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Using a theoretical approach and a critical summary, combining the perspectives in the postcolonial theory, psychoanalysis and narratology with the tools of hermeneutics and deconstruction, this book argues that Jean Rhys's work can be subsumed under a poetics of cultural identity and hybridity. It also demonstrates the validity of the concept of hybridization as the expression of identity formation; the cultural boundaries variability; the opposition self-otherness, authenticity-fiction, trans-textuality; and the relevance of an integrated approach to multiple cultural identities as an encountering and negotiation space between writer, reader and work. The complexity of ontological and epistemological representation involves an interdisciplinary approach that blends a literary interpretive approach to social, anthropological, cultural and historical perspectives. The book concludes that in the author's fictional universe, cultural identity is represented as a general human experience that transcends the specific conditionalities of geographical contexts, history and culture. The construction of identity by Jean Rhys is represented by the dichotomy of marginal identity and the identification with a human ideal designed either by the hegemonic discourse or metropolitan culture or by the dominant ideology. The identification with a pattern of cultural authenticity, of racial, ethnic, or national purism is presented as a purely destructive cultural projection, leading to the creation of a static universe in opposition to the diversity of human feelings and aspirations. Jean Rhys's fictional discourse lies between "the anxiety of authorship" and "the anxiety of influence" and shows the postcolonial era of uprooting and migration in which the national ownership diluted the image of a "home" ambiguous located at the boundary between a myth of origins and a myth of becoming. The relationship between the individual and socio-cultural space is thus shaped in a dual hybrid position.
English Literature --- English --- Languages & Literatures --- Rhys, Jean --- Williams, Ella Gwendolen Rees --- Rees Williams, Ella Gwendolen --- Criticism and interpretation. --- Rhys, Jean. --- Anthropology. --- Social Sciences. --- Sociology. --- SOCIAL SCIENCE / Anthropology / Cultural & Social. --- Hybridity, Cultural identity, Caribbean Diaspora, Jean Rhys's writings, Postcolonial literature. --- Social theory --- Social sciences --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Human beings --- Primitive societies
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Michael Ondaatje is the first comprehensive and fully up-to-date study of Ondaatje's entire oeuvre. Starting from Ondaatje's beginnings as a poet, this volume offers an intensive account of each of his major publications, including The Collected Works of Billy the Kid, Coming Through Slaughter, In The Skin of a Lion and The English Patient, drawing attention to the various contexts and intertexts that have informed his work.The book contains a broad overview of Ondaatje's career for students and readers coming to his work for the first time. It also offers an original reading of his writing wh
Ondaatje, Michael, --- Ondaatje, Michael --- Ondaatje, Philip Michael --- Criticism and interpretation. --- Literature --- Literary Studies: Fiction, Novelists & Prose Writers --- LITERARY CRITICISM / Asian / Indic --- India --- Billy the Kid. --- Coming Through Slaughter. --- English Patient. --- Michael Ondaatje. --- Skin of Lion. --- intertexts. --- poet. --- poetics of postmodernism. --- postcolonial literature. --- postcolonial theory.
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'The key idea of this book is to reevaluate the rise of the British novel from Defoe to Dickens by reading it alongside early Black Atlantic writings from Equiano to Seacole. Elahe Haschemi Yekani profoundly argues that the rise of bourgeois regimes of affect – from 18th century sentimentalism all the way to the heteronormative model of the Victorian family which still haunts us today – was neither a national, nor a white project, but deeply invested and entangled in transatlantic slavery and its aftermath. Compellingly argued, and beautifully written.' - Lars Eckstein, Professor of Anglophone Literatures and Cultures, University of Potsdam, Germany. 'Familial Feeling provides a necessary corrective to the narrowly defined canon of great British Literature. Haschemi Yekani makes us rethink the structures that gird British literary epistemologies and opens our eyes to changes long past due. Familial Feeling is not only required reading for everyone who reads in the British literary tradition, it is also a compelling, nuanced inquiry into the construction of knowledge itself.' - Michelle M. Wright, Longstreet Professor of English, Emory University, USA This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial “writing back” to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the “rise of the novel” framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.
Literature, Modern—18th century. --- Literature, Modern—19th century. --- Critical criminology. --- Ethnology—Europe. --- Eighteenth-Century Literature. --- Nineteenth-Century Literature. --- Ethnicity, Class, Gender and Crime. --- British Culture. --- Radical criminology --- Criminology --- Eighteenth-Century Literature --- Nineteenth-Century Literature --- Ethnicity, Class, Gender and Crime --- British Culture --- Race and Ethnicity Studies --- Literature and Cultural Studies --- Postcolonial Literature --- Black Atlantic Writing --- The British Novel --- Open Access --- Literary studies: c 1600 to c 1800 --- Literary studies: c 1800 to c 1900 --- Crime & criminology --- Cultural studies
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Slavery is a recurring subject in works by the contemporary British writers Caryl Phillips, David Dabydeen and Fred D’Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. This book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK’s largely forgotten slave past. In this highly original study, Abigail Ward looks at a range of novels, poetry and non-fictional works by Phillips, Dabydeen and D’Aguiar in order to consider their creative responses to slavery. This is the first study to focus exclusively on contemporary British literary representations of slavery, and thoughtfully engages with such notions as the history, memory and trauma of slavery and the ethics of writing about this past. Written for students, academics and the general reader interested in contemporary British or Caribbean writing, this authoritative work offers a clear, accessible and interesting guide to the ways in which the transatlantic slave trade is represented in recent postcolonial literature.
