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Since John Lennon composed Lucy in the Sky with Diamonds in early 1967, fans and music critics alike have argued over the meaning of the song. Is it about drugs? Is it just a lyrical response to a drawing given Lennon by his 4-year-old son Julian? Is there some deeper meaning? Professor Tim Kasser goes beyond speculative explanations by applying innovative psychological methods to the song's lyrics and music. He deeply analyzes the song's linguistic structure, its basic theme, and the way its words and music had been used by Lennon in earlier songs. As the findings accumulate, Kasser weaves th
Lennon, John, --- Lennon, J. --- Lennon, John Ono, --- Lennon, John Winston, --- Ono Lennon, John, --- Renon, Jon, --- Леннон, Джон, --- לנון, ג׳ון --- ジョン.レノン, --- McCartney, Paul. --- Psychology. --- McCartney, Paul
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Cinemas. --- Film archives. --- Film posters. --- Daisne, Johan, --- Harrison, George, --- Lennon, John, --- McCartney, Paul, --- Starr, Ringo, --- Archives.
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Photography --- documentary photography --- muziekgeschiedenis --- McCartney, Paul --- The Beatles --- anno 1960-1969
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Painting --- painting [image-making] --- artists [visual artists] --- painters [artists] --- McCartney, Paul
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Beatles --- Discography --- History and criticism --- History --- Chronology --- Rock music --- Great Britain --- 1961-1970 --- Writing and publishing --- Lennon, John --- Harrison, George --- McCartney, Paul --- Starr, Ringo --- PXL-Music 2018 --- pop- en rockmuziek --- artiesten --- The Beatles
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Art styles --- Art --- collages [visual works] --- art [discipline] --- private collections [object groupings] --- Pop [fine arts styles] --- Blake, Peter Thomas --- Mellis, Margaret Nairne --- Lennon, John --- Hausmann, Raoul --- Hamilton, Richard --- Ernst, Max --- Oldenburg, Claes --- Picasso, Pablo --- Henderson, Nigel --- Nicholson, Ben --- Paolozzi, Eduardo --- Emin, Tracey --- Lucas, Sarah --- Samaras, Lucas --- Schwitters, Kurt --- McCartney, Paul --- Cornell, Joseph --- anno 1950-1959 --- anno 1960-1969
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This book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney’s work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney’s creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies. Phillip McIntyre is a Professor of Communication and Media at the University of Newcastle, Australia where he researches creativity and innovation. Phillip has published widely with a particular focus on the creative processes involved in various aspects of music including songwriting, sound engineering, and record production. He is the author of Creativity and Cultural Production: Issues for Media Practice (2012), co-editor of Creativity as a System in Action (2016), and co-author of Educating for Creativity within Higher Education (2018). Phillip also has extensive experience within the music industry. Paul Thompson is a professional recording engineer and producer who has worked in the music industry for over 15 years. He is currently a Reader in Popular Music at Leeds Beckett University in Leeds School of Arts, and his research is centered on record production, audio education, popular music heritage, creativity and cultural production in popular music. His book ‘Creativity in the Recording Studio: Alternative Takes’ was published in early 2019 by Palgrave MacMillan.
