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Literair laboratorium gaat over de vraag hoe postmoderne mensen, ondanks de fragmentering van leven en wereldbeeld, zichzelf en elkaar kunnen ‘opvoeden’ tot samenlevende wereldburgers. Martien Schreurs schetst de ideeën van Peter Sloterdijk en Paul Scheffer over ‘Bildung’ en werpt dan de stelling op dat het niet de filosofen of politici zijn die deze ‘bildende’ rol kunnen vervullen in onze cultuur, maar veel eerder bepaalde hedendaagse literaire meesterwerken. In deze zin analyseert Schreurs op verfijnde wijze Rushdie’s Duivelsverzen en Mulisch’ De ontdekking van de hemel. In tegenstelling tot Sloterdijk, die stelt dat de humanistische traditie geen antwoorden biedt op de vragen die zich in onze multimediale en technologische maatschappij aandienen, laat Schreurs in dit boek zien dat een revitalisering van de kernbegrippen uit de humanistische traditie juist mogelijk is. Schreurs betrekt ten slotte in zijn opvoedkundig ‘laboratorium’ ook de huidige context van het middelbaar onderwijs.
Literature --- Sociology of culture --- Post-modernisme (Littérature) --- Postmodernism (Literature) --- Postmodernisme (Literatuur) --- Postmodernisme (Littérature) --- Mulisch, Harry, --- Rushdie, Salman --- Rushdie, Salman. --- #GGSB: Filosofie --- #GGSB: Literatuur (letterkunde) --- Postmodernism (Literature). --- Mulisch, Harry --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Filosofie --- Literatuur (letterkunde) --- Mulisch, Harry, - 1927 --- -Rushdie, Salman --- Mulisch, Harry (1927-2010) --- Rushdie, Salman (1947-....) --- Mulish, Harry (1927-2010). Ontdekking van de hemel --- Rushdie, Salman (1947-....). Satanic verses --- Postmodernisme et littérature --- Critique et interprétation --- Postmodernisme et littérature --- Critique et interprétation
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Being the first to outline the literary genre, Gothic-postmodernism, this book articulates the psychological and philosophical implications of terror in postmodernist literature, analogous to the terror of the Gothic novel, uncovering the significance of postmodern recurrences of the Gothic, and identifying new historical and philosophical aspects of the genre. While many critics propose that the Gothic has been exhausted, and that its significance is depleted by consumer society's obsession with instantaneous horror, analyses of a number of terror-based postmodernist novels here suggest that the Gothic is still very much animated in Gothic-postmodernism. These analyses observe the spectral characters, doppelgangers, hellish waste lands and the demonised or possessed that inhabit texts such as Paul Auster's City of Glass, Salman Rushdie's The Satanic Verses and Bret Easton Ellis's Lunar Park. However, it is the deeper issue of the lingering emotion of terror as it relates to loss of reality and self, and to death, that is central to the study; a notion of 'terror' formulated from the theories of continental philosophers and contemporary cultural theorists. With a firm emphasis on the sublime and the unrepresentable as fundamental to this experience of terror; vital to the Gothic genre; and central to the postmodern experience, this study offers an insightful and concise definition of Gothic-postmodernism. It firmly argues that 'terror' (with all that it involves) remains a connecting and potent link between the Gothic and postmodernism: two modes of literature that together offer a unique voicing of the unspeakable terrors of postmodernity.
Gothic fiction (Literary genre) --- Terror in literature --- Postmodernism --- 82 --- 82-312.9 --- 82.015.9 --- 82-34 --- Literatuur. Algemene literatuurwetenschap --- Fantastische literatuur --- Literaire stromingen: postmodernisme --- Sprookje. Legende. Mythe --- 82-34 Sprookje. Legende. Mythe --- 82.015.9 Literaire stromingen: postmodernisme --- 82-312.9 Fantastische literatuur --- 82 Literatuur. Algemene literatuurwetenschap --- 82 Literature in general --- Literature in general --- Littérature d'épouvante --- Postmodernisme et littérature --- Littérature d'épouvante --- Postmodernisme et littérature
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Littérature comparée --- Postmodernisme et littérature --- Mémoire --- Postmodernism (Literature) --- Memory in literature. --- Dans la littérature --- 82.015.9 --- Literaire stromingen: postmodernisme --- 82.015.9 Literaire stromingen: postmodernisme --- Memory in literature --- Memory as a theme in literature --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Littérature comparée. --- Dans la littérature. --- Postmodernisme et littérature. --- Littérature comparée. --- Postmodernisme et littérature. --- Mémoire --- Dans la littérature.
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Historical fiction --- Postmodernism (Literature) --- History and criticism. --- 82.015.9 --- 930.12 --- 82.09 --- Literaire stromingen: postmodernisme --- Theorie van de historische kennis. Geschiedtheorie --- Literaire kritiek --- Postmodernism (Literature). --- 82.09 Literaire kritiek --- 930.12 Theorie van de historische kennis. Geschiedtheorie --- 82.015.9 Literaire stromingen: postmodernisme --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- History and criticism --- Roman historique --- Postmodernisme et littérature --- Histoire et critique --- Postmodernisme et littérature
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This book opens up an understudied area within the field of literary spatiality: the question of geographical emergence. A study of contemporary literary representations of place, it draws on phenomenological, poststructural, and postcolonial theories of space and place to show how literature contributes to the formation of new geographical identities. With chapters devoted to the in-between spaces of Samuel Beckett, France's suburban ghettoes, and the postcolonial proto-nations of France's Caribbean territories, this study emphasizes literature's ability to subtly but decisively shape readers' attitudes toward the world around them, making it possible to see such places not as defective or derivative versions of established modes of dwelling but as laboratories for the ways of life of tomorrow.
Place (Philosophy) in literature --- Place (Philosophy) in literature. --- Liminality in literature. --- Espace --- Postmodernisme et littérature --- Rites de passage --- Thematology --- Theory of knowledge --- anno 1900-1999 --- Literature --- Postmodernism (Literature) --- History and criticism --- History and criticism. --- Dans la littérature --- Postmodernisme et littérature. --- Rites de passage. --- Dans la littérature. --- Literature - 20th century - History and criticism --- Literature - 21st century - History and criticism --- Postmodernisme et littérature. --- Dans la littérature.
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English literature --- American literature --- Civilization, Modern, in literature. --- Crises in literature. --- Postmodernisme et littérature. --- Littérature britannique --- Littérature américaine --- Crise (philosophie) --- Réalité --- Civilisation --- History and criticism. --- Histoire et critique. --- Dans la littérature. --- Crisis in literature. --- Agrarians (Group of writers) --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Crisis in literature --- Réalisme (littérature) --- Postmodernisme et littérature. --- Littérature britannique --- Littérature américaine --- Réalisme (littérature) --- Dans la littérature.
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Over the past century, narratives of travel changed in response to modernist and postmodernist literary innovation, world wars, the demise of European empires, and the effect of new technologies and media on travel experience. Yet existing critical studies have not examined fully how the genre changes or theorized why. This study investigates the evolution of Anglophone travel narrative from the 1920s to the present, addressing the work of canonical authors such as T. E. Lawrence, W. H. Auden and Rebecca West; best-sellers by Peter Fleming and H. V. Morton; and texts by Colin Thubron, Andrew X. Pham, Rosemary Mahoney, and others. It argues that the genre's most important transformation lies in its reinvention as a means of narrating the subjective experience of violence, cultural upheaval, and decline. It will interest scholars and students of travel writing, modernism and postmodernism, English and American literature, and the history and sociology of travel.
Travelers' writings, English --- Travelers' writings, American --- Modernism (Literature) --- Postmodernism (Literature) --- Travel in literature. --- Travel writing --- Modernisme (littérature) --- Voyage --- Récits de voyages anglais. --- Récits de voyages américains. --- Postmodernisme et littérature. --- History and criticism. --- History. --- Dans la littérature. --- Voyages and travels in literature --- Literary movements --- Literature, Modern --- Crepuscolarismo --- Arts and Humanities --- Literature --- Modernisme (littérature) --- Récits de voyages anglais. --- Récits de voyages américains. --- Postmodernisme et littérature. --- Dans la littérature.
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Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature.
American literature --- English literature --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- Littérature anglaise --- --Postmodernisme --- --Fiction --- Postmodernism (Literature) --- History and criticism --- Fiction --- History and criticism. --- 820-31 "19" --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Arts and Humanities --- Literature --- Postmodernisme --- Fiction - 20th century̨ - History and criticism --- Postmodernisme et littérature --- Roman anglais --- Roman américain --- 20e siècle --- Histoire et critique --- Postmodernisme et littérature --- Roman américain --- 20e siècle
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Fiction --- American literature --- anno 1900-1999 --- Black humor (Literature) --- American fiction --- Satire, American --- Postmodernism (Literature) --- Modernism (Literature) --- Social norms in literature. --- Dissenters in literature. --- Black humor. --- History and criticism. --- 20th century --- History and criticism --- Satire [American ] --- United States --- West, Nathanael --- Criticism and interpretation --- O'Connor, Flannery Mary --- Hawkes, John --- Gaddis, William --- Pynchon, Thomas --- Coover, Robert Lowell --- Postmodernisme et littérature --- Satire américaine --- Roman américain --- Humour noir (littérature) --- États-Unis --- Histoire et critique --- 20e siècle --- Postmodernisme et littérature --- Satire américaine --- Roman américain --- Humour noir (littérature) --- États-Unis --- 20e siècle
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