Phillips, Caryl --- Dabydeen, David --- D'Aguiar, Fred, --- Aguiar, Fred d', --- Criticism and interpretation. --- Caribbean literature (English) --- Slavery in literature. --- Black authors --- History and criticism. --- Slavery and slaves in literature --- Slaves in literature --- English literature --- Caribbean literature --- Enslaved persons in literature --- Literature --- Literary Studies: Post-Colonial Literature --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland --- Phillips, Caryl (1958-....) --- Dabydeen, David (1955-....) --- D'Aguiar, Fred (1960-....) --- Esclavage --- Littérature anglaise --- Critique et interprétation --- Dans la littérature --- 20e siècle --- Histoire et critique --- Britain. --- Caryl Phillips. --- David Dabydeen. --- Fred D'Aguiar. --- ethics of writing. --- memory. --- postcolonial literature. --- slavery. --- transatlantic slave trade. --- trauma.
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This is the first in-depth scholarly study of the literary awakening of the young intellectuals who became known as Nigeria's 'first-generation' writers in the post-colonial period. Terri Ochiagha's research focuses on Chinua Achebe, Elechi Amadi, Chike Momah, Christopher Okigbo and Chukwuemeka Ike, and also discusses the experiences of Gabriel Okara, Ken Saro-Wiwa and I.C. Aniebo, in the context of their education in the 1930s, 1940s and 1950s at Government College, Umuahia. The author provides fresh perspectives on Postcolonial and World literary processes, colonial education in British Africa, literary representations of colonialism and Chinua Achebe's seminal position in African literature. She demonstrates how each of the writers used this very particular education to shape their own visions of the world in which they operated and examines the implications that this had for African literature as a whole. Supplementary material will be available on-line of some of the original sources. Terri Ochiagha holds one of the prestigious British Academy Newton International Fellowships (2014-16) hosted by the Schoolof English, University of Sussex. She was previously a Senior Associate Member of St Antony's College, University of Oxford.
Historians --- Germany --- History --- Philosophy. --- History. --- Nigerian literature (English) --- Authors, Nigerian --- History and criticism. --- Education. --- Achebe, Chinua --- Friends and associates. --- Nigerian authors --- English literature --- Nigerian literature --- Achebe, Albert Chinua --- Achebe, Chinualumogu Albert --- Ats'ebeh, Ts'inuʼa --- Acībī, Cinūā --- Achebe, Albert Chinualumogu --- אצ׳בה, צ׳ינוא --- أتشينى، شينوا --- "first-generation" writers. --- Achebe and Friends at Umuahia: The Making of a Literary Elite. --- African literature. --- Chike Momah. --- Chinua Achebe. --- Christopher Okigbo. --- Chukwuemeka Ike. --- Colonial education. --- Elechi Amadi. --- Gabriel Okara. --- Government College Umuahia. --- Government College, Umuahia. --- I.C. Aniebo. --- Ken Saro-Wiwa. --- Literary culture. --- Literary elite. --- Nigeria. --- Postcolonial literature. --- Terri Ochiagha. --- colonial education. --- cultural perspectives. --- literary awakening. --- post-colonial period. --- postcolonial writers.
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Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and films in both languages, as well as educational projects and popular periodicals, the book traces the emergence of a politics of language from colonization through independence to the era of neoliberal development. Warner reads the francophone works of well-known authors such as Léopold Senghor, Ousmane Sembène, Mariama Bâ, and Boubacar Boris Diop alongside the more overlooked Wolof-language works with which they are in dialogue.Refusing to see the turn to vernacular languages only as a form of nativism, The Tongue-Tied Imagination argues that the language question opens up a fundamental struggle over the nature and limits of literature itself. Warner reveals how language debates tend to pull in two directions: first, they weave vernacular traditions into the normative patterns of world literature; but second, they create space to imagine how literary culture might be configured otherwise. Drawing on these insights, Warner brilliantly rethinks the terms of world literature and charts a renewed practice of literary comparison.
