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Dutch artist Jacqueline de Jong creates bold works that combine humour, eroticism, violence, and political commitment using her exuberant style and figuration. Since the early 1960s, De Jong has embraced the figurative image as a space for confusion and subversion. She belongs to a group of artists who reintroduced narration by borrowing elements from pop culture, cinema, and illustration—all the while mixing the absurd with the mysterious. With a penchant for experimentation, De Jong plays with shape, style, and pictorial idioms in order to unfold an idiosyncratic and subversive body of work.Born in the Netherlands in 1939, de Jong travelled extensively across Europe coming into contact with many avant-garde movements. She was part, for instance, in the radical Situationist International group, whose intention was to put an end to the “Society of the Spectacle” and consumer culture. While active as a painter, she was also editor and graphic designer of The Situationist Times.

kunst --- 75.071 DE JONG --- 7.071 DE JONG --- erotiek --- seksualiteit --- politiek --- schilderkunst --- Frankrijk --- Cobra --- situationisme --- grafiek --- tijdschriften --- De Jong Jacqueline --- twintigste eeuw --- eenentwintigste eeuw --- Nederland --- Exhibitions --- Painting --- painters [artists] --- Jong, de, Jacqueline --- Painting, Dutch --- De Jong, Jacqueline --- Jong, Jacqueline de --- Art styles --- Graphic arts --- prints [visual works] --- avant-garde --- Abstract [fine arts style] --- easel paintings [paintings by form] --- Abstract [modern European style]

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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city.

Architecture --- Avant-garde (Aesthetics) --- City planning. --- Art, Architecture & Applied Arts --- Aesthetics --- Modernism (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Cities and towns --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Philosophy. --- History --- Philosophy --- Design and construction --- Government policy --- Management --- Internationale situationniste --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Influence. --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- 72.036 --- 72.03 --- 711.4 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Stedenbouw --- Stedenbouw (theorie) --- Architectuurtheorie --- International situationniste --- Internationale Situationniste

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Visionary architecture in art --- Architecture visionnaire dans l'art --- Exhibitions --- Expositions --- Constant, --- Exhibitions. --- Art, Dutch --- 72.07 --- 711.07 --- 7.07 --- Nieuwenhuys, Constant Anton 1920-2005 (°Amsterdam, Nederland) --- Utopische steden; New Babylon; Constant --- Architectuur en beeldende kunst ; 20ste eeuw ; Constant Nieuwenhuys --- Architectuur ; stedenbouw ; visionaire ; futuristische --- Internationaal Situationisme --- Cobra --- Architecten. Stedenbouwkundigen A - Z --- Stedenbouwkundigen --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Nieuwenhuys, Constant, --- Nieuwenhuis, Constant, --- Nieuwenhuijs, Constant, --- Nieuwenhuijs, Constant Anton,

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Textes clés sur la notion de « situation » dans l’art et la théorie qui considèrent le site, le lieu et le contexte, les interventions temporaires, les mesures correctives, la fabrication de lieux et l’espace public. Situation - un ensemble unique de conditions produites à la fois dans l’espace et le temps et allant à travers les relations matérielles, sociales, politiques et économiques - est devenu un concept clé dans l’art du XXIe siècle. Ancrée dans les pratiques artistiques des années 1960 et 1970, l’idée de situation a évolué et transcendé celles-ci dans le contexte actuel de mondialisation. Cette anthologie offre des écrits clés sur les domaines de la pratique de l’art et de la théorie liés à la situation, y compris les notions du site spécifique, l’artiste en tant qu’ethnographe ou travailleur sur le terrain, la relation entre l’action et l’espace public, le sens du lieu et de la localité, et le rôle crucial du conservateur dans la situation récente de l’art spécifique. En Amérique du Nord et en Europe, le site spécifique est souvent considéré comme une résistance à la marchandisation de l’art, tandis qu’ailleurs des pratiques spécifiques à la situation ont défié les institutions d’autorité. Les contributeurs discutent de ces tendances récentes dans le contexte de la prolifération d’expositions biennales internationales, de projets liés à des conservateurs et de stratégies par lesquelles les artistes déballent de plus en plus la définition et la légitimation de l’art fondé sur la situation. Artistes interrogés : Vito Acconci, Allora & Calzadilla, Francis Alÿs, Carl Andre, Artist Placement Group, Michael Asher, Amy Balkin, Ursula Biemann, Bik Van der Pol, Daniel Buren, Victor Burgin, Janet Cardiff, Center for Land Use Interpretation, Adam Chodzko, Collective Actions, Tacita Dean, Elmgreen & Dragset, Andrea Fraser, Hamish Fulton, Dan Graham, Liam Gillick, Renée Green, Group Material, Douglas Huebler, Bethan Huws, Pierre Huyghe, Robert Irwin , Emily Jacir, Ilya Kabakov, Leopold Kessler, Július Koller, Langlands & Bell, Ligna, Richard Long, Gordon Matta-Clark, Graeme Miller, Jonathan Monk, Robert Morris, Gabriel Orozco, Walid Ra’ad, Raqs Media Collective, Paul Rooney, Martha Rosler, Allen Ruppersberg, Richard Serra, Situationist International, Tony Smith, Robert Smithson, Vivan Sundaram, Rirkrit Tiravanija, Lawrence Weiner, Rachel Whiteread, Krzysztof Wodiczko, Qiu Zhijie. Écrivains : Arjun Appaduri, Marc Augé, Wim Beeren, Joséphine Berry Slater, Daniel Birnbaum, Ava Bromberg, Susan Buck-Morss, Michel de Certeau, Douglas Crimp, Gilles Deleuze, T. J. Demos, Rosalyn Deutsche, Thierry de Duve, Charles Esche, Graeme Evans, Patricia Falguières, Marina Fokidis, Hal Foster, Hou Hanrou, Brian Holmes, Mary Jane Jacob, Vasif Kortun, Miwon Kwon, Lu Jie, Doreen Massey, James Meyer, Ivo Mesquita, Brian O’Doherty , Craig Owens, Irit Rogoff, Peter Weibel

public spaces --- art theory --- museology --- happenings --- hedendaagse kunst --- Nature --- Museology --- Art --- museumkunde --- earthworks [sculpture] --- Contemporary [style of art] --- site-specific works --- landscapes [representations] --- Tiravanija, Rirkrit --- Rooney, Paul --- Orozco, Gabriel --- Sundaram, Vivan --- Koller, Július --- Langlands & Bell --- Wodiczko, Krysztof --- Asher, Michael --- Allora and Calzadilla --- Qiu Zhijie --- Buren, Daniel --- Smithson, Robert --- Alÿs, Francis --- Bik Van der Pol --- Gillick, Liam --- Green, Renée --- Monk, Jonathan --- Morris, Robert --- Irwin, Robert --- Matta-Clark, Gordon --- Raad, Walid --- Rosler, Martha --- Fraser, Andrea --- Dean, Tacita --- Chodzko, Adam --- Lu Jie --- Jacir, Emily --- Group Material [New York, N.Y.] --- Artist Placement Group --- Center for Land Use Interpretation --- LIGNA --- anno 1970-1979 --- anno 1960-1969 --- anno 1950-1959 --- Arts, Modern --- Avant-garde (Aesthetics) --- History --- 82:7 --- 7.039 --- 7.01 --- Beeldende kunst ; 20ste en 21ste eeuw ; situationisme ; situation --- Kunsttheorie ; over Situationisme --- Literatuur en kunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- 82:7 Literatuur en kunst --- public art --- Aesthetics --- Modernism (Art) --- Museologie --- Kunst --- land art [omgevingskunst] --- museologie --- openbare kunst --- kunsttheorie --- natuur --- plaatsspecifieke werken --- openbare ruimten --- landschappen [voorstellingen] --- land art --- kunst en politiek --- conceptuele kunst --- concept art --- performances --- site-specific art --- activisme --- situationisme --- kunst --- 130.2 --- kunst en ecologie --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Philosophie de l'art --- Arts, Modern - 20th century --- Avant-garde (Aesthetics) - History - 20th century --- Wodiczko, Krzysztof

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architectuurtheorie --- modernisme --- Architecture --- Architecture [Modernist ] --- Architecture moderniste --- Architectuur [Modernistische ] --- Modern movement (Architecture) --- Modern movement (Architectuur) --- Modernism (Architecture) --- Modernisme (Architecture) --- Modernisme (Architectuur) --- Modernist architecture --- Modernistische architectuur --- Mouvement moderne (Architecture) --- 72.036 --- Modern Movement (Architecture) --- 72.038 --- 72.01 --- Architectuur ; 20ste eeuw ; 1945-1970 --- Architectuur ; tussen Modernisme en Postmodernisme --- Architectuurtheorie ; naoorlogse architecturale cultuur --- Experimentele architectuur --- Smithson, Alison en Peter --- Neutra, Richard --- Price, Cedric --- Saarinen, Eero --- Rudolph, Paul --- Rudofsky, Bernard --- Internationaal Situationisme --- Architecture, Modern --- International style (Architecture) --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuur ; theorie, filosofie, esthetica --- architecture [object genre] --- Modernist --- Modern movement (Architecture). --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw