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"The solo videojournalist must find a riveting story; gain access to charismatic characters who can tell their own tales; shoot candid clips; expertly interview the players; record clear, clean sound; write a script with pizzazz; and, finally, edit the material into a piece worthy of five minutes of a viewer's attention. Videojournalism addresses all of these challenges and more. [...] Opening chapters cover the foundations of mutlimedia storytelling, and then the book progresses to the techniques required to shoot professional video, record high quality sound and market the resulting product"--Back cover.

Television broadcasting of news. --- Video recordings --- Electronic moviemaking --- Video direction --- Video production --- Television broadcasting --- Television coverage of news --- Television journalism --- Television news --- Broadcast journalism --- Production and direction. --- Direction --- News --- Video journalism --- Video journalism. --- Video recording --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Videojournalism --- Photojournalism --- Production and direction --- Electronic methods

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Digital television. --- Microcomputers. --- Video recording --- Data processing. --- Digital television --- Microcomputers --- #TELE:MI2 --- Home computers --- Micro computers --- Micros (Microcomputers) --- PCs (Microcomputers) --- Personal computers --- Small computers --- Minicomputers --- Digital communications --- Digital media --- Television --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Data processing --- Electronic methods

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The explosion of the use of VCRs in the home has provided the most significant new form of home entertainment since television. Gray discusses the experiences of women using VCRs and the social and cultural background to ownership.

Video recordings --- Video recording --- Television and women. --- Women and television --- Women --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Videorecordings --- Videos --- Audio-visual materials --- Social aspects. --- Electronic methods

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Hochauflösende Videos ohne teures Profi-Equipment Vom theoretischen Grundwissen zur praktischen Anwendung Einführung in Belichtung, Gestaltung und Filmschnitt Spiegellose Systemkameras könnte man beinahe als die »eierlegende Wollmilchsau« für Filmemacher bezeichnen. Sie können mit verschiedenen Brennweiten ausgestattet werden, auch bei wenig Licht noch qualitativ gute Aufnahmen machen, ermöglichen den gezielten Einsatz von Schärfentiefe und sind dabei auch noch platzsparend. In diesem Buch erfahren Sie, warum Sie Ihre Kamera nicht nur zum Fotografieren nutzen sollten und was Sie beim Filmen alles beachten müssen. Sie lernen zuerst die technischen Grundlagen kennen und welche Einstellungen an Ihrer Kamera die jeweils richtigen sind. Im zweiten Teil des Buches erfahren Sie, was Sie in der Praxis erwartet, wie Sie beispielsweise Ton effektiv aufnehmen oder mit den Protagonisten Ihres Films gekonnt umgehen. Abschließend werden Sie in die Grundlagen des Filmschnitts eingeführt. So können Sie mithilfe Ihrer Systemkamera und dem Expertenwissen von Hendrik Roggemann Ihrem Film den »richtigen Dreh« geben und einen professionellen Film samt interessanter Story produzieren. Die EDITION FOTOHITS: Die EDITION FOTOHITS – ein Gemeinschaftsprojekt der beliebten Zeitschrift FOTOHITS sowie des renommierten Fachverlages mitp – richtet sich an alle Fotointeressierten vom Einsteiger über den Hobby-Fotografen bis zum engagierten Semiprofi. Sie bietet in hochwertiger Ausstattung und auf unterhaltsame Weise aktuelles Foto-Wissen in einem attraktiven Preis-Leistungsverhältnis. Aus dem Inhalt: Grundeinstellungen für Video Bildformate und Bitraten Richtig Belichten Belichtungszeit und Blende beim Filmen Arbeit mit Schärfentiefe Brennweiten und Objektive Scharfstellen beim Film und die Grenzen des Autofokus Externes Zubehör für Ton und Licht Bildkomposition beim Film und Einstellgrößen Bewegung im Film versus Bewegung mit der Kamera Eine Geschichte im Film erzählen Grundlagen des Filmschnitts – In 7 Schritten zum fertigen Film

Photography --- Digital cameras. --- Video recording. --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Digital imaging cameras --- Cameras --- Digital photography --- Digital electronics --- Digital techniques. --- Electronic methods --- Electronic equipment

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Transborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.

Mixe mass media --- anthropology. --- audience. --- audiovisual. --- ayuujik people. --- camera. --- cinematography. --- documentary. --- engaging. --- equal relations. --- ethnic studies. --- ethnopolitical movements. --- hispanic american demographic studies. --- hispanic american studies. --- indigenous people. --- internet access. --- life changes. --- media forms. --- media genres. --- media. --- mexican indigenous people. --- page turner. --- photography equipment. --- photography. --- politics. --- radio. --- realistic. --- tamazulapam mixe. --- technology. --- television. --- transnational migration. --- video. --- videography. --- working class.