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Les rapports entre fiction et théorie ont été multiples et ils intéressent l'historien de la philosophie comme celui de la littérature. Le présent volume s'est efforcé d'explorer cette diversité en partant des fictions cartésiennes de l'origine et en s'arrêtant à ce qui fut sans doute, en pleine tourmente révolutionnaire - fut-ce un hasard ? -, la première réflexion explicite sur ce thème, à savoir l'Essai sur les fictions de Madame de Staël. Dans ce parcours, on rencontre ce qu'on pourrait appeler des tendances ou des usages majeurs : d'une part, des artifices élaborés dans le sein même de la théorie pour découvrir la vérité par défaut, c'est-à-dire du fait de l'impuissance à mettre en oeuvre des procédures mieux assurées ; d'autre part, des fictions qu'il s'agit de conjurer de l'extérieur, parce que la raison ne peut se résigner aux flottements indéfinis du scepticisme ; enfin, des histoires que le romancier invente pour faire voler en éclats les fragiles constructions du philosophe.
Literature --- Fictions, Theory of --- Littérature --- Théorie de la fiction --- Themes, motives --- Philosophy --- Thèmes, motifs --- Philosophie --- Littérature européenne --- Littérature occidentale --- Histoire et critique --- Littérature --- Théorie de la fiction --- Thèmes, motifs --- Histoire et critique. --- Themes, motives. --- Literature - Philosophy --- Littérature européenne --- Littérature occidentale
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Over the past fifty years, debates about human rights have assumed an increasingly prominent place in postcolonial literature and theory. Writers from Salman Rushdie to Nawal El Saadawi have used the novel to explore both the possibilities and challenges of enacting and protecting human rights, particularly in the Global South. In Fictions of Dignity, Elizabeth S. Anker shows how the dual enabling fictions of human dignity and bodily integrity contribute to an anxiety about the body that helps to explain many of the contemporary and historical failures of human rights, revealing why and how lives are excluded from human rights protections along the lines of race, gender, class, disability, and species membership. In the process, Anker examines the vital work performed by a particular kind of narrative imagination in fostering respect for human rights. Drawing on phenomenology, Anker suggests how an embodied politics of reading might restore a vital fleshiness to the overly abstract, decorporealized subject of liberal rights.Each of the novels Anker examines approaches human rights in terms of limits and paradoxes. Rushdie's Midnight's Children addresses the obstacles to incorporating rights into a formerly colonized nation's legal culture. El Saadawi's Woman at Point Zero takes up controversies over women's freedoms in Islamic society. In Disgrace, J. M. Coetzee considers the disappointments of post-apartheid reconciliation in South Africa. And in The God of Small Things, Arundhati Roy confronts an array of human rights abuses widespread in contemporary India. Each of these literary case studies further demonstrates the relevance of embodiment to both comprehending and redressing the failures of human rights, even while those narratives refuse simplistic ideals or solutions.
Literature, Modern --- Postcolonialism in literature. --- Social justice in literature. --- Human rights in literature. --- History and criticism. --- Human rights in literature --- Postcolonialism in literature --- Social justice in literature --- History and criticism --- Droits de l'homme --- Littérature postcoloniale. --- Justice (philosophie) --- Littérature occidentale --- Dans la littérature. --- Histoire et critique. --- Littérature postcoloniale. --- Littérature occidentale --- Dans la littérature.
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Situated between the Victorians and Modernism, the fin de siècle is an exciting and rewarding period to study. In the literature and art of the 1890s, the processes of literary and cultural change can be seen in action. In this, more than any previous decade, literature was an active and controversial participant within debates over morality, aesthetics, politics and science, as Victorian certainties began to break down. Oscar Wilde, Aubrey Beardsley, H. G. Wells, Bram Stoker and Olive Schreiner were among the most prominent, occasionally even notorious, writers and artists of the period, challenging establishment values and producing a distinctive literature of their own. This volume includes the main currents of radical and innovative thinking in the period, as well as the attempts to resist them. It will be of great interest to students of Victorian and twentieth-century literature, art and cultural history.
Littérature anglaise --- Littérature occidentale --- Décadentisme. --- Art et littérature. --- English literature --- Literature, Modern --- Decadence (Literary movement) --- Art and literature. --- Histoire et critique. --- History and criticism. --- Grande-Bretagne --- Great Britain --- Europe --- Civilisation --- Civilization --- Littérature anglaise --- Littérature occidentale --- Décadentisme. --- Art et littérature.
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Black Odysseys explores creative works by artists of ultimately African descent which respond to the Homeric Odyssey. Considering what the ancient Greek epic has signified for those struggling to emerge from the shadow of European imperialism, and how it has inspired anticolonial poets, novelists, playwrights, and directors, Justine McConnell examines twentieth- and twenty-first century works from Africa and the African diaspora.
