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Iconography --- Art --- Sculpture --- Photography --- Film --- art [discipline] --- photography [process] --- humor --- circuses [performances] --- video art --- motion pictures [visual works] --- sculpting --- clowns --- Wurm, Erwin --- Tellez, Javier --- Blake, Peter Thomas --- Hein, Jeppe --- Buhmann, Bernhard --- Walde, Martin --- Breuning, Olaf --- Firman, Daniel --- Jermolaewa, Anna --- Kolodziejska, Anna --- Kowalski, Tomasz --- Leutenegger, Zilla --- Lienbacher, Ulrike --- Eames, Charles --- Eames, Ray --- Rosefeldt, Julian --- Sengl, Deborah --- Yefman, Rona --- Bismuth, Julien --- Bitner, Rhona --- Childree, Clifton --- Frank, Thilo --- Leite, Patricia --- Peck, Marion --- Schmirl, Elisabeth --- Simmons & Burke --- Sverdrup, Kristian --- Vilardebo, Carlos --- Wagner, Joe --- Widauer, Nives --- Chaplin, Charlie --- Sherman, Cindy --- Horn, Roni --- Barney, Matthew --- Nauman, Bruce --- Rondinone, Ugo --- Scanlan, Joe --- Monk, Jonathan --- Wegman, William --- Calder, Alexander --- Fellini, Federico --- Ottinger, Ulrike --- anno 2000-2099

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kunst --- Whitten Jack --- Vercruysse Jan --- Van Imschoot Jan --- Van Dyck Anthony --- Tyfus Dennis --- Tretiakoff David Gheron --- Telléz Javier --- Tayou Pascale Marthine --- Tolmachov Piotr --- Storck Henri --- Sone Yutaka --- Rubens Peter Paul --- Rehberger Tobias --- Polke Sigmar --- Pinsel Johann Georg --- Nauman Bruce --- Naveau Nadia --- Murakami Takashi --- Lejman Dominik --- Korkeila Jukka --- Kienholz Edward --- Kawara On --- Jordaens Jacques --- Jordaens Jacob --- Johnson Jonathan --- Huyghe Pierre --- Gijsbrechts Franciscus --- Ghekiere Joris --- Genzken Isa --- Gautherot Marcel --- 7.039 --- 7.038/039 --- 7.03 --- 7.034 --- 75.034 --- Fontana Lucio --- Fabre Jan --- Enli Zhang --- Dumas Marlene --- Dujourie Lili --- de Zurbarán Francisco --- De Vos Cornelis --- De Bruyckere Berlinde --- Caravaggio --- Brouwer Adriaen --- Bouchet Mike --- Borremans Michaël --- Bervoets Fred --- Schraenen Stéphane --- Arocha Carla --- Armleder John --- Tuymans Luc --- barok --- twintigste eeuw --- eenentwintigste eeuw --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Art --- anno 1600-1699 --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019

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Iconography --- Photography --- photography [process] --- kunstsociologie --- human figures [visual works] --- Tellez, Javier --- Rooij, de, Willem --- Nollen, Arno --- Michailov, Boris --- Abdessemed, Adel --- Bäckström, Miriam --- Bartoloméo, Joël --- Brotherus, Elina --- Cantor, Ellen --- Collier, Anne --- Cussans, John --- Rijke, de, Jeroen --- Adams, Dennis --- Hers, François --- Kelm, Annette --- Lidén, Klara --- Makhomet, Dmitri --- Braeckman, Dirk --- Motti, Gianni --- Nakamura, Masato --- Panayiotou, Christodoulos --- Piller, Peter --- Rigobert, Fabien --- Rødland, Torbjørn --- Schoellkopf, Jean-Louis --- Schorr, Collier --- Serralongue, Bruno --- Sigurdsson, Hrafnkell --- Simon, Taryn --- Slimane, Hedi --- Urbonas, Nomeda --- Kaap, van der, Gerald --- Hausswolff, von, Annika --- Zanni, Margot --- Zilleruelo, Lorena --- Cartier-Bresson, Henri --- Urbonas, Gediminas --- Wall, Jeff --- Noland, Cady --- Sugimoto, Hiroshi --- Bustamante, Jean-Marc --- Becher, Bernd und Hilla --- Bratkov, Sergei --- Friedlander, Lee --- Barrada, Yto --- Narkevičius, Deimantas --- Doisneau, Robert --- SUPERFLEX [Copenhagen]

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TRACK is an art experience taking place in the public and semi-public space of Ghent. It offers enriching and unexpected encounters with the city, its history and its inhabitants, stimulating reflection on urban realities and, in a wider sense, the contemporary human condition. Thirty-five international artists were invited to conceive new artworks strongly rooted in the urban fabric of Ghent, but linking the local context with issues of global significance. Participants include multi-media artist John Bock, performance artist and choreographer Alexandra Bachzetsis, painter Erik van Lieshout, and visual artist Mircea Cantor, among many others.0Exhibition: Gent (12.5.-16.9.2012).

