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Iran --- Pictorial works --- Ouvrages illustrés --- History --- Ouvrages illustrés --- 1925-1979 --- 1979 --- -Pictorial works --- Iran - History - Revolution, 1979 - Pictorial works --- Iran - History - 1997- - Pictorial works
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Photography --- Oapan
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Abbas plunges back into his contact sheets and gives us an intimate selection of the reports he made in Vietnam from 1972 to 1975, being in particular one of the first photographers to bring back images of Viêt-cong. Deeply marked by this country, he returned there in 2008 and confronted his memories with a new nation which had opened up to capitalism. From Saigon to Hanoi, via anti-war demonstrations in Miami and the Non-Aligned Summit of Cuba, until his return to Vietnam thirty years later, this book brings together war photos, but also and above all images of the cities the photographer has traveled, faces of those he met. Beyond the historical and political testimony, Abbas tells of this country that touched him so much.
Vietnam War, 1961-1975 --- War photography --- Photography --- Abbas --- Travel --- Vietnam --- History --- Description and travel
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Christianity --- Abbas --- Travel. --- Travel
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Islam --- Pictorial works --- Islamic countries --- Pictorial works.
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"The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained--indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial--a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters. This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin"--
Sociology of religion --- Islam --- Islam - 21st century --- Islam - 20th century --- RELIGION / Islam / General. --- ART / Asian. --- LITERARY CRITICISM / Middle Eastern. --- Cold War. --- Islam. --- Pakistani Literature. --- Postcolonial Islam. --- War on Terror. --- baroque. --- blasphemy laws. --- enlightenment freedom. --- pious Muslims. --- political theology.
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Democracy --- developpement economique --- democratie populaire --- pays en voie de developpement --- economische ontwikkeling --- volksdemocratie --- ontwikkelingslanden --- Developing countries --- Economic policy --- Politics and government --- Developing countries - Economic policy. --- Developing countries - Politics and government. --- Democracy - Developing countries. --- Economic policy. --- Politics and government.
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