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Architecture, Modern --- Gehry, Frank O., --- Criticism and interpretation. --- 72.07 --- Architectuur ; 1997-2009 ; Frank O. Gehry --- Gehry, Frank Owen °1929 (°Toronto, Canada) --- 72.039 --- Architecten. Stedenbouwkundigen A - Z --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Exhibitions --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen,
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"From one of our foremost architectural writers: an engaging, brilliant exploration of the life and work of the most famous architect of our time, and one of the few architects ever to be widely admired by both critics and the general public.This first full-fledged critical biography of Frank Gehry presents and evaluates the work of a man whom fifty architects, critics, and historians assembled by Vanity Fair designated "the most important architect in the world." It discusses at length his major buildings: from his own house--an "exploded" Dutch Colonial in Santa Monica--to the Guggenheim Museum in Bilbao, which has almost single-handedly transformed contemporary architecture. It considers the work in light of Gehry's personal life: the influence of his immigrant grandparents, his two marriages, his close relationships to an unusual circle of celebrated clients and friends, his longtime therapist. It analyzes his carefully created "aw, shucks" persona and the intense ambition it masks; examines Gehry's anxieties about fame and how his "outsider" status as a Los Angeles architect allowed him to experiment in useful ways; and finally discusses how he thinks about and employs technology to change not just the way a building can look but the way architecture itself is practiced"
Architecture --- Frank Gehry Office --- Architects --- Gehry, Frank --- 72.07 --- Biografieën ; architecturale ; Frank Gehry --- Gehry, Frank Owen °1929 (°Toronto, Canada) --- Architectuur ; 20ste en 21ste eeuw ; Fr. Gehry --- Architecten. Stedenbouwkundigen A - Z --- Gehry, Frank O., --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen,
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In this powerful memoir, philosopher Karyn L. Freedman travels back to a Paris night in 1990 when she was twenty-two and, in one violent hour, her life was changed forever by a brutal rape. One Hour in Paris takes the reader on a harrowing yet inspirational journey through suffering and recovery both personal and global. We follow Freedman from an apartment in Paris to a French courtroom, then from a trauma center in Toronto to a rape clinic in Africa. At a time when as many as one in three women in the world have been victims of sexual assault and when many women are still ashamed to come forward, Freedman’s book is a moving and essential look at how survivors cope and persevere. At once deeply intimate and terrifyingly universal, One Hour in Paris weaves together Freedman’s personal experience with the latest philosophical, neuroscientific, and psychological insights on what it means to live in a body that has been traumatized. Using her background as a philosopher, she looks at the history of psychological trauma and draws on recent theories of posttraumatic stress disorder and neuroplasticity to show how recovery from horrific experiences is possible. Through frank discussions of sex and intimacy, she explores the consequences of sexual violence for love and relationships, and she illustrates the steep personal cost of sexual violence and the obstacles faced by individual survivors in its aftermath. Freedman’s book is an urgent call to face this fundamental social problem head-on, arguing that we cannot continue to ignore the fact that sexual violence against women is rooted in gender inequalities that exist worldwide—and must be addressed. One Hour in Paris is essential reading for survivors of sexual violence as well as an invaluable resource for therapists, mental health professionals, and family members and friends of victims.
Rape victims --- Women philosophers --- Freedman, Karyn L. --- rape, trauma, sexual assault, healing, memoir, trial, legal system, paris, gender, womens issues, toronto, canada, france, europe, africa, survivor, victim, posttraumatic stress disorder, ptsd, neuroplasticity, recovery, sex, intimacy, violence, love, relationships, aftermath, coping, biography, autobiography, feminism, nonfiction, women philosophers, philosophy, psychology, crime, flashbacks, trust, travel.
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sculpting --- installations [visual works] --- motion pictures [visual works] --- photography [process] --- video art --- painting [image-making] --- Art --- Snow, Michael --- Photography --- Snow, Michael, --- 7.07 --- 791.43.07 --- 73.07 --- 77.092.07 --- 75.07 --- Beeldende kunst ; 20ste eeuw ; Michael Snow --- Experimentele film --- Installaties --- Geluidsinstallaties --- Performances --- Holografie --- Snow, Michael °1929 (°Toronto, Canada) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Beeldhouwkunst ; beeldhouwers A - Z --- Fotografen A - Z --- Schilderkunst ; schilders --- Exhibitions.
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Architecture, Postmodern
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Architecture postmoderne
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Gehry, Frank O.,
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#BIBC:ruil
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La quintessence du design japonais contemporain qui va contribuer à donner le ton au design du futur sur la scène internationale. Oki Sato est le co-fondateur et designer en chef de Nendo depuis 2002.
