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"Berlin School Glossary is the first major anthology to mark the increasing international importance of a group of contemporary German and Austrian filmmakers initially known as the Berlin School: Christian Petzold, Thomas Arslan, Christoph Hochhäusler, Jessica Hausner, and others. The study elaborates on the innovative strategies and formal techniques that distinguish these films, specifically questions of movement, space, spectatorship, representation, desire, location, and narrative. Abandoning the usual format of essay-length analyses of individual films and directors, the volume is organized as an actual glossary with entries such as bad sex, cars, the cut, endings, familiar places, forests, ghosts, hotels, interiority, landscapes, siblings, surveillance, swimming pools, and wind. This unique format combined with an informative introduction will be essential to scholars and fans of the German New Wave."--P. [4] of cover.
Music, Dance, Drama & Film --- Film --- New wave films --- Nouvelle vague (Cinéma) --- History and criticism --- Histoire et critique --- History and criticism. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures
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Au tournant des années 60, la Nouvelle Vague est une nouvelle façon de faire du cinéma, plus personnelle, plus libre, qu’illustrent les noms de François Truffaut, Jean-Luc Godard, Louis Malle pour la mise en scène, Anna Karina, Jeanne Moreau pour l’interprétation. Ce sont les changements de mœurs et en particulier les nouveaux rapports amoureux qu’étudie cet ouvrage novateur et polémique à travers les films phares de la Nouvelle Vague, de 1957 à 1962 (À bout de souffle, Hiroshima mon amour, Les cousins, etc.) et leur réception critique dans la presse. Une lecture revigorante et non conformiste.
New wave films --- Motion pictures --- Sexism in motion pictures. --- Women in motion pictures. --- Nouvelle vague (Cinéma) --- Cinéma --- Sexisme au cinéma --- Femmes au cinéma --- History and criticism. --- History --- Histoire et critique --- Histoire --- History. --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Nouvelle Vague --- gender studies --- cinéma d’auteur --- féminisme
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Motion pictures --- Cinéma --- History. --- Histoire --- Nouvelle vague (cinéma) --- Cinéma --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Film --- anno 1960-1969 --- anno 1950-1959 --- France --- New wave films --- History --- History and criticism. --- #SBIB:309H1326 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- History and criticism --- Nouvelle Vague (cinéma)
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Love in motion pictures. --- New wave films --- Violence in motion pictures. --- 791.43.03 --- #SBIB:309H1320 --- #SBIB:309H1326 --- Filmstijlen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43.03 Filmstijlen --- Love in motion pictures --- Violence in motion pictures --- Violence in moving-pictures --- Motion pictures --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures)
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New wave films --- #SBIB:309H1313 --- #SBIB:309H1320 --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures --- History and criticism. --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism
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In this first reappraisal of his filmography (1958-2009), readers are introduced to a new Chabrol, one influenced by Balzac, Magritte, Kubrick.
Motion picture producers and directors --- New wave films --- Chabrol, Claude, --- Criticism and interpretation. --- Réalisateur --- New wave films. --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Chabrol, Claude --- New wave cinema.
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative "mother" of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
Varda, Agns̈, --- Criticism and interpretation. --- Feminism and motion pictures --- New wave films --- History and criticism. --- Varda, Agnès, --- Women motion picture producers and directors --- Nouvelle vague --- PERFORMING ARTS / Film & Video / General. --- Neue Welle --- New wave --- Frankreich --- Film --- Women moving-picture producers and directors --- Motion picture producers and directors --- Women in the motion picture industry --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures --- Motion pictures and feminism --- ART / European. --- ART / History / Modern (late 19th Century to 1945). --- Feminism and motion pictures. --- Motion picture producers and directors. --- New wave films. --- PERFORMING ARTS / Film. --- Performing Arts. --- Criticism and interpretation --- History and criticism --- Varda, Agnès, --- France. --- Varda, Agnès --- Art. --- Film. --- Photography.
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Not since the culturally and politically exciting period of the sixties has there been such an outpouring of stylistically varied and sociopolitically significant films from the Soviet Union and Eastern Europe. In recent years, films from these countries have captured numerous awards at prestigious international film festivals and have been the subject of major retrospectives at important cultural centers in the United States and Western Europe. Post new wave developments have been variously hailed as a second new wave, as the new model in the Soviet Union, the new Yugoslav film in Yugoslavia, the cinema of moral concern in Poland, and the new Hungarian cinema in Hungary. This book is the first to systematically survey and analyze recent cinematic developments in the Soviet Union and Eastern Europe, and to do so within the context of contemporary sociocultural and political developments. Each national cinema is discussed and analyzed by a noted authority, with chapters devoted to the Soviet Union (Anna Lawton), East Germany (Sigrun D. Leonhard), Czechoslovakia (Peter Hames), Poland (Frank Turaj), Hungary (David Paul), Bulgaria (Ronald Holloway), and Yugoslavia (Daniel J. Goulding).
Films. --- New wave films. --- Cinema --- New wave films --- History and criticism. --- Soviet Union. --- Eastern Europe. --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- East Europe --- Eastern Europe --- Советский Союз --- Ber. ha-M. --- Związek Socjalistycznych Republik Radzieckich --- ZSRR --- Związek Socjalistycznych Republik Sowieckich --- ZSRS --- Szovjetunió --- TSRS --- Tarybų Socialistinių Respublikų Sąjunga --- SRSR --- Soi︠u︡z Radi︠a︡nsʹkykh Sot︠s︡ialistychnykh Respublik --- SSSR --- Soi︠u︡z Sovetskikh Sot︠s︡ialisticheskikh Respublik --- UdSSR --- Shūravī --- Ittiḥād-i Jamāhīr-i Ishtirākīyah-i Shūrāʼīyah --- Russia (1923- U.S.S.R.) --- Sovetskiy Soyuz --- Soyuz SSR --- Sovetskiĭ Soi︠u︡z --- Soi︠u︡z SSR --- Uni Sovjet --- Union of Soviet Socialist Republics --- USSR --- SSṚM --- Sovetakan Sotsʻialistakan Ṛespublikaneri Miutʻyun --- SSHM --- Sovetakan Sotsʻialistakan Hanrapetutʻyunneri Miutʻyun --- URSS --- Unión de Repúblicas Socialistas Soviéticas --- Berit ha-Moʻatsot --- Rusyah --- Ittiḥād al-Sūfiyītī --- Rusiyah --- Rusland --- Soṿet-Rusland --- Uni Soviet --- Union soviétique --- Zȯvlȯlt Kholboot Uls --- Związek Radziecki --- ESSD --- Sahaphāp Sōwīat --- KhSHM --- SSR Kavširi --- Russland --- SNTL --- PSRS --- Su-lien --- Sobhieṭ Ẏuniẏana --- FSSR --- Unione Sovietica --- Ittiḥād-i Shūravī --- Soviyat Yūniyan --- Russian S.F.S.R. --- Film history, theory & criticism --- New wave cinema. --- Europe, Eastern.
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