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Ancient Synagogues - Archaeology and Art. New Discoveries and Current Research presents archaeological evidence - the architecture, art, Jewish symbols, zodiac, biblical tales, inscriptions, and coins – which attest to the importance of the synagogue. When considered as a whole, all these pieces of evidence confirm the centrality of the synagogue institution in the life of the Jewish communities all through Israel and in the Diaspora. Most importantly, the synagogue and its art and architecture played a powerful role in the preservation of the fundamental beliefs, customs, and traditions of the Jewish people following the destruction of the Second Temple and the loss of Jewish sovereignty in the Land of Israel. The book also includes a supplement of the report on the Qazion excavation.
Synagogue architecture. --- Synagogue art. --- Jewish art and symbolism. --- Synagogues --- Excavations (Archaeology) --- Jews --- Art synagogal --- Art et symbolisme juifs --- Fouilles (Archéologie) --- Juifs --- History. --- Antiquities. --- Histoire --- Antiquités --- Fouilles (Archéologie) --- Antiquités --- Art, Synagogue --- Jewish art --- Jewish architecture --- Jewish symbolism and art --- Jewish arts --- Symbolism --- Symbolism in art --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Archaeology
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Art, Jewish --- -Jewish art and symbolism --- -Synagogue architecture --- -Synagogue art --- -Excavations (Archaeology) --- -Art, Synagogue --- Jewish art --- Jewish architecture --- Jewish symbolism and art --- Jewish arts --- Symbolism --- Symbolism in art --- Hebrew art --- Judaism and art --- Art --- Palestine --- -Holy Land --- Antiquities --- Excavations (Archaeology) --- Jewish art and symbolism --- Synagogue architecture --- Synagogue art --- Antiquities. --- -Palestine --- -Antiquities --- Art, Synagogue
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Catacombs --- Jewish art and symbolism --- Jewish epitaphs --- Jewish sarcophagi --- Jews --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Sarcophagi, Jewish --- Jewish symbolism and art --- Sculpture --- sculpture [visual works] --- sepulchral monuments --- sarcophagi [coffins] --- catacombs --- Romeinse Rijk --- Rome --- Ethnology --- Religious adherents --- Semites --- Judaism --- Sarcophagi --- Epitaphs --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Antiquities --- Cemeteries --- Tombs
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Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.
Cosmology in art. --- Jewish art and symbolism --- Art, Byzantine --- Judaism --- Christianity and other religions --- ART / Subjects & Themes / Religious --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Brotherhood Week --- Themes, motives. --- Relations --- Christianity. --- Judaism.
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In the late nineteenth century in Europe and to some extent in the United States, the Jewish upper middle class—particularly the more affluent families—began to enter the cultural spheres of public life, especially in major cities such as Vienna, Berlin, Paris, New York, and London. While many aspects of society were closed to them, theater, the visual arts, music, and art publication were far more inviting, especially if they involved challenging aspects of modernity that might be less attractive to Gentile society. Jews had far less to lose in embracing new forms of expression, and they were very attracted to what was regarded as the universality of cultural expression. Ultimately, these new cultural ideals had an enormous influence on art institutions and artistic manifestations in America and may explain why Jews have been active in the arts in the twentieth and twenty-first centuries to a degree totally out of proportion to their presence in the US population. Jewish cultural activities and aspirations form the focus of the contributions to this volume. Invited authors include senior figures in the field such as Matthew Baigell and Emily Bilski, alongside authors of a younger generation such as Daniel Magilow and Marcie Kaufman. There is also an essay by noted Los Angeles artist and photographer Bill Aron. The guest editor of the volume, Ruth Weisberg, provides an Introduction that places the individual contributions in context.