749.07 --- 749.039 --- Interieurarchitectuur ; meubeldesign ; 2005-2013 ; studio Nendo --- Industrieel design ; 20ste eeuw ; Japan --- Nendo ; gesticht in 2002 door Oki Sato --- Oki Sato °1977 (°Toronto, Canada) --- Ontwerpprincipes --- Produktontwikkeling --- Product Design --- Industrieel --- design --- Japan --- eenentwintigste eeuw --- Sato Oki --- Oki Sato --- Nendo --- productdesign --- meubilair --- meubelkunst --- interieurvormgeving --- 749.071 NENDO --- 745.071 NENDO --- 772.82 --- Meubelontwerpers ; designers ; interieurarchitecten --- Meubelkunst en design ; 2000 - 2050 --- productdesign, historisch, 1945-, ontwerpbureaus --- Design --- Objet --- Meuble d'artiste --- Japon
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Gehry, Frank --- Frank O. Gehry °1929 (°Toronto, Canada). Californian by adoption --- Architectuur ; 20ste eeuw ; Frank Owen Gehry --- 72.07 --- 72.038 --- Ed. and Phot. by Yukio Futagawa ; Intr. by Robert A.M.Stern --- architectuur --- twintigste eeuw --- Gehry Frank O --- Verenigde staten --- 72.071 GEHRY --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Architecture --- architecture [discipline] --- anno 1900-1999 --- United States --- Architecte --- Architecture - United States - History - 20th century --- Gehry, Frank Owen --- Gehry, Frank O., - 1929 --- -Architecture --- History --- Histoire --- Gehry, Frank O., --- United States of America --- -Architecte --- Gehry, Frank O., - 1929-
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Vases, Ancient --- Vases, Black-figured --- Vases antiques --- Vases à figures noires --- Catalogs --- Catalogues --- Royal Ontario Museum --- Vases --- -Containers --- Urns --- -R.O.M. --- University of Toronto. --- ROM --- Musée royal de l'Ontario --- Ontario Museum, Royal --- Huang chia An-ta-lüeh sheng po wu kuan --- Huang chia An-sheng po wu kuan --- An-sheng po wu kuan --- Ontario. --- Vases, Greek --- Catalogs. --- -Catalogs --- -ROM --- Vases à figures noires --- CVA-E EPUB-LIV-FT LIVARCHE LIVART LIBRE-B --- Containers --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Royal ontario museum (toronto, canada)
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This title investigates the development of multi-unit housing typologies that were predominant in a particular city from the 1800s to the present day. It emphasises the importance of understanding the direct connection between housing and dwelling in the context of a city, and the manner in which the city is an instructional indication of how a housing typology is embodied. The case studies presented offer an insight into why a certain housing type flourished in a specific city and the variety span across cities in the world where distinct housing types have prevailed. It also pursues how housing types developed, evolved, and helped define the city, looks into how dwellers inhabited their dwellings, and analyses how the housing typologies correlate in a contemporary context.
Apartment houses --- Architecture and society --- Immeubles d'habitation --- Architecture --- Aspect social --- Birmingham (GB) --- Londres (GB) --- Paris (France) --- New York (N.Y.) --- Hong Kong (Chine) --- Berlin (Allemagne) --- Amsterdam (Pays-Bas) --- Pékin (Chine) --- Tōkyō (Japon) --- Toronto (Canada) --- dwellings --- apartment houses --- Private houses --- Développement urbain --- Habitat urbain --- Bâtiment d'habitation --- Unité d'habitation --- Appartement --- Histoire de l'architecture --- Histoire de l'urbanisme --- Module --- Typologie de l'habitat --- Maison individuelle --- Maison urbaine --- Habitat collectif --- Habitat individuel groupé --- Haussmann, Georges Eugène, Baron --- Birmingham --- Londres --- New york --- Berlin --- Amsterdam --- Beijing --- Tokyo --- Toronto --- Immeubles d'habitation. --- Aspect social. --- Ensemble de maisons individuelles --- Construction modulaire --- Pékin (Chine) --- Tōkyō (Japon)
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media-film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music-address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. His film Wavelength (1967) is a milestone of avant-garde cinema and possibly the most frequently discussed "structural" film ever made. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades. From its earliest issues, October has been a primary interlocutor of Snow's work, and many of these texts first appeared in its pages. Written by such distinguished critics and scholars as Annette Michelson, Hubert Damisch, and Malcolm Turvey, they document Snow's participation in postwar discourses of minimalism, postminimalism, photo-conceptualism, and avant-garde cinema, and examine particular works. Thierry de Duve's essay on linguistics in Snow's work appears alongside Snow's response. The volume also includes other writings by Snow, images from his 1975 work Musics for Piano, Whistling, Microphone, and Tape Recorder, and an interview with the artist conducted by Annette Michelson.
kunst --- minimal art --- minimalisme --- structuralisme --- 791.471 SNOW --- 7.071 SNOW --- filmregisseurs --- experimentele film --- filmtheorie --- kunsttheorie --- muziek --- video-installaties --- videokunst --- video --- tekenkunst --- installaties --- fotografie --- film --- twintigste eeuw --- Canada --- Snow, Michael, --- Aesthetics. --- Art --- Minimal --- Postminimal --- experimental films --- Photoconceptualism --- Snow, Michael --- installations [visual works] --- video art --- Film ; Michael Snow ; Rameau's nephew ; 1974 --- Film ; Michael Snow ; Presents ; 1981 --- Kunst; Canada; Michael Snow (1928-2023) --- Snow, Michael 1928-2023 (°Toronto, Canada) --- Beeldende kunst ; 20ste eeuw ; Michael Snow --- Avant-garde film --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z