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Dance, Black --- Dance --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Black dance --- Blacks --- Black people
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Dance --- Anthropological aspects --- Anthropological aspects. --- Dances --- Dancing --- Anthropology --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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Mary Wigman was one of the most celebrated dancer/choreographers of the modern era, and was an iconic figure in Weimar German culture. She was known for her incorporation of non-Western instrumentation and dance, as well as for pioneering work in dance therapy. In addition to documenting important cultural history, this autobiography demonstrates Wigman’s personal passion and her role in shaping the art form.
Dance --- Dance. --- Philosophy. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Contemporary dance
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Dance --- Europe --- History --- Social aspects --- Balls (Parties) --- 78.76 --- 78.25 --- 78.26
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The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically--within dance in particular social and cultural contexts--and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach thatemphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that isin-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.
Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance --- E-books
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Dance --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Theatrical science --- 712 --- Dans
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This rich collection of entertaining and informative anecdotes captures the boundless variety and depth of dance as an art, a tradition, a profession, a pastime, an obsession, a reality, and an ideal.
Dance --- Dancers --- Artists --- Entertainers --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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For over twenty years Jack Anderson has been writing about dance performances. His essays and reviews have appeared in daily newspapers, specialist monthlies, and critical quarterlies. For the last ten years he has been a dance critic for the New York Times.In Choreography Observed, Jack Anderson has selected writings that focus most directly on choreographers and choreography in order to illuminate the delights and problems of dance and to reveal the nature of this nonverbal but intensely expressive art form.His essays and reviews deal with individual choreo
Dancers. --- Dance. --- Choreographers. --- Choreography. --- Artists --- Entertainers --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dance
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Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Performing arts. --- Show business --- Arts --- Performance art
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An exploration of the evolution of Argentine tango as a dance form focusing on its most recent iterations, including tango nuevo.
Tango (Dance) --- Dance --- Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics