Choose an application
Pedagogie --- Percussie --- Ritmiek --- Disco --- Funk --- Swing --- Iconografie --- Chester, Gary --- Verenigde Staten van Amerika --- 20e eeuw --- Methodes
Choose an application
"Discos, clubs and raves have been focal points for the development of new and distinctive musical and cultural practices over the past four decades. This volume presents the rich array of scholarship that has sprung up in response. Cutting-edge perspectives from a broad range of academic disciplines reveal the complex questions provoked by this musical tradition. Issues considered include aesthetics; agency; 'the body' in dance, movement, and space; composition; identity (including gender, sexuality, race, and other constructs); musical design; place; pleasure; policing and moral panics; production techniques such as sampling; spirituality and religion; sub-cultural affiliations and distinctions; and technology. The essays are contributed by an international group of scholars and cover a geographically and culturally diverse array of musical scenes" -- Publisher's website.
Electronica (Music) --- Disco music --- History and criticism --- Electronic dance music --- Underground dance music --- #SBIB:309H142 --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Remixes --- Electronic popular music --- Popular music --- Music, Disco --- Populaire muziek: functies, muziekgenres, historiek --- Electronica (Music) - History and criticism --- Disco music - History and criticism
Choose an application
Disco de Teodosio. --- Emperors --- Silverwork --- Empereurs --- Orfèvrerie --- Portraits --- Theodosius --- Portraits. --- Spain --- Espagne --- Antiquities, Roman. --- Antiquités romaines --- Romans --- Orfèvrerie --- Antiquités romaines
Choose an application
791.9 --- Cha cha cha --- Dansen --- Disco --- Foxtrot --- Freestyle --- Jive --- Quickstep --- Rock 'n roll --- Rumba --- Salsa --- Samba --- Tango --- Wals --- (zie ook: jazzdans) --- Theatrical science --- dansen --- danstechniek
Choose an application
Muziekgeschiedenis --- Popmuziek --- Jazz --- Blues --- Kleinkunst --- Folk --- Reggae --- r&b --- Rap (muziekstijl) --- Heavy metal (Muziek) --- Punk --- Rock --- Disco (muziekgenre) --- Dance --- House (muziekstijl) --- Muzikale opvoeding --- Didactiek
Choose an application
#GGSB: Filosofie --- #gsdb10 --- Auto --- Bedrog --- Big Brother --- Disco --- Geloven --- Groep --- Machine --- Voetbal --- Weten --- Wetenschap en ethiek ; algemeen --- 005 --- Agressie --- Christendom --- Europa --- Godsdienst --- Kunst --- Maatschappij --- Nederlands --- Pausen --- Sport --- Techniek --- Toerisme --- Wetenschap --- Wetenschapsfilosofie --- (zie ook: onderwijs (wetenschap)) --- Philosophy of nature --- Filosofie
Choose an application
Geschichte 1945-2020 --- Geschichte --- USA --- Japan --- (Produktform)Electronic book text --- Disco --- EDM --- Globalisierung --- Hip-Hop --- Jazz --- Kulturgeschichte --- MTV --- Musikfilm --- Musikindustrie --- Musikkultur --- Musikmarkt --- Popmusik --- Rockmusik --- Techno --- Tonträgerindustrie --- USA --- Wirtschaftsgeschichte --- amerikanische Geschichte --- (VLB-WN)9550
Choose an application
Popular music --- #SBIB:309H142 --- #SBIB:004.GIFT --- 785.7 --- Ambient --- Blues --- Geschiedenis --- Grunge --- Hiphop --- House --- Jungle --- New wave --- Noise --- Popmuziek --- Postpunk --- Rap --- Rock --- Techno --- Triphop --- Populaire muziek: functies, muziekgenres, historiek --- 785 --- 788.4 --- Dansen --- Disco --- Folkrock --- Punk --- Ritme --- Rock'n roll --- Geschiedenis van genres ; afzonderlijk --- Populaire muziek --- popmuziek --- muziekgeschiedenis --- muziek --- 784 --- vocale muziek, zangmuziek
Choose an application
Where did musical minimalism come from-and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970's disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education.
Music --- Minimal music --- Music and society --- Meditative music --- Minimalism (Music) --- Minimalist music --- Music, Minimal --- Repetitive music --- Systematic music --- Social aspects. --- History and criticism. --- advertising campaigns. --- america. --- american music. --- consumer society. --- cultural practices. --- disco. --- easy listening. --- hi fi technology. --- mass consumerism. --- mass media. --- minimal music. --- minimalism. --- minimalist aesthetics. --- music and culture. --- music historians. --- music studies. --- musical minimalism. --- musicians. --- musicology. --- nonfiction. --- philip glass. --- popular music studies. --- postwar america. --- repetitive music. --- revisionist account. --- steve reich. --- terry riley. --- united states. --- History and criticism --- Social aspects
Choose an application
In this fresh and innovative study, Judith A. Peraino investigates how music has been used throughout history to call into question norms of gender and sexuality. Beginning with a close examination of the mythology surrounding the sirens-whose music seduced Ulysses into a state of mind in which he would gladly sacrifice everything for the illicit pleasures promised in their song-Peraino goes on to consider the musical creatures, musical gods and demigods, musical humans, and music-addled listeners who have been associated with behavior that breaches social conventions. She deftly employs a sophisticated reading of Foucault as an organizational principle as well as a philosophical focus to survey seductive and transgressive queerness in music from the Greeks through the Middle Ages and to the contemporary period. Listening to the Sirens analyzes the musical ways in which queer individuals express and discipline their desire, represent themselves, build communities, and subvert heterosexual expectations. It covers a wide range of music including medieval songs, works by Handel, Tchaikovsky and Britten, women's music and disco, performers such as Judy Garland, Melissa Etheridge, Madonna, and Marilyn Manson, and the movies The Rocky Horror Picture Show and Hedwig and the Angry Inch.
Music --- Music and literature. --- Homosexuality and music. --- Gender identity in music. --- Criticism --- Literature and music --- Literature --- Music and homosexuality --- History and criticism. --- britten. --- broadway. --- classical music. --- cultural studies. --- desire. --- disco. --- gender norms. --- gender roles. --- gender studies. --- gender. --- handel. --- hedwig and the angry inch. --- homosexuality. --- judy garland. --- lgbt music. --- lgbt. --- madonna. --- marilyn manson. --- medieval songs. --- melissa etheridge. --- music studies. --- music. --- musical creatures. --- musical gods. --- musical theater. --- mythology. --- nonfiction. --- pop music. --- popular culture. --- queer theory. --- queer. --- rocky horror. --- seduction. --- sexuality. --- sirens. --- subversion. --- tchaikovsky. --- ulysses.