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Origins and the enlightenment : aesthetic epistemology from Descartes to Kant
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ISBN: 0801442753 1501727435 Year: 2004 Publisher: Ithaca (N.Y.) : Cornell university press,

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Une esthétique de l'authentique : les films de la nouvelle vague
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ISBN: 9782296030268 Year: 2007 Publisher: Paris : L'Harmatten,

Tragedy's end
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ISBN: 019508344X 9780195083446 1602566240 9781602566248 9780195344776 0195344774 1423734769 9781423734765 1280443553 0197705413 Year: 1996 Publisher: New York Oxford University Press

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This work argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending and generic innovation in six of Euripides' plays.


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Pilgrimage and political economy : translating the sacred
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ISBN: 9781785339394 1785339419 9781785339400 1785339400 1785339397 1785339427 1785339435 Year: 2018 Publisher: New York : Berghahn Books,

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Pilgrimage has always had a tendency to follow—and sometimes create—trade routes. This volume explores how wider factors behind transnational and global mobility have impacted on pilgrimage activity across the world, and examines the ways in which pilgrimage relates to migration, diaspora, and political cooperation or conflict across nation-states. Furthermore, it brings together case studies that explore forms of mobility where pilgrimage is juxtaposed, complements, or is in intimate association with other forms of movement.


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On the new
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ISBN: 9781781682920 9781781682937 9781781682944 1781682925 9781781686614 Year: 2014 Publisher: Brooklyn : Verso


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Creativity in transition : politics and aesthetics of cultural production across the globe
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ISBN: 9781785331817 1785331817 9781785331831 1785331833 1785331825 Year: 2016 Volume: volume 6 Publisher: New York (N.Y): Berghahn,

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In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with 'innovation' in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.

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