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Art --- Art. --- Museum of Fine Arts, Boston --- Museum of Fine Arts, Boston. --- Massachusetts --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- MFA --- Museum of Fine Arts (Boston, Mass.) --- ボストン美術館 --- 名古屋ボストン美術館 --- Arts --- Aesthetics --- Art, Primitive --- MFA Boston
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Art --- Art. --- Museum of Fine Arts, Boston --- Museum of Fine Arts, Boston. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- Museum of Fine Arts (Boston, Mass.) --- MFA --- ボストン美術館 --- 名古屋ボストン美術館 --- Arts --- Aesthetics --- Art, Primitive --- MFA Boston
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The Museum of Fine Arts Bulletin is a record of the scholarship, history, collections, and activities of the Museum. It contains illustrated articles by Museum scholars on acquisitions and exhibitions, as well information about Museum and Museum School events and personalities.
Art --- Art. --- Museum of Fine Arts, Boston --- Museum of Fine Arts, Boston. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- MFA --- Museum of Fine Arts (Boston, Mass.) --- ボストン美術館 --- 名古屋ボストン美術館 --- Arts --- Aesthetics --- Visual Arts - General --- Art, Primitive --- MFA Boston
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Painting --- Museum of Fine Arts [Boston, Mass.] --- Europe --- Painting, European --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Catalogs --- Museum of Fine Arts, Boston --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- Museum of Fine Arts (Boston, Mass.) --- MFA --- ボストン美術館 --- 名古屋ボストン美術館 --- Catalogs.
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Art --- Museum of Fine Arts [Boston, Mass.] --- Fontein, Jan --- Museum of Fine Arts, Boston --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- Museum of Fine Arts (Boston, Mass.) --- MFA --- ボストン美術館 --- 名古屋ボストン美術館
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This paper studies how a positive export shock - the sharp increase in garment-sector exports that began at the end of the Multifibre Arrangement (MFA) - spread through Bangladesh's labor markets. Although the end of the MFA was arguably exogenous to Bangladesh, the authors instrument export demand with OECD imports to ensure identification. The paper compares estimates of the local labor market effects (wages and informality) and estimates from wage equations that reflect the predictions from long-run, general-equilibrium neoclassical trade theory. As in other studies, this paper finds that the export shock was localized both in terms of sector and geography. Wages increased and informality decreased in sub-districts more exposed to the export shock. Unlike in other studies, these local labor market effects dissipate quickly. Furthermore, Bangladesh's export shock was sector specific, limited predominantly to the female-intensive garment and textile sector. The paper shows that, following the increase in exports of the female-intensive good, the male-female wage gap closes considerably throughout the country - not just in the apparel sector. In relatively small Bangladesh, the national labor market seems to be more integrated compared to larger countries studied, possibly suggesting that labor adjustment costs are lower in smaller countries.
Apparel Exports --- Export Shock --- Garment Industry --- Gender --- Gender and Economics --- Inequality --- Informality --- Labor Markets --- MFA --- Multi-Fiber Arrangement --- Multi-Fibre Arrangement --- Poverty Reduction --- Rural Development --- Rural Labor Markets --- Stolper-Samuelson --- Trade Policy --- Trade Shock --- Wage Inequality --- Wages, Compensation and Benefits
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Sculpture, Classical --- Sculpture --- Catalogs. --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Catalogs --- Museum of Fine Arts, Boston --- Boston Museum of Fine Arts --- Bosuton Bijutsukan --- Museum of Fine Arts (Boston, Mass.) --- MFA --- ボストン美術館 --- 名古屋ボストン美術館 --- Sculpture, Primitive --- Sculpture, Classical - Catalogs. --- Sculpture - Massachusetts - Boston - Catalogs.
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We often ask ourselves what gets lost in translation-not just between languages, but in the everyday trade-offs between what we experience and what we are able to say about it. But the visionary poems of this collection invite us to consider: what is loss, in translation? Writing at the limits of language-where "the signs loosen, fray, and drift"-Alan Shapiro probes the startling complexity of how we confront absence and the ephemeral, the heartbreak of what once wasn't yet and now is no longer, of what (like racial prejudice and historical atrocity) is omnipresent and elusive. Through poems that are fine-grained and often quiet, Shapiro tells of subtle bereavements: a young boy is shamed for the first time for looking "girly"; an ailing old man struggles to visit his wife in a nursing home; or a woman dying of cancer watches her friends enjoy themselves in her absence. Throughout, this collection traverses rather than condemns the imperfect language of loss-moving against the current in the direction of the utterly ineffable.
Autobiographical poetry, American. --- Autobiographical poetry, American --- American autobiographical poetry --- American poetry --- E-books --- translated, translate, language, linguistics, writing, writer, lost, morals, ethics, concerns, absence, heartbreak, emotions, emotional, analysis, critique, poems, poetry, poetics, poet, race, racism, racial, history, historical, prejudice, loss, tragedy, tragic, shame, regret, cuban missile crisis, manhood, growing up, coming of age, neo nazi, political, ancestry, creative, mfa.
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This landmark collection brings together poetry, performance pieces, "traditional" verse, prose poems, and other poetical texts from Jackson Mac Low's lifetime in art. The works span the years from 1937, beginning with "Thing of Beauty," his first poem, until his death in 2004 and demonstrate his extraordinary range as well as his unquenchable enthusiasm. Mac Low is widely acknowledged as one of the major figures in twentieth-century American poetry, with much of his work ranging into the spheres of music, dance, theater, performance, and the visual arts. Comparable in stature to such giants as Robert Creeley, John Ashbery, and Allen Ginsberg, Mac Low is often associated with composer John Cage, with whom he shared a delight in work derived from "chance operations." This volume, edited by Anne Tardos, his wife and frequent collaborator, offers a balanced arrangement of early, middle, and late work, designed to convey not just the range but also the progressions and continuities of his writings and "writingways."
Experimental poetry. --- Performance art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Avant-garde poetry --- Literature, Experimental --- Poetry --- 20th century poetry. --- allen ginsberg. --- american poet. --- contemporary poetry. --- creative writer. --- creative writing. --- dance. --- famous poet. --- john ashbery. --- mfa. --- modern poetry. --- music. --- performance art. --- performance. --- poet. --- poetic influences. --- poetic verse. --- poetics. --- poetry. --- prose poems. --- prose poetry. --- robert creeley. --- theater. --- traditional verse. --- visual arts. --- writing.