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Growth rate --- FAO --- Animal production --- Food production --- Plant production --- land use --- world --- Agriculture --- Statistics --- 1965 --- 1970 --- 1975 --- 1980 --- 1986 --- 1965-1986 --- Livret statistique
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Libretto --- Opera --- Music and literature --- Livret (Musique) --- Opéra --- Musique et littérature --- Congresses. --- Congresses. --- Congresses. --- Congrès --- Congrès --- Congrès
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Libretto --- Opera --- Music and literature --- Livret (Musique) --- Opéra --- Musique et littérature --- Congresses. --- Congresses. --- Congresses. --- Congrès --- Congrès --- Congrès
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Desire in opera --- Libretto. --- Désir dans l'opéra --- Livret (Musique) --- Wagner, Richard, --- Wagner, Richard, --- Wagner, Richard, --- Wagner, Richard, --- Stories, plots, etc. --- Histoires, intrigues, etc.
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Obwohl die Forschung Jacques Offenbach (1819-1880) für sich neu entdeckt hat, wird sein Theater primär durch die Soziologenbrille Siegfried Kracauers wahrgenommen, wenn nicht gar indoktriniert. Die Vorstellung von Gesellschaftskritik in Form von "Parodie" und "Satire" dominiert seither die Rezeption, die in der deutschsprachigen Theaterpraxis zudem durch die Übersetzungsproblematik wie durch die gängige Überzeugung belastet ist, Offenbachs Stücke bearbeiten zu müssen. Dabei sind viele Texte besser als ihr Ruf. Um sie angemessener verstehen und historisch gewichten zu lernen, waren Ort und Zeit ihrer Entstehung neu zu befragen - eine Zeit, welche ein jahrhundertumspannender, Politik, Kirche, literarisches Leben und Öffentlichkeit permanent erregender Moraldiskurs prägt. Die in ein veritables Moral(isierungs)theater mündende Sittenkomödie ist ihr theatraler Beitrag, der in Alexandre Dumas fils, dem Propagandisten eines "nützlichen Theaters", seinen hervorragensten Repräsentanten gefunden hat. Daß Dumas fils und Offenbach nicht nur auf privater, sondern auch auf ideeller Ebene mehr verband als bisher vermutet, soll mit paradigmatischen Stücken belegt werden. Fünf frühe Einakter sind ausgewählt, auf die moralische Disposition im Offenbachschen Schaffen aufmerksam zu machen. Den Kern der Untersuchung bildet jedoch die Zusammenschau von fünf großen Werken, opéras bouffes von »Orphée« bis »Barbe-Bleue«, mit denen auf seiten einer fortschrittlichen Moral und konzeptionell progredierend in den Moraldiskurs eingegriffen wird.
Offenbach, Jacques --- Operetta --- Libretto. --- Opérette --- Livret (Musique) --- Moral and ethical aspects --- Aspect moral --- Offenbach, Jacques, --- Opérette --- Moral and ethical aspects. --- Libretto --- Librettos --- Dramatic music --- Comic opera --- Musical farce --- Opera --- Liederspiel --- History and criticism
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French literature --- Music --- Drama --- anno 1700-1799 --- France --- Operas --- Libretto. --- Dramatic music --- Opéras --- Livret (Musique) --- Musique de scène --- Librettos --- History and criticism.. --- Livrets --- Histoire et critique --- Opéras --- Musique de scène
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"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Music --- Drama --- Libretto --- Music and literature --- Music, Dance, Drama & Film --- Music History & Criticism, Vocal --- Libretto. --- Music and literature. --- Literature and music --- Librettos --- History and criticism --- Literature --- Dramatic music --- littérature --- livret d'opéra --- musique --- opéra --- Opera.
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Ballet in literature --- Libretto --- Livret --- Ballet --- Choreography --- Ballet dans la littérature --- Chorégraphie --- History --- Histoire --- Ballet dans la littérature --- Chorégraphie --- French literature --- 19th century --- History and criticism --- 20th century --- 78.76 --- History.
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Poetry --- German literature --- Music --- anno 1500-1599 --- anno 1600-1699 --- Libretto --- Livret --- Music and language --- Music and literature --- Musique et langage --- Musique et littérature --- Muziek en literatuur --- Muziek en taal --- Opera --- Germany --- 17th century --- German language --- Versification --- German poetry --- History and criticism
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Les conditions de l'élaboration d'un livret d'opéra ainsi que les particularités thématiques et stylistiques de son écriture sont étudiées dans le contexte de l'histoire de l'opéra depuis 1945, qui vit un déclin puis une renaissance du genre. ©Electre 2017
Opéras -- Livrets --- Opéra --- Livrets --- Histoire et critique --- Libretto --- Opera --- Music and literature --- Livret (Musique) --- Musique et littérature --- Music --- French literature --- anno 1940-1949 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- Theatrical science --- Literature --- Opéra --- Musique et littérature --- Musique et littérature. --- Opéra. --- Opéras.