Identité (psychologie) --- Littérature occidentale --- Africains --- African diaspora. --- Literature --- Literature, Modern --- Homecoming in literature. --- Identity (Psychology) in literature. --- Dans la littérature. --- Auteurs noirs --- Histoire et critique. --- Black authors --- History and criticism. --- Homère. --- Homère --- Homer. --- Influence. --- Identité (psychologie) --- Littérature occidentale --- Dans la littérature. --- Homère. --- Homère
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Literature, Medieval. --- Civilization, Medieval. --- Littérature médiévale --- Civilisation médiévale --- Literature, Medieval --- Learning and scholarship --- History and criticism. --- History --- Vie intellectuelle --- Littérature occidentale --- Culture --- #GBIB: jesuitica --- 930.85.44 --- Cultuurgeschiedenis: Renaissance --- History and criticism.. --- 930.85.44 Cultuurgeschiedenis: Renaissance --- Littérature médiévale --- Civilisation médiévale --- Civilization, Medieval --- Medieval learning and scholarship --- Education, Medieval --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Civilisation médiévale. --- History and criticism --- Literature, Medieval - History and criticism. --- Learning and scholarship - History - Medieval, 500-1500. --- Littérature occidentale
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La première moitié du XXe siècle a vu un incontestable développement de réécritures de grands mythes grecs et romains et de reprises de figures de l'Antiquité, tant dans des oeuvres qualifiées de "néo-classiques" (Orphée de Cocteau, Oedipe de Gide par exemple) que dans des productions des avant-gardes qui s'affirment à cette époque (Les Mamelles de Tiresias d'Apollinaire, Ulysses de Joyce ou The Waste Land de TS Eliot, pour n'en citer que quelques-unes). Les enjeux esthétiques de la réappropriation de ces mythes et figures de l'Antiquité gréco-romaine ne peuvent être pleinement mesurés que si sont prises en compte les implications idéologiques et philosophiques de ce même phénomène. La Grèce dans l'Allemagne nazie, Rome dans l'Italie fasciste, le "mythe" et le "sacré" dans la pensée de leurs théoriciens ne revêtent évidemment pas les mêmes significations que pour des défenseurs de l'humanisme et de la démocratie. Et on ne peut plus parler de la même façon de Dionysos, d'Apollon et d'Oedipe après Nietzsche et Freud. Quelles idées de l'homme, de la cité et de l'art sont en cause et en jeu lorsque des "modernes" reviennent à la matière des mythes antiques ou utilisent des figures de l'Antiquité gréco-romaine ?
Mythology, Classical, in literature --- Civilization, Ancient, in literature --- Literature, Modern --- Mythologie ancienne dans la littérature --- Civilisation ancienne dans la littérature --- Littérature --- Themes, motives --- Thèmes, motifs --- Littérature occidentale --- Littérature antique --- Civilisation classique --- Philosophie classique --- Literatur --- Rezeption --- Antike --- Sources --- Influence --- Geschichte 1900-1945 --- Europa --- Mythologie ancienne dans la littérature --- Civilisation ancienne dans la littérature --- Littérature --- Thèmes, motifs --- Influence. --- Sources. --- Literatur. --- Rezeption. --- Antike. --- Europa. --- Themes, motives. --- Littérature occidentale --- Littérature antique --- Philosophie antique
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L'histoire de la catégorie du mauvais goût suit de très près celle du (bon) goût : dès la fin du XVIe siècle, l'expression commença à être utilisée en dehors du domaine culinaire, pour être appliquée aux lettres et aux arts dans les années 1630, puis être théorisée au début du siècle suivant. Au croisement des histoires de la littérature, de la gastronomie et des habitudes culturelles, le présent volume s'efforce de tracer les contours de ces «mauvais objets» que l'on rejeta au fil des siècles et des discours qui tous, par défaut, illustrent la relativité du Beau et du Vrai.
Aesthetics, French --- French literature --- Esthétique française --- Littérature française --- History and criticism --- Histoire et critique --- Littérature occidentale --- Vulgarité --- Esthetique francaise --- Litterature francaise --- Esthétique --- Dans la littérature --- Esthétique française --- Littérature française --- Kitsch dans l'art --- Kitsch dans la littérature --- Kitsch in art --- Kitsch in de kunst --- Kitsch in de literatuur --- Kitsch in literature --- History of civilization --- anno 1600-1699 --- anno 1700-1799 --- Kitsch --- History --- 17th-18th centuries --- Esthétique. --- Dans la littérature. --- Littérature occidentale --- Vulgarité --- Esthétique. --- Dans la littérature.
