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Spanish literature --- Drama --- anno 1600-1699 --- Spanish drama --- Spanish drama (Comedy) --- Fools and jesters in literature --- History and criticism --- -Spanish drama --- -Spanish literature --- -History and criticism --- Bouffons / dans le théâtre espagnol. 1600-1700. --- Narren / in het Spaans toneel. 1600-1700. --- Spanish drama - Classical period, 1500-1700 - History and criticism --- Spanish drama (Comedy) - History and criticism

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Most historians and literary critics describe Spanish Golden-Age society as anti-Semitic, offering, for example, El Niño Inocente de La Guardia as confirmation that even great writers like Lope de Vega supported the marginalization of the descendants of judeo-conversos. The aim of this book is to demonstrate that, contrary to general critical opinion, the Jew in Lope's comedia was often characterised with concealed sympathy through the employment of intricate literary techniques embedded in the text. Literary techniques such as subversive irony, which is an expression of the converso perspective, Erasmian dissimulato, transposition and interrogation of negative stereotypical models facilitate the covert presentation of a positive image of a Jew. The book ends with a discussion of six comedias by Lope that identify these positive images of the Jew.

Fiction --- Thematology --- Spanish literature --- anno 1600-1699 --- anno 1500-1599 --- Spanish drama --- Jews in literature. --- Jews --- Public opinion --- History and criticism. --- Public opinion. --- Spain --- Ethnic relations. --- Spanish drama - Classical period, 1500-1700 - History and criticism. --- Jews - Spain - Public opinion. --- Public opinion - Spain. --- Spain - Ethnic relations.

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Les imitations françaises du théâtre hispanique du Siècle d'Or connurent, entre 1630 et 1660, un épanouissement paradoxal compte tenu de leurs divergences esthétiques respectives. Brossant le contexte culturel dans lequel s'inscrit ce mouvement d'imitation et rappelant les caractéristiques de la comedia, Catherine Marchal-Weyl étudie les personnages dans les tragi-comédies et comédies de trois auteurs en l'occurrence représentatifs : Rotrou, Boisrobert et Scarron. Les transformations dont ils affectent leurs modèles soulignent que leur intérêt tient à l'exaltation des valeurs nobiliaires, à travers une dramaturgie des fausses apparences construite autour du déguisement d'identité. L'adaptation de la comedia en dénature ainsi la structure, modifiant l'équilibre des personnages, qui tendent à devenir des caractères. Enfin sont mises en évidence l'évolution et les constantes d'une vague d'adaptations qui nourrit, sur les plans structurel et thématique, le renouvellement du théâtre français du premier XVIIe siècle, et dont l'examen permet de dégager des préceptes de bienséance et de vraisemblance, communs aux deux théâtres, des conceptions opposées de l'illusion dramatique.

French drama --- French drama (Comedy) --- Spanish drama --- Spanish drama (Comedy) --- History and criticism. --- Spanish influences. --- French drama - 17th century - History and criticism. --- French drama (Comedy) - Spanish influences. --- Spanish drama - Classical period, 1500-1700 - History and criticism. --- Spanish drama (Comedy) - History and criticism.

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Spanish drama --- Peasants in literature --- History and criticism --- Vega, Lope de, --- Criticism and interpretation --- Pastoral drama, Spanish --- Peasants in literature. --- History and criticism. --- Spanish drama - Classical period, 1500-1700 - History and criticism --- Vega, Lope de, - 1562-1635 - Criticism and interpretation --- THEATRE (GENRE LITTERAIRE) ESPAGNOL --- SIECLE D'OR --- Vega, Lope de, - 1562-1635

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Spanish drama --- Theater --- History and criticism. --- Early works to 1800. --- 860-2 "16" --- Spaanse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- 860-2 "16" Spaanse literatuur: toneel; drama--17e eeuw. Periode 1600-1699 --- Spanish drama - Classical period, 1500-1700 - History and criticism. --- Theater - Spain - Early works to 1800.