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Drawing --- sculpting --- Sculpture --- assemblages [sculpture] --- public art --- art [fine art] --- drawing [image-making] --- Art --- Wodiczko, Krysztof --- anno 1900-1999 --- Poland --- United States --- Assemblage (Art) --- Projections (Art) --- Wodiczko, Krzysztof --- Projection art --- Exhibitions --- Exhibitions. --- Expositions --- art [discipline] --- United States of America

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Abakanowicz, Magdalena --- Beres, Jerzy --- Bruszewski, Wojciech --- Dlubak, Zbigniew --- Fijalkowski, Stanislaw --- Gostomski, Zbigniew --- Jurkiewicz, Zdzislaw --- Kantor, Tadeusz --- Krasinski, Edward --- Lachowicz, Andrzej --- Miszkin, Teresa --- Opalka, Roman --- Pierzgalski, Ireneusz --- Robakowski, Józef --- Rózga, Leszek --- Sosnowski, Zdzislaw --- Starczewski, Antoni --- Stazewski, Henryk --- Sztabinski, Grzegorz --- Talaga, Irena --- Wasko, Ryszard --- Wodiczko, Krzysztof --- Polen

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Modern [style or period] --- Art --- moderne kunst --- anno 1900-1999 --- computerkunst --- Rodotà Stefano --- Beecroft Vanessa --- Crewdson Gregory --- Fudong Yang --- McQueen Steve --- Mullican Matt --- Vezzoli Francesco --- Wodiczko Krzysztof --- Multimedia (Art) --- 7.036/039 --- 791.5 --- archieven --- archivering --- boeken --- eenentwintigste eeuw --- film --- fotografie --- futurisme --- Gursky Andreas --- Hirschhorn Thomas --- Huyghe Pierre --- installaties --- internet --- kunst --- kunst en technologie --- multimedia --- Muniz Vik --- Pfeiffer Paul --- Ruff Thomas --- Samaras Lucas --- Struth Thomas --- televisie --- Toderi Grazia --- twintigste eeuw --- Multi media (Art) --- Arts --- History --- Exhibitions

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Cet ouvrage réunit des textes essentiels des principaux artistes polonais du XXe siècle, représentatifs d'une période allant du constructivisme et de l'unisme à la création actuelle : théories, doctrines, méthodes, manifestes, entretiens... Présentation de l'éditeur : Scène polonaise met en lumière la richesse de la production théorique, critique et artistique de l'art polonais du XXe siècle.Scène polonaise cumule de nombreux atouts, souvent difficiles à concilier : étendue de la période couverte - du constructivisme et de l'unisme à la création actuelle -, diversité du panorama proposé, - déclarations théoriques, développements doctrinaux, méthodes didactiques, manifestes, discours, entretiens... - avec des textes et des traductions inédits, importance des artistes concernés, qu'ils soient déjà entrés dans l'histoire comme Strzeminski, Kobro, Stazewski, Witkiewicz et Kantor ou qu'ils continuent à produire comme Abakanowicz, Opalka et Wodiczko.Leur rapprochement autant que leur confrontation constitue une contribution essentielle, un ouvrage de référence, précieux tant pour les professionnels et les étudiants que pour tous ceux qui s'intéressent à la Pologne et à la pensée contemporaines. http://bief.org/Livres/Livre.aspx?opeId=3079&livId=165684 (18/11/10)

Art, Polish --- Artists' writings --- Art criticism --- Art polonais --- Ecrits d'artistes --- Critique d'art --- History --- Histoire --- Witkiewicz, Stanisław Ignacy, --- Strzemiński, Władysław, --- Kobro, Katarzyna --- Stażewski, Henryk, --- Kantor, Tadeusz, --- Abakanowicz, Magdalena --- Opałka, Roman --- Wodiczko, Krzysztof --- Ecrit d'artiste --- Art, Modern --- Art criticism - Poland - History - 20th century --- Artists as authors - Poland --- Kantor, Tadeusz --- Opalka, Roman --- Stazewski, Henryk --- Strzeminski, Wladyslaw --- Witkiewicz, Stanislaw Ignacy --- Pologne --- Artists as authors

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Following two precious volumes of writings from the 1970s-90s Canadian magazine Parachute-- Museums, Art History, and Theory and Performance & Performativity--the essays collected in this third volume focus on photography, film, video and new media. These genres were discussed in some of the earliest volumes of Parachute. Photography received particular attention in the early 1980s, film and video later in that decade and through the beginning of the 1990s. Discussing what were then still relatively new and overlooked artistic fields, these texts are particularly useful as signposts to how these new media and works were approached. The essays discuss works by artists such as Eija-Liisa Ahtila, James Coleman, Nan Goldin, Bill Viola and Rodney Graham. The texts by Georges Didi-Huberman, Douglas Crimp and Laura Mulvey, written in the early 1980s, are among their most seminal.

Editions Parachute. --- citatisme --- Revue d'art --- General idea --- Wodiczko Krzysztof --- institutionele kritiek --- Austin John Langshaw --- Austin J.L. --- performances --- 7.01 --- 7.038 --- concept art --- conceptuele kunst --- Barney Matthew --- Geers Kendell --- Rainer Yvonne --- globalisering --- feminisme --- gender studies --- kunst --- Canada --- tijdschriften --- twintigste eeuw --- Art criticism --- Art, Canadian --- Arts, Modern --- kunsttheorie --- musea --- appropriation art --- postmodernisme --- Parachute --- kunst en politiek --- museologie --- Théorie de l'art --- Analyse de l'art --- Philosophie de l'art --- Art contemporain --- Performance --- Muséologie --- Art numérique --- Média --- Art vidéo --- Photographie --- Cinéma --- fotografie --- video --- videokunst --- Graham Rodney --- Coleman James --- Ahtila Eija-Liisa --- Goldin Nan --- ADILKNO --- postkolonialisme --- stadsfotografie --- Viola Bill --- Magnificent obsession --- corps-cliché --- kunsttijdschriften --- computerkunst --- nieuwe media --- film --- Austin J.L