and art institutions have in building the radical visions of care and solidarity needed to transform the conditions of our collective existence. Presenting new and historical material, the Reader narrates various micro-histories of artistic solidarity globally from the 1970s to today, in relation to the multiple crises of migration, neo-colonialism, rising radicalization, inter-religious conflicts, class divisions, new technology, heteronormativity, and the environment. It emphasizes the centrality of artist-led empathy and personal connectivity in building networks of solidarity and concrete actions that generate profound transformation in society. Whilst addressing the relevance of the Non-Aligned Movement of the Cold War in generating new forms of artistic solidarity globally, the Reader points towards its successors and, significantly, centers Indigenous perspectives rarely considered when discussing the history of artistic solidarity. Exhibition: Kunstnernes Hus, Oslo, Norway (20.01-21.03.2021)
Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline] --- Art and society --- Solidarity --- ART / Criticism & Theory. --- Art and society. --- Solidarity. --- Political aspects --- Political aspects.
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With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image - or rather the imagination - of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumesVolume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100-1536)Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536-ca. 1750)Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750-ca. 1920)
RELIGION / Religion, Politics & State. --- Modern literature. --- Zionist movement and Scandinavia. --- Scandinavia --- Jerusalem --- Church history. --- In Christianity.
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