Art, Modern --- Art --- Public spaces in art --- Group work in art --- Stedelijk Museum voor Actuele Kunst (Ghent, Belgium). --- Ghent (Belgium) --- In art --- cities --- public spaces --- public art --- art [fine art] --- Levin, Alon --- Tellez, Javier --- Lopez-Menchero, Emilio --- Borremans, Michaël --- Copers, Leo --- Verdonck, Benjamin --- Garabedian, Mekhitar --- Weiner, Lawrence --- Keller, Roman --- Maheo, Erwan --- Gaillard, Cyprien --- Manders, Mark --- Denicolai & Provoost --- Weiss, David --- Putrih, Tobias --- Öğüt, Ahmet --- Sapountzis, Yorgos --- Tayou, Pascale Marthine --- Dragset, Ingar --- Augustijnen, Sven --- Haan, de, Siebren --- Kriemann, Susanne --- Almárcegui, Lara --- Buggenhout, Peter --- Büchel, Christoph --- Lodewijks, Bart --- Kawamata, Tadashi --- Althamer, Paweł --- Bartolini, Massimo --- Bachzetsis, Alexandra --- Margolles, Teresa --- Rous, Tazu --- Husni-Bey, Adelita --- Elmgreen, Michael --- Fischli, Peter --- Bock, John --- Takala, Pilvi --- Lieshout, van, Erik --- Brummelen, van, Lonnie --- Hemauer, Christina --- Bouchet, Mike --- Cantor, Mircea --- Vo, Danh --- Superflex [Copenhagen] --- Tercerunquinto --- Ghent --- Kunst --- kunst --- openbare kunst --- steden --- openbare ruimten --- SUPERFLEX [Kopenhagen] --- Gent --- eenentwintigste eeuw --- stedelijkheid --- kunst en stedelijkheid --- België --- openbare ruimte --- kunst en openbare ruimte --- Almarcegui Lara --- Althamer Pawel --- Augustijnen Sven --- Bachzetsis Alexandra --- Bartolini Massimo --- Bock John --- Borremans Michaël --- Bouchet Mike --- van Brummelen Lonnie --- de Haan Siebren --- Büchel Christoph --- Buggenhout Peter --- Cantor Mircea --- Copers Leo --- Denicolai Simona --- Provoost Ivo --- Elmgreen & Dragset --- Elmgreen Michael --- Dragset Ingar --- Fischli & Weiss --- Fischli Peter --- Weiss David --- Gaillard Cyprien --- Garabedian Mekhitar --- Hemauer Christina --- Keller Roman --- Husni-Bey Adelita --- Kawamata Susanne --- Levin Alon --- van Lieshout Erik --- López-Menchero Emilio --- Mahéo Erwan --- Manders Mark --- Margolles Teresa --- Ögut Ahmet --- Putrih Tobias --- Rous Tazu --- Sapountzis Yorgos --- Superflex --- Takala Pilvi --- Tayou Pascale Marthine --- Téllez Javier --- Verdonck Benjamin --- Vo Danh --- Weiner Lawrence --- 7.039 --- Exhibitions --- SUPERFLEX [Copenhagen] --- Track (Gent) --- Kunsten --- Publieke ruimte --- Tentoonstellingen --- Catalogi --- Almarcegui, Lara --- België --- Borremans Michaël --- Büchel Christoph --- López-Menchero Emilio --- Mahéo Erwan --- Ögut Ahmet --- Téllez Javier --- Track (tentoonstelling) --- Tentoonstelling --- Catalogus --- Kunst in de stad --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Kunstmanifestaties ; kunst in de stad ; Gent ; 2012 ; Track --- 7.039(493) --- Kunstgeschiedenis ; 2000 - 2050 ; België --- art [discipline]

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The Idea for The Big Show grew out of lively discussions with Philip Aguirre, Carla Arocha, Philippe Pirotte and Luc Tuymans. Following the three part exhibition The Big Show (NICC, Antwerp April - November 2001), this publication continues the exhibition's outlines to approach issues of exoticism, collective memory, globalization, utopia and alterity in a demanding way. The Big Show is inevitably part of a climate of post-colonial and global cultural interests, without identifying itself totally with them. Rather the series of exhibitions and this publication form a searching interrogation of the ways in which decolonization and globalisation can be seen in the context of a wider debate surrounding cultural production and representation, without thereby having to lead to an iconoclasm of the center of image production. The Big Show chooses to approach globalization indirectly from three different views. The first path is historical, retracing globalization to a highly problematic post-colonial mentality, with two specific bodies of work by Tshibumba Kanda Matulu and W. Eugene Smith. A Congo Chronicle - a Man of Mercy highlights the complexities surrounding colonial memory. The second chapter Healing traces that trauma - as part of a larger cluster that defines our conceptions of globalization - to a broader cultural present, Healing simulates the gathering of all elements that would allow for shifts in collective memory to be reconstructed. Part three Demonstration Room, Ideal House is utopian, the revolutionary potential of the house and the city are reconsidered from the specific situation of Latin America, but still within a broader international context, rethinking the evolutionary potential present there in actuality or rhetorically. Lwimba, Tinda ; Burozi ; Smith, William Eugene ; Kalume ; Dekab ; Tshibumba Kanda Matulu ; Bijl, Guillaume ; Davis, Mike ; Doll, Tatjana ; Beuys, Joseph ; Duchamp, Marcel ; Slominski, Andreas ; Yoshihara, Jiro ; Motonaga, Sadamasa ; Shiraga, Kazuo ; Marshall, Kerry James ; Fischli, Peter ; Weiss, David ; Douglas, Stan ; Mikhailov, Boris ; Keiser, Daniela ; Sugimoto Hiroshi ; Piper, Adrian ; Darmawan, Ade ; Hanssen, Karin ; Weiner, Lawrence ; Graham, Rodney ; Robijns, Gert ; Carlos, Isaac ; Jozefowicz, Katarzyna ; Grundmann, Gesine ; Arocha, Carla ; Lupini, Mauricio ; Gillick, Liam ; Alÿs, Francis ; Best, Anna ; Bruggemann, Stefan ; Bunimov, Mariana ; Cuevas, Minerva ; Deleu, Luc ; Fernández, José Gabriel ; Framis, Alicia ; Garaicoa, Carlos ; Gerdel, Alexander ; Graham, Dan ; van Heeswijk, Jeanne ; Hernández-Diez, José Antonio ; Kuri, Gabriel ; Atelier van Lieshout ; Lopez, Diana ; McBride, Rita ; Molina, Carlos Julio ; Neto, Ernesto ; Perna, Claudio ; Ramirez-Jonas, Paul ; Sachs, Tom ; Schneider, Karin ; Téllez, Javier ; Vega, Sergio

andere mens --- utopias --- postcolonialism --- globalization --- art [fine art] --- exoticism --- Art --- Schweitzer, Albert --- Smith, W. Eugene --- Congo --- Latin America --- Afrika --- Zaïre --- Kunst en politiek ; globalisering ; 2de h. 20ste eeuw --- Beeldende kunst ; koloniaal verleden België-Kongo --- Tentoonstellingscatalogi ; Antwerpen ; NICC ; New International Cultural Centre --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- edited by Wim Peeters ; text contributions by Marius Babias, Jesus Fuenmayor, Julieta Elena Gonzalez [et al.] --- kunst --- mulitculturalisme --- globalisering --- kolonisatie --- dekolonisatie --- kolonialisme --- postkolonialisme --- Zuid-Amerika --- politiek --- kunst en politiek --- Matulu Tshibumba Kanda --- fotografie --- Smith W. Eugene --- exotisme --- Arocha Carla --- Beuys Joseph --- Bijl Guillaume --- Carlos Isaac --- Darmawan Ade --- Doll Tatjana --- Douglas Stan --- Duchamp Marcel --- Fischli Peter --- Weiss David --- Graham Rodney --- Grundmann Gesine --- Gutai --- HAnssen Karin --- Jozefowicz Katarzyna --- Keiser Daniela --- Marshall Kerry James --- Mikhailov Boris --- Piper Adrian --- Robijns Gert --- Slominski Andreas --- Sugimoto Hiroshi --- Tshibumba Kanda Matulu --- Weiner Lawrence --- Yoshihara Jiro --- Alÿs Francis --- Best Anna --- Bruggeman Stefan --- Bunimov Mariana --- Cuevas Minerva --- Deleu Luc --- Fernandez José Gabriel --- Framis Alicia --- Garaicoa Carlos --- Gerdel Alexander --- Gillick Liam --- Graham Dan --- van heeswijk Jeanne --- Hernandez-Diez José Antonio --- Proyecto Incidental --- Kuri Gabriel --- Atelier van Lieshout --- Lopez Diana --- Lupini Mauricio --- McBride Rita --- Molina Carlos Julio --- Neto Ernesto --- Perna Claudio --- Ramirez-Jonas Paul --- Sachs Tom --- Schneider Karin --- Téllez Javier --- Vega Sergio --- art [discipline]