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Si le lecteur se pose la question " Est-il je ? ", c'est que le romancier la lui souffle en combinant délibérément deux registres incompatibles : la fiction et l'autobiographie. Il donne au héros des traits d'identité qui lui appartiennent en propre. Il sème le paratexte d'indices contradictoires. Il cultive l'ambivalence des citations, des commentaires et des mises en abyme. Il raconte des souvenirs improbables, tantôt à la première, tantôt à la troisième personne. Il se représente en enfant, en adolescent, en écrivain, en voyageur, en amant, en dépression, au tribunal, au confessionnal ou sur le divan... sans jamais dire qui il est. Cette stratégie de l'ambiguïté est constitutive d'un genre littéraire mal connu qui fut d'abord nommé roman personnel, puis roman autobiographique, avant d'être rebaptisé récemment, et hâtivement, autofiction. On tente ici non seulement d'inventorier les procédés qu'il met en œuvre mais aussi de retracer son histoire, d'expliquer son infortune critique et de comprendre comment il fonctionne. Avec la conviction qu'il détient une part de notre avenir littéraire.
Non-fiction --- Autobiography in literature. --- Point of view (Literature) --- Autobiographie dans la littérature --- Point de vue (Littérature) --- Autobiographical fiction --- First person narrative --- European literature --- Self in literature --- History and criticism --- Autobiographie --- 82-31 --- 82-94 --- Roman --- Dagboek. Memoires. Autobiografie --- Self in literature. --- History and criticism. --- 82-94 Dagboek. Memoires. Autobiografie --- 82-31 Roman --- Autobiographie dans la littérature --- Point de vue (Littérature) --- Narrative, First person --- Fiction --- Literature --- Narration (Rhetoric) --- Persona (Literature) --- Technique --- Autobiographie. --- Autobiographical fiction - History and criticism --- First person narrative - History and criticism --- European literature - History and criticism
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Alientation (Social psychology) in literature --- Capitalism in literature --- Capitalisme dans la littérature --- Kapitalisme in literatuur --- American prose literature --- Alienation (Social psychology) in literature --- Point of view (Literature) --- Capitalism and literature --- Prose américaine --- Aliénation (Psychologie sociale) dans la littérature --- Point de vue (Littérature) --- Capitalisme et littérature --- History and criticism --- Histoire et critique --- Lukãcs, György, --- Prose américaine --- Aliénation (Psychologie sociale) dans la littérature --- Point de vue (Littérature) --- Capitalisme et littérature --- Lukács, György, --- Faulkner, William --- Criticism and interpretation --- Emerson, Ralph Waldo --- James, Henry --- Adams, Henry Brooks
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Children's literature --- Narration (Rhetoric) --- Point of view (Literature) --- Littérature de jeunesse --- Narration --- Point de vue (Littérature) --- History and criticism --- Authorship --- Histoire et critique --- Art d'écrire --- -Children's literature --- -Narration (Rhetoric) --- Children --- -82-93 --- Childhood --- Kids (Children) --- Pedology (Child study) --- Youngsters --- Age groups --- Families --- Life cycle, Human --- Fiction --- Persona (Literature) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Juvenile literature --- Literature --- Books and reading --- Kinderliteratuur. Jeugdliteratuur --- Technique --- 82-93 Kinderliteratuur. Jeugdliteratuur --- Littérature de jeunesse --- Point de vue (Littérature) --- Art d'écrire --- 82-93 --- Books and reading for children --- Reading interests of children
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Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.
Subjectivity in motion pictures --- Motion pictures. --- Subjectivity. --- Point of view (Literature) --- Film --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Subjectivism --- Knowledge, Theory of --- Relativity --- Philosophy. --- History and criticism --- Technique --- subjectivity --- nouvelle vague --- Consciousness --- Duchy of Münsterberg --- Point-of-view shot --- Robert Bresson --- Subjectivity in motion pictures. --- Subjectivité au cinéma --- Cinéma --- Subjectivité --- Point de vue (Littérature) --- Philosophie --- Cinéma --- Théorie du cinéma. --- Philosophie et cinéma. --- Philosophie. --- Esthétique.