Creative ability. --- Creation (Literary, artistic, etc.) --- McCartney, Paul. --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Creativeness --- Creativity --- Ability --- McCartney, Paul --- McCartney, P. --- McCartney, John Paul --- McCartney, James Paul --- Makkartni, Pol --- MacCartney, Paul --- Thrillington, Percy --- Creativitat --- Personality. --- Difference (Psychology). --- Music. --- Culture. --- Popular Culture. --- Motion pictures. --- Personality and Differential Psychology. --- Sociology of Culture. --- Audio-Visual Culture. --- Differential psychology --- Psychology, Differential --- Differentiation (Developmental psychology) --- Psychology --- Personal identity --- Personality psychology --- Personality theory --- Personality traits --- Personology --- Traits, Personality --- Individuality --- Persons --- Self --- Temperament --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Social aspects --- Aptitud --- Creativitat en els infants --- Pensament creatiu --- Creativitat en la ciència --- Creativitat en la publicitat --- McCartney, Paul,
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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Edited by Mark Francis ; Survey by Hal Foster --- kunst --- twintigste eeuw --- pop art --- beeldhouwkunst --- schilderkunst --- literatuur --- fotografie --- installaties --- Adam Ken --- Alloway Lawrence --- Anger Kenneth --- film --- Antonioni Michelangelo --- Arbus Diane --- d'Arcangelo Allan --- Archizoom & Superstudio --- Arman --- Artschwager Richard --- Ashton Dore --- Bailey David --- Banham Reyner --- Barker Clive --- Barthes Roland --- Battcock Gregory --- Baudrillard Jean --- Ben --- Vautier Ben --- Bengston Billy Al --- Berman Wallace --- Blake Peter --- Boshier Derek --- Boty Pauline --- Boyle Mark --- Hills Joan --- Brecht George --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Buckminster Fuller R. --- Burckhardt Rudy --- Cage John --- Cammell Donald --- Roeg Nicolas --- Caulfield Patrick --- César --- Chamberlain John --- Cohn Nick --- Conner Bruce --- Coplans John --- Sister Corita --- Corita Sister --- Corman Roger --- Crumb Robert --- Danto Arthur C. --- Debord Guy --- Dine Jim --- Walt Disney Imagineering --- Disney Walt --- Drexler Rosalyn --- Duchamp Marcel --- Dylan Bob --- Eco Umberto --- Eggleston William --- Erro --- Falhström Öyvind --- Fletcher Allan --- Frank Robert --- Fried Michael --- Friedlander Lee --- Geldzahler Henry --- Ginsberg Allen --- Godard Jean-Luc --- Goldfinger Ernö --- Goode John --- Graham Dan --- Gunn Thom --- Grooms Red --- Hains Raymond --- Hamilton Richard --- Hanson Duane --- Henderson Nigel --- Hockney David --- Hollein Hans --- Hopper Dennis --- Huyssen Andreas --- Indiana Robert --- Jacquet Alain --- Jess --- Joannes Gérard --- Johns Jasper --- Johnson Ellen H. --- Johnston Jill --- Johnson Ray --- Jones Allen --- Jorn Asger --- Judd Donald --- Katz Alex --- Kelley Mike --- Kienholz Edward --- Kitaj R.B. --- Klein William --- Klüver Billy --- Kramer Hilton --- Kunitz Stanley --- Kusama Yayoi --- Laing Gerald --- Lennon John --- kunst en politiek --- Lichtenstein Roy --- Lueg Konrad --- MacDonald Ian --- McCartney Paul --- McHale John --- McLuhan Marshall --- Marcus Greil --- Mekas Jonas --- Moore Charles --- Morley Malcolm --- Mulvey Laura --- O'Doherty Brian --- O'Hara Frank --- Oldenburg Claes --- Paolozzi Eduardo --- Peenbaker D.A. --- Perkins Carl --- Phillips Peter --- Pistoletto Michelangelo --- Polke Sigmar --- Price Cedric --- Quarmby Arthur --- Ramos Mel --- Rauschenberg Robert --- Raysse Martial --- Reichardt Jasia --- Resatny Pierre --- Rice Ron --- Richter Gerhard --- Rivers Larry --- Rosenblum Robert --- Rosenquist James --- Rotella Mimmo --- Ruscha Ed --- Samaras Lucas --- Saul Peter --- Schneemann Carolee --- Schwitters Kurt --- Segal George --- Self Colin --- Selz Peter --- Sharp Martin --- Smith Jack --- Smith Richard --- Smithson Alison --- Smithson Peter --- Sontag Susan --- Spoerri Daniel --- Steinberg Leo --- Swenson G.R. --- Tashlin Frank --- Thek Paul --- Thiebaud Wayne --- Thompson Hunter S. --- Tilson Joe --- Tinguely Jean --- Velvet Underground --- Venturi, Scott Brown & Associates --- De la Villegleé Jacques --- Vostell Wolf --- Warhol Andy --- Watts Robert --- Wesley John --- Wesselmann Tom --- Whitman Robert --- Winogrand Garry --- Wolfe Tom --- 7.038 --- hedendaagse kunst --- pop-art --- Pop [fine arts styles] --- Contemporary [style of art] --- Art --- anno 1900-1999 --- Buchloh Benjamin H.D --- Buckminster Fuller R --- Danto Arthur C --- Johnson Ellen H --- Kitaj R.B --- Peenbaker D.A --- Swenson G.R --- Thompson Hunter S
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