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Kar-Wai, Wong --- Wong, Kar-Wai, --- Stephen Teo --- Hong Kong Cinema --- Wong Kar-Wai --- Kar-Wai Wong --- 791.471 WONG --- Wong, Kar-wai, --- #SBIB:309H1323 --- film --- filmregisseurs --- Hong Kong --- twintigste eeuw --- eenentwintigste eeuw --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Criticism and interpretation. --- Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma
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This book shows two Chinese gay men in Buenos Aires and reflects on Hong Kong's past and future by probing masculinity, aggression, identity, and homosexuality. It also gives a reading of Latin America, perhaps as an allegory of Hong Kong as another post-colonial society.
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S'appuyant essentiellement sur In the mood for love et 2046, l'auteur montre de quelle façon le cinéaste Wong Kar-wai utilise le thème de la passion pour traiter les relations entre l'Asie et l'Occident et définir une histoire commune à ces deux parties du monde.
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This book presents the nature and significance of Ashes of Time, and the reasons for its being regarded as a landmark in Hong Kong cinema.
Martial arts films --- Films d'arts martiaux --- History and criticism. --- Histoire et critique --- Wong, Kar-Wai, --- Jin, Yong, --- Criticism and interpretation --- Dung che sai duk (Motion picture) --- Jin, Yong, 1924- She diao ying xiong zhuan. --- Martial arts films -- History and criticism. --- Wong, Kar-wai, 1958- -- Criticism and interpretation. --- Music, Dance, Drama & Film --- Film --- History and criticism --- Hand-to-hand fighting, Oriental, in motion pictures --- Wong, Kar-wai, --- Wang, Jiawei, --- Wang, Chia-wei, --- 王家卫, --- 王家衛, --- 王家衞, --- Criticism and interpretation. --- Kar-Wai, Wong --- Motion pictures. --- Ashes of time (Motion picture)
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In modern-day Hong Kong, major constitutional controversies have caused people to demonstrate on the streets, immigrate to other countries, occupy major thoroughfares, and even engage in violence. These controversies have such great resonance because they put pressure on a cultural identity made possible by, and inseparable from, the 'One Country, Two Systems' framework. Hong Kong is also a city synonymous with film, ranging from commercial gangster movies to the art cinema of Wong Kar-wai. This book argues that while the importance of constitutional controversies for the process of self-formation may not be readily discernible in court judgments and legislative enactments, it is registered in the diverse modes of expression found in Hong Kong cinema. It contends that film gives form to the ways in which Hong Kong identity is articulated, placed under stress, bolstered, and transformed in light of disputes about the nature and meaning of the city's constitutional documents.
Constitutional law --- National characteristics, Chinese. --- Culture in motion pictures. --- Law in motion pictures. --- Group identity --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Chinese national characteristics --- Social aspects --- History and criticism --- Wong, Kar-wai, --- Wang, Jiawei, --- Wang, Chia-wei, --- 王家卫, --- 王家衛, --- 王家衞,
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The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong's filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong's films are permeated by an aesthetic of sensuousness and "disturbance" achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong's filmmaking. The book also discusses Wong's influence on other filmmakers in Hong Kong and around the world. The Sensuous Cinema of Wong Kar-wai will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong's films in particular.
Wong, Kar-Wai, --- Critique et interprétation --- Kar-Wai, Wong --- Wong, Kar-wai --- Critique et interprétation. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics. --- History and criticism --- Wong, Kar-wai, --- Criticism and interpretation. --- History and criticism. --- Kar-Wai, Wong. --- China. --- 1949 --- -BNKhAU --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Catay --- Cathay --- Central Government of the People's Republic of China --- Central People's Government of Communist China --- China --- Chine --- Chinese National Government --- Chinese People's Republic --- Chūka Jinmin Kyōwakoku --- Chung-hua chung yang jen min kung ho kuo --- Chung-hua jen min kung ho kuo --- Chung-hua min kuo --- Chung-kuo --- Chung-kuo kuo min cheng fu --- Chung yang jen min cheng fu --- Cina --- Činská lidová republika --- Dumdad Uls --- Dumdadu Ulus --- Erets Sin --- Jhonggu --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- Khi͡atad --- Kínai Népköztársaság --- Kin --- Kitad --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- Kitajska --- KNR --- Kytaĭsʹka Narodna Respublika --- National Government --- P.R.C. --- P.R. China --- People's Republic of China --- PR China --- PRC --- Republic --- Republic of China --- República Popular China --- Republik Rakjat Tiongkok --- République Populaire de Chine --- RRC --- RRT --- Sāthāranarat Prachāchon Čhīn --- VR China --- VRChina --- Zhong guo --- Zhong hua ren min gong he guo --- Zhongguo --- Zhonghua Renmin Gongheguo --- Zhonghuaminguo
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Motion picture producers and directors --- Motion pictures --- Producteurs et réalisateurs de cinéma --- Cinéma --- History --- Histoire --- Préface de Gilles Jacob ; Edition établie par Antoine de Baecque --- film --- filmtheorie --- Frankrijk --- Angelopoulos Theo --- Chanine Youssef --- Delvaux André --- Forman Milos --- Frears Stephen --- Konchalovsky Andreï --- Moreti Nanni --- Pollack Sydney --- Rosi Francesco --- Schlöndorff Volker --- Sembene Ousmane --- Stone Oliver --- Tavernier Bertrand --- Varda Agnès --- Wenders Wim --- Kar-Wai Wong --- Wong Kar-Wai --- 791.471 AAA --- 791.41 --- Producteurs et réalisateurs de cinéma --- Cinéma --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction --- Direction
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