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French literature (outside France) --- Sociology of literature --- Fiction --- anno 1980-1989 --- French Antilles --- Caribbean fiction (French) --- Caribbean fiction (French Creole) --- Authors in literature --- Creoles in literature --- Point of view (Literature) --- Roman antillais (français) --- Roman antillais (créole français) --- Ecrivains dans la littérature --- Créoles dans la littérature --- Point de vue (Littérature) --- History and criticism --- Histoire et critique --- 840 <100> --- -Caribbean fiction (French) --- -Creoles in literature --- French fiction --- Caribbean literature (French) --- Caribbean French Creole fiction --- Creole fiction, Caribbean French --- French Creole fiction, Caribbean --- Caribbean literature (French Creole) --- Narration (Rhetoric) --- Persona (Literature) --- Franse literatuur: extra muros --- Technique --- 840 <100> Franse literatuur: extra muros --- Roman antillais (français) --- Roman antillais (créole français) --- Ecrivains dans la littérature --- Créoles dans la littérature --- Point de vue (Littérature) --- History and criticism.
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This systematic introduction to the concept of point of view in language explores the ways in which point of view intersects with and is shaped by ideology. It specifically focuses on the way in which speakers and writers linguistically encode their beliefs, interests and biases in a wide range of media. The book draws on an extensive array of linguistic theories and frameworks and each chapter includes a self-contained introduction to a particular topic in linguistics, allowing easy reference. The author uses examples from a variety of literary and non-literary text types such as, narrative fiction, advertisements and newspaper reports. This book offers an integrated programme of language-study and textual analysis that will be of interest to students of linguistics, stylistics, English Language, English as a foreign language, literature, and communication studies.
Language and languages --- Point of view (Literature) --- Ideology. --- Grammar, Comparative and general --- Pragmatics. --- Sexism in language. --- Style. --- Transitivity. --- Sexism in language --- Transitivité (Linguistique) --- Point de vue (Littérature) --- Sexisme dans le langage --- Point de vue (Littérature) --- Ideology --- Pragmatics --- 801.56 --- 801.56 Syntaxis. Semantiek --- Syntaxis. Semantiek --- Sexist language --- Language and sex --- Nonsexist language --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Linguostylistics --- Stylistics --- Literary style --- Knowledge, Theory of --- Philosophy --- Political science --- Psychology --- Thought and thinking --- Transitivity (Grammar) --- Pragmalinguistics --- General semantics --- Logic, Symbolic and mathematical --- Semantics (Philosophy) --- Transitivity --- Style --- Sex differences --- Technique --- Verb --- Verb phrase --- Drama --- Stilistics --- Sociolinguistics --- Point of view (Literature). --- Transitivité (Linguistique) --- Idéologie --- Stylistique --- Pragmatique --- Linguistics --- Philology --- Language and languages - Style. --- Grammar, Comparative and general - Transitivity. --- Transitivité (linguistique) --- Pragmatisme --- Langage et langues --- Grammaire comparée et générale --- Point de vue (littérature) --- Transitivité --- Langues
