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film --- homemovie --- Amateur films --- Families in motion pictures. --- Family in motion pictures. --- History and criticism. --- History and criticism
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film --- camera --- Groningen.
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A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siecle to today. Departing from a longue duree perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs.
Amateur films --- Video recordings --- Digital media --- Historiography --- Social aspects.
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Known for his unconventional technique and gritty, evocative images of people and places, Ed van der Elsken was a self-taught photographer whose work documented his own life and travels. This book offers a definitive overview of van der Elsken's entire oeuvre, including his groundbreaking photo novel and his paean to 1950s Amsterdam. On display at Amsterdam's famed Stedelijk Museum, the exhibition at the center of this book focuses on the museum's extensive collection of van der Elsken's prints, and on the renowned installations he mounted there during his lifetime. Essays reveal the photographer's early influences, including Weegee, Henri Cartier-Bresson, and Robert Capa, while also showing how his confident, unorthodox, and self-expressionist style paved the way for late 20th-century photographers, including Larry Clark, Nan Goldin, and Wolfgang Tillmans.
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Overzicht van het werk van fotograaf Ed van der Elsken (1925-1990).
fotografie --- Nederland --- twintigste eeuw --- van der Elsken Ed --- documentaire fotografie --- straatfotografie --- portretfotografie --- stadsfotografie --- Amsterdam --- Parijs --- 77.071 VAN DER ELSKEN --- Exhibitions --- 77.092.07 --- Fotografen ; 20ste eeuw ; Ed van der Elsken --- Van der Elsken, Ed 1925-1990 (°Amsterdam, Nederland) --- Straatfotografie --- Tentoonstellingscatalogi ; Amsterdam ; Stedelijk Museum --- Fotografen A - Z --- commercial portraiture --- photographers --- Photography --- Art --- Elsken, van der, Ed --- Netherlands --- Elsken, Ed van der, --- Elsken, Ed van der
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