Jews --- Jewish art and symbolism --- Jewish art --- Identity --- In art --- History and criticism. --- Themes, motives --- Art, Jewish --- Hebrew art --- Judaism and art --- Art --- Jewish symbolism and art --- Jewish arts --- Symbolism --- Symbolism in art --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Social & cultural history
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Iconography --- Jewish religion --- Judaism --- Jewish art and symbolism --- Customs and practices --- Pictorial works --- 296*5 --- -Jews --- Religions --- Semites --- Jews --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Joodse godsdienst en liturgie --- -Pictorial works --- Religion --- Jewish art and symbolism. --- Pictorial works. --- -Joodse godsdienst en liturgie --- 296*5 Joodse godsdienst en liturgie --- -Jewish symbolism and art --- Customs and practices&delete& --- Judaïsme. Rites. Iconographie. --- Jodendom. Riten. Iconografie. --- Judaism - Customs and practices - Pictorial works
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091 =924 --- 091.31 <460> --- 091:22 --- Handschriftenkunde. Handschriftencatalogi--Hebreeuws --- Verluchte handschriften--Spanje --- Bijbels--(handschriften) --- 091:22 Bijbels--(handschriften) --- 091.31 <460> Verluchte handschriften--Spanje --- 091 =924 Handschriftenkunde. Handschriftencatalogi--Hebreeuws --- Haggadot --- Illumination of books and manuscripts, Medieval --- Jewish art and symbolism --- Jewish illumination of books and manuscripts --- Illumination of books and manuscripts, Jewish --- Illumination of books and manuscripts --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Painting, Medieval --- Hagadot --- Haggadoth --- Seder --- Liturgy
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Judaism --- Jewish art and symbolism --- Judaïsme --- Art et symbolisme juifs --- History --- Histoire --- Goodenough, Erwin Ramsdell, --- -Jewish art and symbolism --- -Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Jews --- Religions --- Semites --- -Addresses, essays, lectures --- Addresses, essays, lectures --- Religion --- Goodenough, Erwin Ramsdell --- Jewish art and symbolism. --- -History --- -Jews --- Jewish symbolism and art --- Judaïsme --- Judaism - History - Talmudic period, 10-425 --- Goodenough, Erwin Ramsdell, - 1893-1965 - Jewish symbols in the Greco-Roman period
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Catacombs --- Jewish art and symbolism --- Jewish epitaphs --- Jews --- Sarcophagi, Jewish --- Catacombes --- Juifs --- Catalogs --- Catalogs. --- -Sarcophagi, Jewish --- -Jewish art and symbolism --- -Jews --- -Jewish epitaphs --- -Epitaphs --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Sarcophagi --- Antiquities --- Cemeteries --- Tombs --- -Catalogs --- Jewish sarcophagi --- Epitaphs --- Catacombs - Italy - Rome. --- Sarcophagi, Jewish - Italy - Rome - Catalogs. --- Jewish art and symbolism - Italy - Rome - Catalogs. --- Jews - Italy - Rome. --- Jewish epitaphs - Italy - Rome - Catalogs.
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Tamara Prosic gives a new explanation of the origins, development and symbolism of Passover. First, she examines Passover from the diachronic perspective, tracing its development from the period before the centralisation of the cult until the second destruction of the temple. Issues with previous scholarship are considered, while at the same time she places the study of Passover within the framework of the new paradigm of historical studies of ancient Israel that advocates the indigenous Canaanitic origin of Israelites.The second part of the book is synchronic in its approach to Passover and d
Passover --- Jewish art and symbolism. --- Judaism --- Customs and practices. --- History. --- Origin. --- 296*514 --- Sabbat en feestdagen --- Passover. --- Jewish art and symbolism --- Religion --- Philosophy & Religion --- Customs and practices --- History --- Origin --- 296*514 Sabbat en feestdagen --- Pesach --- Pesaḥ --- Peyseḥ --- Peysekh --- Fasts and feasts --- Passover (Jewish law) --- Jewish law --- Passover food --- Jewish symbolism and art --- Jewish art --- Jewish arts --- Symbolism --- Symbolism in art --- Passover - Customs and practices. --- Passover - History. --- Judaism - Origin.