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American fiction --- Point of view (Literature). --- Short stories, American --- History and criticism. --- Poe, Edgar Allan, --- Hawthorne, Nathaniel, --- Criticism and interpretation. --- Point de vue (Littérature) --- Nouvelles américaines --- -Point of view (Literature) --- Persona (Literature) --- American short stories --- Poe, Edgar Allan --- -Hawthorne, Nathaniel --- -Technique --- Point de vue (Littérature) --- -Fiction --- Narration (Rhetoric) --- American literature --- History and criticism --- Technique --- Point of view (Literature) --- Roman américain --- Nouvelles américaines --- Histoire et critique --- Hawthorne (Nathaniel). Korte verhalen. --- Point of view [Vertelling]. --- Point devue [Narration]. --- Poe (Edgar Allan). Contes. --- Hawthorne (Nathaniel). Contes courts. --- Poe (Edgar Allan). Verhalen. --- Technique. --- -American literature --- Fiction --- -Hawthorne, Nathaniel, --- Hawthorne, Nathaniel --- Gotorn, Nataniėlʹ --- Hotorn, Natanijel --- Huo-sang --- Huo-sang, Na-sa-ni-erh --- Hothorna, Netheniyala --- Готорн, Натаниэль --- האטארן, נאטאניעל, --- Huosang --- Huosang, Nasa'nier --- Nasa'nier Huosang --- 霍桑, --- 霍桑, 纳撒尼尔, --- 纳撒尼尔 霍桑, --- Hās̲ūran, Nātānīl --- Hās̲ūrn, Nātānīl --- هاثورن، ناتانيل --- Poe, Edgar Allen --- Po, Edgar, --- Boy, Ētkar, --- Poe, E. A. --- Poë, Edgard, --- Pui, ʼAggā ʼAyʻlaṅʻ, --- Pō, Eḍgār Ālen, --- Po, Edhar, --- Poe, Edgar Allen, --- Perry, Edgar A., --- По, Эдгар Аллан, --- По, Эдгар, --- פאו, עדגאר עלען --- פאו, עדגאר עלען, --- פא, אדגאר אלאן --- פא, עדגאר --- פא, עדגאר עלען, --- פו, אדגר --- פו, אדגר אלן --- פו, אדגר אלן, --- アランポオ, --- 愛倫坡, --- Po, Ailun, --- Quarles, --- Narration --- -History and criticism --- Litterature americaine --- Point de vue (litterature)
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Point de vue (Littérature) --- Point of view (Literature) --- Point of view (Literatuur) --- Point-of-view (Literature) --- Rôle selon le sexe dans la littérature --- Seksuele rolpatronen in de literatuur --- Sex role in literature --- Authorship --- English literature --- Feminism and literature --- Women --- Women and literature --- Art d'écrire --- Littérature anglaise --- Féminisme et littérature --- Femmes et littérature --- Femmes dans la littérature --- Sex differences --- Men authors --- History and criticism --- Theory, etc --- History --- Historiography --- Différences entre sexes --- Histoire et critique --- Théorie, etc --- Histoire --- 82:396 --- 820 "15/16" --- -Feminism and literature --- -Point of view (Literature) --- -Women and literature --- -Authorship --- -English literature --- -Women --- -Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Literatuur en feminisme --- Engelse literatuur--?"15/16" --- -History --- -Sex differences --- Male authors --- -History and criticism --- England --- -Technique --- Women authors --- -Literatuur en feminisme --- -82:396 --- 820 "15/16" Engelse literatuur--?"15/16" --- 82:396 Literatuur en feminisme --- -82:396 Literatuur en feminisme --- Human females --- Art d'écrire --- Littérature anglaise --- Féminisme et littérature --- Point de vue (Littérature) --- Rôle selon le sexe dans la littérature --- Femmes et littérature --- Femmes dans la littérature --- Différences entre sexes --- Théorie, etc --- Male authors&delete& --- History and criticism&delete& --- History&delete& --- Technique --- Early modern, 1500-1700 --- Theory, etc. --- 1450-1600 (Renaissance) --- 16th century --- 17th century --- English literature - Early modern, 1500-1700 - History and criticism - Theory, etc. --- Women - England - History - Renaissance, 1450-1600 - Historiography. --- English literature - Men authors - History and criticism - Theory, etc. --- Feminism and literature - England - History - 16th century. --- Feminism and literature - England - History - 17th century. --- Women and literature - England - History - 16th century. --- Women and literature - England - History - 17th century. --- Authorship - Sex differences. --- Sex role in literature.
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