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Painting --- 738.2 --- 738.4 --- Schilderkunst --- Zee in de schilderkunst --- Zeeën --- schilderkunst --- water --- zee --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Schilderkunst ; Landschappen - Zeezichten --- schilder- en tekenkunst, overige genres en motieven, landschappen-zeegezichten --- seas --- zeeën --- 75.047 --- CDL --- Exhibitions --- seashores --- theme --- landschappen --- zee. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- 19de eeuw --- 20ste eeuw --- 21ste eeuw

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The human condition: six modern painters reinvent reality / Elena Crippa. - An intensification of reality / Catherine Lampert .

Painting --- Art styles --- figurative art --- artists' collectives --- easel paintings [paintings by form] --- Auerbach, Frank --- Freud, Lucian --- Bacon, Francis --- Kitaj, Ronald B. --- Kossoff, Leon --- Andrews, Michael --- London --- School of London (Group of artists) --- Figurative painting, English --- portretschilderkunst --- naaktstudies --- 738.2 --- figuurtekenen --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Ecole de Londres (Groupe d'artistes) --- Peinture figurative anglaise

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737.7 --- 738.2 --- Degas, Edgar --- impressionisme --- portretten --- schilderkunst 19e eeuw --- schilder- en tekenkunst, c.1850 - c.1914, kunstenaars afzonderlijk --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- avant-garde --- Proust, Marcel --- 19de eeuw --- 20ste eeuw --- Frankrijk --- schilderkunst ; 19e eeuw --- portretten. --- avant-garde. --- Degas, Edgar. --- Proust, Marcel. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk.

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Cast shadows have been exploited in art to enhance the impression of the surrounding light as well as that of the solidity of the casting objects. They can contribute to the mood of the scene, and can reveal the presence of features outside the space represented, but as Professor Gombrich points out, they appear only sporadicaly and have been more frequently ignored or suppressed in Western art. Gombrich touches on the ambiguous nature of shadows in myth, legend, and philosophy, and briefly analyses the factors governing their shape: the location and form of the light source, the shape of the illuminated object and that of the surface on which the shadow falls, and the position of the viewer. Early Renaissance painters such as Masaccio and Campin, intent on a faithful rendering of visual reality, did incorporate shadows in their art, but artists of Leonardo's time largely avoided painting them, and it was not until early in the seventeenth century that painters - particualrly Caravaggio and Rembrandt - were again interested in the effects of shadows. In subsequent centuries artists of the Romantic, Impressionist and Surrealist movements exploited the device of the cast shadow to enhance the realism or drama of their images.

Art --- shadows --- National Gallery [London] --- Shades and shadows in art --- Exhibitions --- Painting [European ] --- Kunst --- schaduwen --- National Gallery [Londen] --- CDL --- 7.03 --- Visual perception --- Paintings. --- 742.5 --- 7.017.9 --- #BIBC:ruil --- Schilderkunst ; schaduwbeelden ; geschiedenis ; functie --- Schaduwen --- 7.049 --- 75.049 --- 76.049 --- 7.017.2 --- 75.017.2 --- E.H.Gombrich --- Gombrich Ernst --- kunsttheorie --- licht en schaduw --- schaduw --- schilderkunst --- slagschaduw --- 7.017 --- 7.01 --- 7.017.9 Esthetica: andere optische effecten, perspectief, illusie --- Esthetica: andere optische effecten, perspectief, illusie --- 742.5 Schaduwprojectie. Profieltekenen. Silhouetten --- Schaduwprojectie. Profieltekenen. Silhouetten --- Iconografie ; verschillende onderwerpen --- Schilderkunst ; verschillende onderwerpen --- Grafische kunst ; iconografie ; verschillende onderwerpen --- Kunst ; clair-obscur ; licht en schaduw --- Schilderkunst ; clair-obscur ; licht en schaduw --- Ombres dans l'art --- Technique --- Ombres dans l'art - Expositions --- Art - Technique - Expositions

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David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne. This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings.0From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career.0Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.

Hockney, David --- Exposition --- Entretien --- Drawing, English --- Art, English --- 738.2 --- 736.8 --- naaktstudies --- figuurtekenen --- modeltekenen --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- English drawing --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- schilder- en tekenkunst, 20e eeuw, België, kunstenaars afzonderlijk --- Exhibitions --- Hockney, David - Exposition --- Hockney, David - Entretien