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No aspect of modernist literature has attracted more passionate defenses, or more furious denunciations, than its affinity for the idea of autonomy. A belief in art as a law unto itself is central to the work of many writers from the late nineteenth century to the present. But is this belief just a way of denying art's social contexts, its roots in the lives of its creators, its political and ethical obligations? Fictions of Autonomy argues that the concept of autonomy is, on the contrary, essential for understanding modernism historically. Disputing the prevailing skepticism about autonomy, Andrew Goldstone shows that the pursuit of relative independence within society is modernism's distinctive way of relating to its contexts. Goldstone examines an expansive modernist field in fiction, poetry, and theory-Oscar Wilde, J.-K. Huysmans, Henry James, Marcel Proust, T.S. Eliot, James Joyce, Wallace Stevens, Djuna Barnes, Theodor Adorno, Paul de Man-in order to reveal an ever-shifting preoccupation with autonomy. Drawing on Bourdieu's sociology, formalist reading, and historical contextualization, this book demonstrates the importance of autonomy to modernist themes as varied as domestic service, artistic aging, expat life, and non-referentiality. Nothing less than an argument for a wholesale revision of the assumptions of modernist studies, Fictions of Autonomy is also an intervention in literary theory. This book shows why anyone interested in literary history, the sociology of culture, and aesthetics needs to take account of the social, stylistic, and political significance of the problem, and the potential, of autonomy.
Fiction --- anno 1900-1999 --- Aestheticism (Literature) --- Autonomie (Filosofie) --- Autonomie (Philosophie) --- Autonomy (Philosophy) --- Estheticisme (Literatuur) --- Esthéticisme (Littérature) --- Modernism (Literature) --- Modernisme (Literatuur) --- Modernisme (Littérature) --- Zelfbepaling (Filosofie) --- Littérature occidentale --- Modernisme (littérature) --- Autonomie (philosophie) --- Literature, Modern --- Histoire et critique --- Théorie, etc. --- History and criticism --- Theory, etc. --- Modernism (Literature). --- Autonomy (Philosophy). --- Aestheticism (Literature). --- Crepuscolari --- Crepuscolarismo --- Crépusculaires (Poètes) --- Crépuscularisme --- Penumbrismo --- Poètes crépusculaires --- Poésie crépusculaire --- Poésie pénombriste --- Pénombrisme --- Literature [Modern ] --- 20th century --- Eliot, Thomas Stearns --- Criticism and interpretation --- Barnes, Djuna --- Stevens, Wallace --- James, Henry --- Littérature occidentale --- Modernisme (littérature) --- Théorie, etc.
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Translation is living through a period of revolutionary upheaval. The effects of digital technology and the internet on translation are continuous, widespread and profound. From automatic online translation services to the rise of crowdsourced translation and the proliferation of translation Apps for smartphones, the translation revolution is everywhere. The implications for human languages, cultures and society of this revolution are radical and far-reaching. In the Information Age that is the Translation Age, new ways of talking and thinking about translation which take full account of the dramatic changes in the digital sphere are urgently required. Michael Cronin examines the role of translation with regard to the debates around emerging digital technologies and analyses their social, cultural and political consequences, guiding readers through the beginnings of translation's engagement with technology, and through to the key issues that exist today. With links to many areas of study, Translation in the Digital Age is a vital read for students of modern languages, translation studies, cultural studies and applied linguistics.
Translation science --- Computer. Automation --- Translating and interpreting --- Machine translating. --- Internet. --- Littérature occidentale --- Traduction automatique --- Internet --- Traduction --- Innovations --- #KVHA:Vertaalwetenschap --- #KVHA:Digitale vertaling --- Vertalen en technologie --- Vertalen en het internet --- Automatisch vertalen --- Vertalen en technologie. --- Vertalen en het internet. --- Automatisch vertalen. --- Machine translating --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Automatic translating --- Computer translating --- Electronic translating --- Mechanical translating --- Algorithms --- Applied linguistics --- Artificial intelligence --- Natural language generation (Computer science) --- Information theory --- Cross-language information retrieval --- Translating machines --- DARPA Internet --- Internet (Computer network) --- Wide area networks (Computer networks) --- World Wide Web --- Translating --- Computer. Informatica. Automatisering --- Vertaalkunde --- Innovations. --- Traduction automatique. --- Littérature occidentale
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Femmes tsiganes --- Femmes tsiganes dans la littérature --- Bohemianism in literature --- Vie de bohème dans la littérature --- Bohemianism in art --- Femmes tsiganes dans l'art --- Vie de bohème dans l'art --- Poetry --- Thematology --- French literature --- anno 1700-1799 --- anno 1800-1899 --- Littérature occidentale --- Women in literature --- Femmes dans la littérature --- Women in art --- Femmes dans l'art --- Dans la littérature --- Dans l'art --- Thèmes, motifs --- Femmes tsiganes dans la littérature --- Vie de bohème dans la littérature --- Femmes dans la littérature --- Vie de bohème dans l'art --- Dans la littérature. --- Dans l'art. --- Thèmes, motifs. --- Littérature occidentale