Postcolonialism in literature. --- Senegalese literature --- Senegalese literature (French) --- French literature --- History and criticism. --- Senegal --- Dēmokratia tēs Senegalēs --- Gouvernement de la République du Sénégal --- Gouvernement du Sénégal --- Gweriniaeth Sénégal --- Réewum Senegaal --- Republic of Senegal --- Republica de Senegal --- República del Senegal --- Rèpublica du Sènègal --- Republiek van Senegal --- Republik Senegal --- Republika Senegal --- République du Sénégal --- Rėspublika Senehal --- Saaxle Senegaal --- Senegalē --- Senegali Vabariik --- Senegalská republika --- Senegaru --- Senehal --- Seneqal --- Seneqal Respublikası --- Sinighāl --- Territoire du Sénégal --- Σενεγαλη --- Δημοκρατια της Σενεγαλης --- Рэспубліка Сенегал --- Сенегал --- سنغال --- セネガル --- French Sudan --- Mali --- Mali Federation --- Sudanese Republic --- Languages --- Political aspects. --- Colonialism. --- Comparative Literature. --- Decolonization. --- Francophone Literature. --- Language Question. --- Postcolonial Literature. --- Senegal. --- Translation. --- Wolof Literature. --- World Literature.
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In The Life and Work of Ernesto de Martino , Flavio A. Geisshuesler offers a comprehensive study of one of Italy's most colorful historians of religions. The book inserts de Martino's dramatic life trajectory within the intellectual climate and the socio-political context of his age in order to offer a fresh perspective on the evolution of the discipline of religious studies during the 20th century. Demonstrating that scholarship on religion was animated by moments of fear of the apocalypse, it brings de Martino's perspective into conversation with Mircea Eliade, Claude Lévi-Strauss, and Clifford Geertz in order to recover an Italian approach that promises to redeem religious studies as a relevant and revitalizing field of research in the contemporary climate of crisis.
Religion --- Anthropology of religion --- Religion and sociology --- Religion historians --- Study and teaching --- History --- De Martino, Ernesto, --- Religion, Primitive --- Atheism --- Irreligion --- Religions --- Theology --- 27 <092> --- 27 <092> Kerkgeschiedenis--Biografieën --- Kerkgeschiedenis--Biografieën --- 27 <092> Histoire de l'Eglise--Biographies --- Histoire de l'Eglise--Biographies --- Historians of religion --- Religious historians --- Historians --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Religious anthropology --- Ethnology --- Martino, Ernesto de, --- Martino, Ernesto de. --- Religion. --- Anthropology of religion. --- Religion and sociology. --- Religion historians. --- Study and teaching. --- 1900-1999 --- Italy --- Italy. --- Intellectual life --- Intellectual History --- Literature and Cultural Studies --- Postcolonial Literature & Culture --- Philosophy --- 19th & 20th Century Philosophy --- Philosophy of Religion --- Religious Studies --- History of Religion
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Contesting the Classroom is the first scholarly work to analyze both how Algerian and Moroccan novels depict the postcolonial classroom, and how postcolonial literatures are taught in Morocco and Algeria. Drawing on a corpus of contemporary novels in French and Arabic, it shows that authors imagined the fictional classroom as a pluralistic and inclusive space, often at odds with the narrow nationalist vision of postcolonial identity. Yet when authors wrote about the school, they also had to consider whether their work would be taught in schools. As this book's original research on the teaching of literature shows, Moroccan and Algerian schools have largely failed to promote the works of local authors in public school curricula. This situation has dramatically altered literary portraits of education: novels marginalized in the public education system must creatively reimagine what pedagogy looks like and where it can take place. In illuminating a literary corpus neglected by political scientists and sociologists, Contesting the Classroom shows that novels about the school are an important source of counter-narrative about education and national identity. At the same time, by demonstrating how education has influenced writing styles, this work reframes the classroom as a necessary cultural context for scholars of postcolonial literature.
Moroccan fiction (French) --- Algerian fiction (French) --- Moroccan fiction (Arabic) --- Algerian fiction (Arabic) --- Education in literature. --- Schools in literature --- French fiction --- Moroccan literature (French) --- Algerian literature (French) --- History and criticism. --- 1900-2099 --- Morocco. --- Algeria. --- 1958-1962 --- al-Dzāyīr --- al-Jazāʼir --- Algérie --- Algerien --- Algeriet --- Alg'eryah --- Algieria --- Algierska Republika Ludowo-Demokratyczna --- Alg'iryah --- Alzhir --- Alžir --- Argelia --- Cezayir --- Democratic and Popular Republic of Algeria --- Democratic Republic of Algeria --- Dżumhurija al-Dżazajrija asz-Szaabija ad-Dimukratija --- Gouvernement général de l'Algérie --- Jumhūrīyah al-Jazāʼirīyah al-Dīmuqrāṭīyah wa-al-Shaʻbīyah --- Jumhūrīyah al Jazāʼirīyah ash Shaʻbīyah --- People's Democratic Republic of Algeria --- République algérienne démocratique et populaire --- Empire chérifien --- Kingdom of Morocco --- Kingdom of Morrocco --- Maghrib --- Mamlaka al-Maghrebia --- Mamlakah al-Maghribīyah --- Maroc --- Marocko --- Marokko --- Maroko --- Marrakesh (Kingdom) --- Marrocos --- Marruecos --- Marruecos Francés --- Morokko --- Morokko Ōkoku --- Morrocco --- Royaume du Maroc --- Morocco --- Arabization --- Education --- Decolonizing the classroom --- Postcolonial Literature --- Pedagogy --- Algeria
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